Martin M. Miles' photos with the keyword: suckling

Today, Plasencia is a city with more than 40,000 inhabitants. The city was founded in 1186 by Alfonso VIII of Castile during the reconquest of the Moorish-occupied territories from the 10th century onwards and was elevated to the status of a bishop's see by Pope Clement III just three years later. However, the conflicts between Christians and the Almohads, who were dominant at the time, continued until 1212, when the city finally came under Christian rule after the Battle of Las Navas de Tolosa. Plasencia Cathedral comprises two buildings: one known as the Old Cathedral, begun in the 13th century in the Romanesque style in transition to the Gothic. The remains of the original church include the naves, the western façade, the Gothic-style cloister and the chapter room crowned with a ribbed dome in the Byzantine tradition. The New Cathedral, begun in the 15th century, is in the Gothic style. It has high vaults supported by groups of columns. The Old Cathedral (Catedral vieja) currently houses the Cathedral Museum, while the New Cathedral (Catedral nueva) is the seat of the diocese of Plasencia

Due to its location and importance, Benevento was an important base for Roman rule in southern Italy for centuries. After the expansion of the Lombards, Benevento became the seat of Lombard dukes but repeatedly fell into dependence on the Franks and the German emperors. In 840, Benevento was occupied by the Muslims for a few years. The city has been the seat of the Archbishopric of Benevento since 969. In 1047 it fell into the hands of Norman princes with the exception of the city, which Emperor Henry III gave to Leo IX in 1053. In the 11th and 12th centuries, four councils were held in Benevento. On February 26, 1266, in the Battle of Benevento, the Hohenstaufen Manfred, natural son of the Holy Roman Emperor Frederick II, was defeated by Charles of Anjou, after which the latter seized Apulia, Sicily, and Tuscia. Santa Sofia was founded by the Lombard Arechis II of Benevento around 760. The church is a rotunda 28 m in diameter with an original star-shaped outline. The church was modeled on the Palatine Chapel of the Lombard king Liutprand in Pavia and, after the defeat of Desiderius by Charlemagne and the fall of the Lombard kingdom in northern Italy in 774, it became the national church of the Lombards who had taken shelter in the Duchy of Benevento. After the earthquakes of 1688 and 1702, Pope Benedict VIII had the church rebuilt, changing it in the Baroque style. In particular, he had the course of the outer walls made circular. Santa Sofia included a monastery built between 1142 and 1176. Parts of the previous building from the 8th century, which was destroyed in the earthquake of 986, were reused. These buildings now house the Museo del Sannio. Its most remarkable part is the Romanesque cloister, which clearly shows Arabic influences. The "Labours of the Months": October and November

Due to its location and importance, Benevento was an important base for Roman rule in southern Italy for centuries. After the expansion of the Lombards, Benevento became the seat of Lombard dukes but repeatedly fell into dependence on the Franks and the German emperors. In 840, Benevento was occupied by the Muslims for a few years. The city has been the seat of the Archbishopric of Benevento since 969. In 1047 it fell into the hands of Norman princes with the exception of the city, which Emperor Henry III gave to Leo IX in 1053. In the 11th and 12th centuries, four councils were held in Benevento. On February 26, 1266, in the Battle of Benevento, the Hohenstaufen Manfred, natural son of the Holy Roman Emperor Frederick II, was defeated by Charles of Anjou, after which the latter seized Apulia, Sicily, and Tuscia. Santa Sofia was founded by the Lombard Arechis II of Benevento around 760. The church is a rotunda 28 m in diameter with an original star-shaped outline. The church was modeled on the Palatine Chapel of the Lombard king Liutprand in Pavia and, after the defeat of Desiderius by Charlemagne and the fall of the Lombard kingdom in northern Italy in 774, it became the national church of the Lombards who had taken shelter in the Duchy of Benevento. After the earthquakes of 1688 and 1702, Pope Benedict VIII had the church rebuilt, changing it in the Baroque style. In particular, he had the course of the outer walls made circular. Santa Sofia included a monastery built between 1142 and 1176. Parts of the previous building from the 8th century, which was destroyed in the earthquake of 986, were reused. These buildings now house the Museo del Sannio. Its most remarkable part is the Romanesque cloister, which clearly shows Arabic influences. A female hare suckles her baby cub.

