amylsacks' photos with the keyword: piano
"Cuckoo Waltz" Sheet Music, 1928
14 Apr 2022 |
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I'll need to buy a piano one of these days to justify the expense of all this sheet music.
"Down The Road A Piece" Sheet Music, 1942/3
06 Dec 2021 |
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I didn't clean this one up completely. I wanted to preserve "Holley" at the lower left. Which may have been pre-printed on or added later. I'm not sure. Also, you can faintly see a store imprint at the lower right from Ye Music Shoppe in Sacramento, California, USA. Though I bought this in 2019 from a store on the Oregon Coast, which I hope is still there.
"Down The Road A Piece" Sheet Music (3), 1942/3
06 Dec 2021 |
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Lots of Jazz and Blues greats named here. I wonder if they made any money off these tie-ins.
"Down The Road A Piece" Sheet Music (2), 1942/3
06 Dec 2021 |
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I was never allowed to learn Boogie Woogie at my piano lessons. No wonder I was always bored to death. :D
"Melodies The World Remembers," 1938
24 Feb 2019 |
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All four aspirants depicted are teaching piano to bored First-Graders while they wait for their big break.
"Piano Transcriptions, Early Grades," 1938
08 Oct 2018 |
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Other pieces plugged on the back: "Wooden Shoes," and "Dance Of The Dwarfs." Timeless masterworks inspiring to millions of kids, no doubt. :P
"Tonight We Love" Sheet Music, 1941
06 Aug 2018 |
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I don't think this tune really compares to Pete's original, but hopefully he made lots of dough off it. ;)
Carrolling, 1959
31 Jan 2012 |
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Cover of a 45 RPM "single" with two short instrumentals on each side. Barbara Carroll penned them in her signature bop-meets-cabaret style. Born in 1924, she's still playing and singing today. You can find her homepage here .
The Feminine Touch, 1953
29 Jan 2012 |
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"Here are five illustrious ladies, all of whom are in the class known as Peerless Performers. All are so expert at 'tickling the ivories' that they have won important places in the honor roll of American jazz. They are, to put it concisely, Queens of the Keyboard. Each one has her distinctive style, yet all of them have that pianistic manner which is characteristic and non-masculine..." Blah, blah, blah...
Seriously, the whole back cover of this Decca 10"/EP drips with reassurance that women aren't stealing away Men's Sacred Manly Magic by daring to play jazz. Gah.
Anyway, it's a lovely design, though it has diddly to do with the styles of music actually on the record. YouTube can help you hear what these talented women sounded like, all except Ann Jenkins. Sadly, there seems to be nothing readily available about her on the 'net. More details about the record can be found here.
Mary Lou Williams, 1953
05 Feb 2012 |
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Cover design by "Guldi, Trivas/Tri-Arts."
"To call Mary Lou Williams the greatest woman pianist, arranger, and composer in present-day popular music is easy-- and accurate. But this qualified superlative seriously minimizes the importance of Miss Williams as an artist, for her talents easily override arbitrary barriers of sex and, indeed, of time..." -- Mike Butcher , from the writing on the back cover.
Duke Ellington put it more succinctly: "She is soul on soul." She was.
Modern Jazz Piano LP, 1957
20 Apr 2012 |
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"During the past decade, modern jazz has been the spearhead in widening the audience for jazz in general-- and as the head of that spear, the piano has opened ears that hitherto had been closed to what, to them, were the harsher sounds of the trumpet, trombone and saxophone..."
-- Ira Gitler, from the notes on back.
Heidelberg Beer Ad, 1953
12 Dec 2012 |
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Remember, Ladies: always wait until the second date before you break out those Cecil Taylor arrangements.
From the July issue of Family Circle magazine.
Bossa Nova + Soul LP, 1963
28 Jan 2013 |
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Marian McPartland - Piano
Dave Bailey - Drums
Ralph Dorsey - Conga Drum
Bob Crowder - Tambourine
"This album is quite different from anything that I have ever recorded. One of the interesting and unusual features is the addition of the conga drum and tambourine to my regular group. We have been playing the Bossa Nova since Dave Bailey joined the trio several months ago and demonstrated this new rhythm that he and Ben Tucker had heard while on tour earlier this year..."
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