Still from 'Shadow Sites II' #2
Still from 'Shadow Sites II' #3
JCE
'Morning
wisps
dapples
nice clean windows
Barrow Wake 1
Barrow Wake 2
Barrow Wake 3
Barrow Wake 4
Barrow Wake 5
Barrow Wake 6
KFC
Gladiator Box Meal
Cheese on toast omelette
genes
28 Days Latte
guess where 10 mixers
diplodocus
N H M
triceratops
big mammals
Twix
Camera Obscura
hen chaffinch
oo-er
wooden bridge
walking through the Fairlawne Estate, bold as bras…
people with long shadows
Sheep disguised as sheep
Exciting Winter Scene
Four types of bracket fungus
20121230_08
Fairlawne Park
The National Factory For Dates Packing
Old Post Box
Queen Alexandra surrounded by bits of her plinth
Epimedium 2
Epimedium 1
spicules of frost
cold spiraea
Wrekin moon
togs
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Still from 'Shadow Sites II' #1


"Jananne Al-AniBorn Kirkuk, Iraq, 1966. Lives London, UK
Still from 'Shadow Sites II' 2011
Single channel digital video. Duration 8 mins 38 secs
Photography by Adrian Warren
Courtesy the Artist and Rose Issa Projects, London
This is a still from a video composed of a series of aerial views, which show that the desert is inhabited and not the unoccupied wilderness it is sometimes believed to be. The title draws on a phenomenon familiar to archaeologists: when the sun is at its lowest, shadows make visible the remains of otherwise undetectable settlements. Al-Ani’s images are presented without explanation and the scale of the landscapes is difficult to interpret. They are deliberately ambiguous and point to the limitations of photography."
Still from 'Shadow Sites II' 2011
Single channel digital video. Duration 8 mins 38 secs
Photography by Adrian Warren
Courtesy the Artist and Rose Issa Projects, London
This is a still from a video composed of a series of aerial views, which show that the desert is inhabited and not the unoccupied wilderness it is sometimes believed to be. The title draws on a phenomenon familiar to archaeologists: when the sun is at its lowest, shadows make visible the remains of otherwise undetectable settlements. Al-Ani’s images are presented without explanation and the scale of the landscapes is difficult to interpret. They are deliberately ambiguous and point to the limitations of photography."
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