Martin M. Miles' photos with the keyword: acrobat

After the conquest of Britain under Emperor Claudius, the Romans founded the city of "Isca Dumnoniorum" on the site where a Celtic settlement already existed. Numerous sections of the Roman city wall have survived to this day. In the 7th century, the city fell to Wessex. An Anglo-Saxon monastery was built here around 680. In 876, the Danes attacked Exeter and occupied it briefly, but Alfred the Great was able to drive them out a year later and had the Roman city wall repaired. In 893, Alfred was able to hold the city against a Danish attack for a second time. In 1001, the Danes again failed to take control of Exeter. However, after the town came into the possession of Emma of Normandy in 1002 through her marriage to Æthelred the Unready as part of her dowry, Emma's steward allowed the Danes under Sven Forkbeard to enter Exeter and sack the city the following year. In 1050 the seat of the bishopric, formed in 1032 from the bishoprics of Cornwall and Crediton, was transferred to Exeter and Leofric became the first bishop of the bishopric of Exeter. In 1068 the town was besieged by Norman troops of William the Conqueror, to whom it had refused to swear allegiance, and surrendered after 18 days. The Norman ruler had the fortress of Rougemont built here. However, the Bishop of Exeter also acted as a landowner and feudal lord, as mentioned in the Domesday Book. In the early stages of the civil war that broke out after the death of Henry I, Baldwin de Redvers held Exeter for three months in 1136 against King Stephen, but then surrendered. Henry II granted Exeter its first charter. In the 13th century, Exeter developed into the most important city in the southwest of England. It exported tin and cloth, among other things. From 1295 onwards, it sent representatives to the English Parliament. Exeter had to survive several more sieges, for example in 1467 during the Wars of the Roses, in 1497 by the pretender to the throne Perkin Warbeck and in 1549 by insurgents from Cornwall and Devon who rebelled against the religious reforms of Edward VI, while Exeter remained loyal to the king. During the English Civil War (1642-1649), Exeter was initially on the side of the supporters of Parliament, but was conquered by the Royalists in 1643 and held for King Charles I for almost three years. Construction of the cathedral began in 1112 in the Norman/Romanesque style. The outer walls of the nave and the two colossal square towers, which now serve as the transept, are still preserved from this building. The architect of the Romanesque predecessor had resorted to this unusual solution because the crossing towers, which had previously been built according to English tradition, had collapsed. The new Gothic building began in 1224. The Lady Chapel, a single-nave building with three bays, marked the beginning. Around 1280/90, the retrochoir and the nave followed in the dimensions of the Romanesque church. At about the same time (1270/1280), the chapter house was added to the south transept. A musician with an acrobat and a dog

Moudon, today a town with a population of about 6000, was called Minnodunum. In Roman times. Moudon was under the influence of the Savoy already in the early 13th century and became an important Savoyard base in Waadt / Vaud. Around 1260, under Peter of Savoy, it became the residence of the Savoy bailiff in Vaud. The importance of Moudon increased rapidly. The town area expanded and was surrounded by new walls. In 1285, Moudon was granted town privileges. Especially in the 14th and 15th centuries, the town flourished as an administrative center and of the Vaudois estates. With the conquest of Vaud by Bern in 1536, Moudon came under Bernese rule. The Reformation was introduced. The church was first mentioned in 1134, even though it may have been built earlier. It was situated outside the medieval village. The church was nicknamed "the cathedral of Broye", a region around the Broye River, by the residents of Moudon. After a bell tower was added in 1420, the church was enlarged and renovated between 1495 and 1499, then again between 1499 and 1502. Paintings were added to the vaults between 1506 and 1511. After the conquest by the canton of Bern in 1536, the side altars and the statues of the church were destroyed and the building became a Reformed temple. There are some very imaginative misericords in the choir stalls. An acrobat

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by the Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archepiscopal palace, a royal palace and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting him to build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendour of the "Duomo di Monreale" and the adjoining cloister, the only structures of the large complex, that survived the times. The cloister (completed ~ 1200) measures 47x47 metres. Each side has 26 arches resting on columns. The carvings of the capitals (and the columns) are very detailed and complex, the themes vary and some capitals are "hard to read" and interpret. There are literally thousands of small details carved into the stones of pillars and capitals. Here are just a few of them.

A settlement has existed here already before Romans and Gauls settled here, the town Belleville was actually founded by the House of Beaujeu. Humbert III de Beaujeu (+ 1194), the 8th Sir de Beaujeu, had a city wall built and founded a commanderie that in 1158 was converted into a Augustinian priory and 6 years later became an abbey. The church, that now serves the parish is the only remaining structure of this abbey. The construction of the large church (63m long) started in 1168. It was completed only 11 years later and was consecrated and dedicated to the Virgin in 1179. The nave (and the choir) seem already early Gothic in some parts. The church was the burial site for the House of Beaujeu. Though much of the interior got destroyed durig the Wars of the Religions, there are still nice (and well restored) Romanesque carvings and capitals here. Is this (topless) lady a gifted acrobat? Dancer? Or is she falling down head over heels?

