Badly's photos with the keyword: Victoria & Albert Museum

"Jananne Al-AniBorn Kirkuk, Iraq, 1966. Lives London, UK Still from 'Shadow Sites II' 2011 Single channel digital video. Duration 8 mins 38 secs Photography by Adrian Warren Courtesy the Artist and Rose Issa Projects, London This is a still from a video composed of a series of aerial views, which show that the desert is inhabited and not the unoccupied wilderness it is sometimes believed to be. The title draws on a phenomenon familiar to archaeologists: when the sun is at its lowest, shadows make visible the remains of otherwise undetectable settlements. Al-Ani’s images are presented without explanation and the scale of the landscapes is difficult to interpret. They are deliberately ambiguous and point to the limitations of photography."

"Jananne Al-AniBorn Kirkuk, Iraq, 1966. Lives London, UK Still from 'Shadow Sites II' 2011 Single channel digital video. Duration 8 mins 38 secs Photography by Adrian Warren Courtesy the Artist and Rose Issa Projects, London This is a still from a video composed of a series of aerial views, which show that the desert is inhabited and not the unoccupied wilderness it is sometimes believed to be. The title draws on a phenomenon familiar to archaeologists: when the sun is at its lowest, shadows make visible the remains of otherwise undetectable settlements. Al-Ani’s images are presented without explanation and the scale of the landscapes is difficult to interpret. They are deliberately ambiguous and point to the limitations of photography."

"Jananne Al-AniBorn Kirkuk, Iraq, 1966. Lives London, UK Still from 'Shadow Sites II' 2011 Single channel digital video. Duration 8 mins 38 secs Photography by Adrian Warren Courtesy the Artist and Rose Issa Projects, London This is a still from a video composed of a series of aerial views, which show that the desert is inhabited and not the unoccupied wilderness it is sometimes believed to be. The title draws on a phenomenon familiar to archaeologists: when the sun is at its lowest, shadows make visible the remains of otherwise undetectable settlements. Al-Ani’s images are presented without explanation and the scale of the landscapes is difficult to interpret. They are deliberately ambiguous and point to the limitations of photography."

Nothing to laugh about here. en.wikipedia.org/wiki/Raphael_Cartoons The gilded altarpiece at the end shows nasty things being done to St George.

Concentric

Exquisite limestone carving from the 13th Century. collections.vam.ac.uk/item/O25014/sculpture-surya/