m̌ ḫ's photos with the keyword: 2019

Large Reclining Figure is the product of Moore’s fourth and final collaboration with the architect I. M. Pei. In 1976, one of Pei’s most ambitious projects opened in Singapore: a fifty-two storey skyscraper – then the tallest in South East Asia – for the Overseas-Chinese Banking Corporation. Pei had wanted to site a major sculptural commission at the base of the building, but it was several years before a suitable space became available. When Pei approached Moore about the commission, he was fearful of his response. Moore – by now in his eighties - had already told Pei that he was no longer producing monumental sculptures and that he was concentrating on producing drawings for the Foundation. He conceded, however, that it might be possible if the commission were based on an existing work. Further reading: catalogue.henry-moore.org/objects/14059/large-reclining-figure

Castle Drogo is a country house and mixed-revivalist castle on the edge of Dartmoor, Devon, England. Based on the design of famous achitect Edwin Lutyens, it was constructed 1911-1930, and due to the economic downturn, shrinked to a third of the original design. It was the last castle to be built in England, albeit a very weird one - as you can see. With cranes and scaffolding you get mixed feelings when visiting it. A concrete construction with traditional shapes, nice art deco parts combined with something of an English aristocratic Disneyland. A weird one, but remarkable and rather unique. More info: www.nationaltrust.org.uk/castle-drogo

A tor, which is also known by geomorphologists as either a castle koppie or kopje, is a large, free-standing rock outcrop that rises abruptly from the surrounding smooth and gentle slopes of a rounded hill summit or ridge crest. In the South West of England, the term is commonly also used for the hills themselves – particularly the high points of Dartmoor in Devon and Bodmin Moor in Cornwall. So this herd of horses just came freely to the rocks we've been visiting. I know very little about horses, but these whites were probably another breed than the usual Dartmoor pony, that are walking freely and help to give the area its unique character.

The Orava Beskids (Slovak: Oravské Beskydy, Polish: Beskidy Orawskie) is a range of mountains straddling the northern-Slovakia-southern-Poland border within the Outer Western Carpathians. They are the fifth highest mountain range in Slovakia and the second highest mountain range in Poland. Babia hora (pol. Babia Góra, 1,723 m) is the highest peak of the Orava Beskydy Mountains marking the Slovak-Polish border.

We liked the gardes very much, and appreciated we could see also such sculpture masterpieces. Two bronze sculptures by the sculptor Barbara Hepworth can be found set within the grounds of the Botanic Gardens in Edinburgh. The bronze sculptures include this 2,43m tall Rock Form (Porthcurno) made in 1964 and another 1.9m tall Form (Gloria) made in 1958. In typical Hepworth style, these are abstract works in natural shape forms. The bronzes had been on permanent loan to the gardens from the artist’s estate and displayed there since 1976, shortly after the death of Hepworth at age 72. Inverleith House, the gallery situated inside the Royal Botanic Gardens of Edinburgh, was originally the home of the Scottish National Gallery of Modern Art from 1960- 1984. Hepworth’s two sculptures were officially acquired by the National Galleries of Scotland in 2013 and remain in the gardens permanently. Photo by Libusa

Did you know that Loch Ness contains more water than all the lakes of England and Wales combined, making it the most voluminous lake in the UK? This corner of the Highlands is world-famous for its dramatic scenery, great adventure sports and nearby castles and solitary lighthouses dotting the landscape. Loch Ness is one of those rare destinations that engages everyone, from children enchanted with Nessie, to adults interested in photography, hiking and more. It combines Jacobite history, stunning scenery and the possibility of a monster sighting... www.visitscotland.com/destinations-maps/loch-ness

The Circus, originally called King's Circus, was designed by the architect John Wood, the Elder. Convinced that Bath had been the principal centre of Druid activity in Britain, Wood surveyed Stonehenge, which has a diameter of 325 feet (99 m) at the outer earth bank, and designed the Circus with a 318 feet (97 m) diameter to mimic this. Wood died less than three months after the first stone was laid; his son, John Wood, the Younger, completed the project to his father's design. The initial leases for the south west segment were granted in 1755–1767, for the south east segment in 1762–1766, and for the north segment in 1764–1766. The Circus was part of John Wood the Elder's grand vision to recreate a classical Palladian architectural landscape for the city. Other projects included nearby Queen Square and the never-built Forum. The culmination of Wood's career, the Circus is considered his masterpiece. -- Elliot, Kirsten (2004). The Myth-Maker: John Wood 1704–1754 Gadd, David, Georgian Summer, Countryside Books, updated edition 1987

Three Classical orders (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The frieze of the Doric entablature is decorated with alternating triglyphs and 525 pictorial emblems, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials. en.wikipedia.org/wiki/The_Circus,_Bath