The parish church of Bouhet was erected within the 12th/13th century. It was the church of a priory dependent on the abbey of Saint-Jean de Montierneuf in Poitiers. The church was terribly mutilated during the Wars of Relegions and so only a few parts of the Romanesque structure survived and can be seen today. When it was tried to "rebuilt what was left of the the church after the destruction, it was not possible to put back the carvings "in situ", as most of the church was just gone. Here is an acrobat, two beasts on the capital in the center and (half of) a lion, chewing the tail.

One of the (very high!) capitals in the choir of St. Philibert. An extremely flexible acrobat is despicted on the capital. His backbending skills are really extraordenary. He is not the only acrobat to be seen in St. Philibert.

One of the capitals in the choir of St. Philibert. The acrobat on the right must have an extra (elbow-)joint, as his left arm goes under his knee - and up, holding a small ball. The right arm does the same move - and now ends in the mouth of a lion. Actually this is a trio (incl. the tamed lion), as the person on the left does the same.

The church was erected in the early 12th century. Large parts of the facade are from that time. Here are three carvings.

A Benedictian monastery was founded by Hiberno-Scottish monks in Regensburg already around 1070. Soon after, the convent moved to a place just outside the city walls and in started to erect first buildings. The first church, consecrated in 1120, was of such a poor workmanship, that the convent decided to tear it down (except one apse and the flanking towers) and restart the process. The church of today was completed before 1200. It is one of the most important Romanesque structures in Bavaria. The abbey was a hub for the Irish/Scottish mission to central Europe. Daughter establishments of St. Jakob were founded in Vienna (1155), Erfurt (1136), Wuerzburg (1138), Nuremberg (1140), Constance (1142), Eichstaett (1148), Memmingen (1178), Kiev (!) (late 12th century) and Kelheim (13th century). WHile the first monks and abbots were Irish, the Scottish period started after the Reformation with Scottish abbot Ninian Vincet (1577-1592). A century later Scottish priests were educated here to do missionary work back in Scotland. Abbot Benedikt Aburthnot (1737-1820) could avoid the secularisation in 1802 by making clear, that the monastery was a Scottish (not at all Bavarian!) national treasure. It took upto 1814 to incorporate the Scottish monastery into the Bavarian sovereignty. Monastic life finally ended here in 1862, when the buildings were taken over by the bishop, who 10 years later founded a still existing seminary here. The northern portal ("Schottenportal") is one of the most important (and largest) Romanesque works of art in Germany. It occupies a third of the church´s northern wall and is divided into thirds both horizontally and vertically, plus a small frieze that tops the central arch (the vertical center). While most authors reckon, that Irish masters created this portal, Marcel Durliat sees parallels to works in Northern Italy, created by the Comacine masters ("Magistri Comacini"). He even connects this portal to the carvings in Linden and Remagen. I doubt that.. The right side of the center has five snarling, fierce looking male lions, all having manes. The pillars are elaborately decorated with foliage. The middle-pillar has a bird, pecking grapes, just under the capital, from where a person looks down. There are three persons seen between the pillars (on their knees). The left one may be an acrobat, the middle, bearded one is a musician, playing a small string instrument. The right one, dressed in a kind of cape, holds his hands on his stomach.

The first church here was founded by William V, Duke of Aquitaine, (aka "William the Great", "Guillaume le Grand") around 1000. He was the son of William "Fierebras" (= iron arm). His daughter Agnes of Poitou was the wife of Henry III, Holy Roman Emperor. As a widow she was known as "Empress Agnes". William the Great was a supporter of the abbey in nearby Maillezais, so it is no surprise, that a priory was founded here. "Notre Dame" the former church of that priory now serves as parish church of Vouvant, a village of less than a thousand inhabitants. The church was erected within the 11th and 12th century - and very soon after in was completed, the western front got demolished and the nave got enlarged. Obviously a great number of monks and laybrothers lived here at that time, reclaiming land in the swampy "Marais Poitevin". Just like the abbey in Maillezais, the priory in Vouvant suffered great damages during the 100 Year´s War. It got later looted and ruined during the Wars of Religion. The priory went under - and the church crumbled until the first restaurations were done in 1882. The works ended the same year due to lack of funds. After a recent renovation, the church now is in a good condition. This is a close-up of the large archivolt (see previous uploads for an overview). The small acrobatic atlants, looking so uniform from the distance, are all individuals. There are tall ones and small ones. They even wear different pullovers. Above them two damaged ladies (in a boat? mermaids?) combing their hair (?), two large birds. a stoic person sitting on a chair (throne?) and a horseman.

The first church here was founded by William V, Duke of Aquitaine, (aka "William the Great", "Guillaume le Grand") around 1000. He was the son of William "Fierebras" (= iron arm). His daughter Agnes of Poitou was the wife of Henry III, Holy Roman Emperor. As a widow she was known as "Empress Agnes". William the Great was a supporter of the abbey in nearby Maillezais, so it is no surprise, that a priory was founded here. "Notre Dame" the former church of that priory now serves as parish church of Vouvant, a village of less than a thousand inhabitants. The church was erected within the 11th and 12th century - and very soon after in was completed, the western front got demolished and the nave got enlarged. Obviously a great number of monks and laybrothers lived here at that time, reclaiming land in the swampy "Marais Poitevin". Just like the abbey in Maillezais, the priory in Vouvant suffered great damages during the 100 Year´s War. It got later looted and ruined during the Wars of Religion. The priory went under - and the church crumbled until the first restaurations were done in 1882. The works ended the same year due to lack of funds. After a recent renovation, the church is in much better condition. This is the lower part of the western facade, that was completed within the 12th century. I learned, that most details of the two small archivolts over the two doors are a result of the 19th century renovation, while the large archivolt was "unharmed" and is a great piece of poitevin art of the 12th century. The inner archivolt consists out of 32 (of once 36) acobatic atlants, who hold up the outer archivolt, that is populated with about 40 animals, plants, faces and mythic creatures, that remind me of Aulnay. Within the archivolt are two large Romanesque sculptures (the frieze between them got lost). While Samson on the right tears the lion apart, he is loosing all of his physical power to the left. His wife bends over him - and gives him a new haircut.

Maillezais, a small town with a population of less than 1000, is known for it´s old monastery, founded in the very swampy "Marais Poitevin" in 989. It developed well, when the land around got reclaimed. Later even was a bishop´s see was here. Only some ruins are left of the former Gothic cathedral, as it was burned down by Huguenots during the Wars of Religion and sold as a quarry to local entrepreneurs after the French Revolution. Saint Nicolas, the parish church had a better fate, though vandalized and severely damaged during the Wars of Religion as well, it did not get ruined like the cathedral. The western facade is built in the "style saintonge" with the flanking blind arches. These are the pillars on the right side of the central door. They are all masterly carved. The six acrobats, who together press the heavy, but weathered capital, are very unique. We will see them again at the International Circus Festival of Monte-Carlo next January, when they´ll perform with the six acrobats, who do the same stunt on the left side of the door.

Monks, lay brothers and workers from the Benedictian Abbaye royale of Saint-Jean-d'Angély (20kms northwest), started to build this church end of the 11th century. The Benedictian abbey, part of the cluniac network, had been founded by Louis the Pious´ son Pepin I of Aquitaine in the 9th century. Given up during the Viking raids, the abbey grew rich, famous and important, when the Via Turonensis developed. Thousends of pilgrims followed that way and as a relic of John the Baptist was kept in the abbey, this was a major halt on the "chemin". The abbey sponsored the building of dozends of churches in the Poitou. The church was dedicated to Saint-Hérie (aka "Saint Arediu", "Arède d'Atane"). The village around the church was consequently named "Saint-Herie" before it got merged into the small town of Matha. During the 100 Years´War, the area changed hands a couple of times, before the "Battle of Taillebourg" 1242 (30kms west) ended the "Saintonge-War". The Wars of Religion were even worse for Saint-Hérie. Only the facade and the southern wall of the nave survived the fury. Matha was a stronghold of the Huguenots, who were evicted and exiled after the "Edict of Nantes" got revoked in 1685. Following that all protestant churches existing in the town got leveled to the ground. Though only two outside walls of the Romanesque structure are standing, there are many nice corbels. When there are musicians (previous upload) there should be dancers - or concortionists. Here are two contortionists, the left skinny one has extremly log shanks - and tiny feet.

Not much is known about the history of Notre-Dame de l’Assomption, an outstanding example of the specific "style saintongeais". As the structure is so masterly built and has such sophisticated carvings, it is believed, that this was a priory church, when it was built mid of the 12th century. The apse of Notre-Dame de l’Assomption has an enormous richness on Romanesque carvings. Some corbels depict musicians and acrobats. Here is another, small, little weathered contortionist - and a power line.

Not much is known about the history of Notre-Dame de l’Assomption, an outstanding example of the specific "style saintongeais". As the structure is so masterly built and has such sophisticated carvings, it is believed, that this was a priory church, when it was built mid of the 12th century. The apse of Notre-Dame de l’Assomption has an enormous richness on Romanesque carvings. Some corbels depict musicians and acrobats. Here is another contortionist.

Not much is known about the history of Notre-Dame de l’Assomption, an outstanding example of the specific "style saintongeais". As the structure is so masterly built and has such sophisticated carvings, it is believed, that this was a priory church, when it was built mid of the 12th century. The apse of Notre-Dame de l’Assomption has an enormous richness on Romanesque carvings. Some corbels depict musicians and acrobats. Here is a flexible contortionist hovering over the semicircular blind arch.

It´s raining cats and dogs, while (since about 700 years) a very flexible acrobat under the roof of the "Convento de Santa Clara" shows his - backside.