The Cairngorm Mountains in the Scottish Highlands are not especially tall, topping out at about 1,300 meters. But their modest heights boast a fierce reputation: Scotland is one of the top destinations in the world for winter climbing on mixed rock and ice terrain, and the region has produced some of the boldest, strongest and technically proficient mountaineers in history, including Hamish MacInnes of Glencoe, who invented the first metal ice axe, and Dave MacLeod, who established some of the most technically challenging climbing routes in Scotland. Formed from a granite pluton, the Cairngorms sit atop a glacially carved plateau that has long presented a barrier to travel through the region. To this day, the Cairngorms are bisected by a network of ancient footpaths, but no roads. One of the most famous and dramatic routes through the Cairngorms runs through the Lairig Ghru, a deep, narrow, 43-kilometer-long glacially carved canyon that has served as a major trade and migration route from Aviemore to Braemar for hundreds or perhaps thousands of years. Exploring the Cairngorms on foot is not for the faint-hearted or tender-footed. The year-round arctic-like weather is dangerously unpredictable and the terrain is intensely rugged. But in spite of the dangers — or perhaps because of them — the Cairngorms have inspired mountain men and women to climb their glacially sculpted granitic slopes since at least the 16th century, when the first ascents of major peaks were recorded. You don’t have to be a world-class mountaineer to experience the Cairngorms, however. The region is preserved within the bounds of Cairngorms National Park — the largest park in the British Isles — which maintains hundreds of kilometers of hiking paths suitable for all skill levels. The park also offers skiing, mountain and road biking, horseback riding, fishing and golfing. Scotland isn’t a big place, but it boasts some of the most diverse and inspiring geology found anywhere in the world. A dramatically scenic, globe-trotting landmass known for being the birthplace of geology and mountaineering, Scotland should be at the top of every geo-traveler’s list. www.earthmagazine.org/article/travels-geology-inspiring-globe-trotting-rocks-scotland

The Cairngorms National Park is hugely diverse; it is a living, working landscape from the wild high mountains, to the heather moorlands and peatlands, to the magnificent forests, the farms and crofts, and the wetlands and rivers which wind through the flood plains. The Caledonian Forest takes its name from the Romans who called Scotland ‘Caledonia’ meaning wooded heights and covered much of the Highlands and what we know as the Cairngorms National Park today. The Scots pine we see now are directly descended from these first pines, that arrived in Scotland following the Late Glacial period around 7,000 BCE and formed the westernmost outpost of the Boreal Forest in Europe. It is estimated to have reached a maximum coverage of 1.5 million hectares around 5,000 BCE. Then as the climate became wetter and windier the forest reduced significantly by 2,000 BCE and from this time onwards human intervention reduced the forest to its current extent. Today the Caledonian Forest exists in 35 remnants across the Highlands of Scotland, the only climatic region in the UK suitable to support it. These last remaining forests have had to adapt to the Scottish environment and as such are globally unique in their ecological characteristics and forms an unbroken 9,000 year chain of natural evolution. Many species have flourished in the Caledonian Forest over the thousands of years. Prior to forest clearances in Neolithic times, you would have found beavers, wild boar, lynx, brown bears, grey wolves, elk and wild horses. These species are unfortunately extinct in the forests today, but are still home to some of the rarest wildlife in the UK; the mountain hare, pine marten, red deer, red fox, red squirrel, roe deer, Scottish wildcat, the capercaillie, crested tit and Scottish crossbill. cairngorms.co.uk/discover-explore/landscapes-scenery/woodlands-forests

Papaver rhoeas - Vlčí mak - la amapola silvestre - ヒナゲシ - Silkkiunikko

A yellowy orange coloured leafy lichen that is one of the most common species around. The yellow chemical xanthorin is thought to be produced as a defence against UV radiation to which it is exposed in its normal habitat - cement tiled roofs, exposed twigs and branches etc. When it is growing in the shade it does not require such protection and xanthorin production stops and the lichen remains green. In or after rain, this lichen appears more greeny yellow as the algae shows through the more translucent fungus. www.naturespot.org.uk/species/xanthoria-parietina

The city of Bath in South West England was founded in the 1st century AD by the Romans who used the natural hot springs as a thermal spa. It became an important centre for the wool industry in the Middle Ages but in the 18th century under the reigns of George l, ll and III it developed into an elegant spa city, famed in literature and art. The City of Bath is of Outstanding Universal Value for the following cultural attributes: The Roman remains, especially the Temple of Sulis Minerva and the baths complex (based around the hot springs at the heart of the Roman town of Aquae Sulis, which have remained at the heart of the City’s development ever since) are amongst the most famous and important Roman remains north of the Alps, and marked the beginning of Bath’s history as a spa town. The Georgian city reflects the ambitions of John Wood Senior (1704-1754), Ralph Allen (1693-1764) and Richard “Beau” Nash (1674-1761) to make Bath into one of the most beautiful cities in Europe, with architecture and landscape combined harmoniously for the enjoyment of the spa town’s cure takers. The Neo-classical style of the public buildings (such as the Assembly Rooms and the Pump Room) harmonises with the grandiose proportions of the monumental ensembles (such as Queen Square, Circus and Royal Crescent) and collectively reflects the ambitions, particularly social, of the spa city in the 18th century. The individual Georgian buildings reflect the profound influence of Palladio (1508-1580) and their collective scale, style and the organisation of the spaces between buildings epitomises the success of architects such as the John Woods (elder 1704-1754, younger 1728-1782), Robert Adam (1728-1792), Thomas Baldwin (1750-1820) and John Palmer (1738-1817) in transposing Palladio’s ideas to the scale of a complete city, situated in a hollow in the hills and built to a picturesque landscape aestheticism creating a strong garden city feel, more akin to the 19th century garden cities than the 17th century Renaissance cities. whc.unesco.org/en/list/428