Due to its location and importance, Benevento was an important base for Roman rule in southern Italy for centuries. After the expansion of the Lombards, Benevento became the seat of Lombard dukes but repeatedly fell into dependence on the Franks and the German emperors. In 840, Benevento was occupied by the Muslims for a few years. The city has been the seat of the Archbishopric of Benevento since 969. In 1047 it fell into the hands of Norman princes with the exception of the city, which Emperor Henry III gave to Leo IX in 1053. In the 11th and 12th centuries, four councils were held in Benevento. On February 26, 1266, in the Battle of Benevento, the Hohenstaufen Manfred, natural son of the Holy Roman Emperor Frederick II, was defeated by Charles of Anjou, after which the latter seized Apulia, Sicily, and Tuscia. Santa Sofia was founded by the Lombard Arechis II of Benevento around 760. The church is a rotunda 28 m in diameter with an original star-shaped outline. The church was modeled on the Palatine Chapel of the Lombard king Liutprand in Pavia and, after the defeat of Desiderius by Charlemagne and the fall of the Lombard kingdom in northern Italy in 774, it became the national church of the Lombards who had taken shelter in the Duchy of Benevento. After the earthquakes of 1688 and 1702, Pope Benedict VIII had the church rebuilt, changing it in the Baroque style. In particular, he had the course of the outer walls made circular. Santa Sofia included a monastery built between 1142 and 1176. Parts of the previous building from the 8th century, which was destroyed in the earthquake of 986, were reused. These buildings now house the Museo del Sannio. Its most remarkable part is the Romanesque cloister, which clearly shows Arabic influences. In the foreground are two knights are fighting. It is probably a representation of a joust, a warlike game between two horsemen with lances, which was often part of a tournament. In the background a lioness who has caught a small deer and is suckling her two cubs.

The Pieve di San Pietro a Gropina is located on a hill in the hamlet Gropina, that meanwhile belongs to Loro Ciuffenna. A chapel existed here already in the 4th century. Soon after Charlemagne had donated the area to the Nonantola Abbey, Benedictian monks erected a church here end of the 8th century. The church of today was probably built within the 12th century. At that time this was one of the wealthiest parish church with the diocese, having about 30 depending churches. The nave is flanked by pillars, that all have sculpted capitals. The capitals of left and right side differ in style. Within some decades two workshops have worked here. Maybe even more. The remarkable pulpit is based on a knotted pillar, is a striking piece of art. Some scholars attribute it to a "Master of Campione" (or a workshop). This workshop created as well some of the capitals. The wolf to the right is holding (devouring) something, that may well be the shank of a lamb. This is surely connected to the (from this pov not visible) left side of the capital, as there is a a wolf chasing a lamb. The principal side depicts a sow suckling four piglets. I have never such an icon inside a church. Is it an (heathenly) icon for fertility? Some see this as a symbol of "Mother" church nourishing the pious believers.

The city of Freiburg was founded by the Dukes of Zaehringen in 1120. The town was located at a junction of old trade routes and already in 1200 the population had risen to 6000. This was, when under Bertold V the last duke of Zaehringen, the construction of the Freiburg Muenster cathedral began, replacing an older parish church. The blueprint of the church "Muenster Unserer Lieben Frau" was very ambitious, but Freiburg was a very prosperous place, as silver mining in the nearby Black Forrest was thriving. The building of the cathedral begun in the Romanesque style and was continued and completed 1513 for the most part as a Gothic cathedral. The cathedral is 116 meters long, 30 meters wide and the tower (seen here only under scaffolding) is 116 meters high. This tower (completed 1330) was one the highest in Germany during medieval times. Breastfeeding is not often seen in medieval cathedrals. To my great surprise I found it twice in Freiburg Muenster. You may remember the romanesque carving of a breastfeeding mermaid on the right arm of the transsept. Here now is a monkey mum suckling twins. Probably a single mother! Just over the little family Saint Peter´s large toes can be seen.

The construction of the late-romanesque hall-church started around 1230. It was dedicated to "St. Lambertus", what is a connection the "Engelbert III von der Mark", a regional noble, who was bishop in Liege, where martyr St. Lambert (aka "Lambert of Maastricht" had been a bishop as well. Engelbert, who later was bishop in Cologne, had a great influence in the area. After the Reformation, the parish converted to Protestantism, but the church was still "St. Lambertus" for a long time. Later, in very sober times, the name was changed to "Evangelische Hauptkirche" (= "Protestant Main Church"). In 1953 a new name was introduced - and since then this is the "Christuskirche". A capital of the late romanesque southern portal. This is the very left capital on the right side of the portal. Unfortunately it is very weathered. Not many details are left. On very first sight, I was sure to see a typical Luxuria, a medieval symbol of lust ("voluptas"), an so a kind of icon for one of "The Seven Deadly Sins". Luxurias can be found often in France (eg Moissac, Blessle, Vienne..), but not in Westphalia. Then I tended to a "Master of the Beasts", what can be found in the area (Balve). Later I returned to Luxuria... The person in the center is a woman. Baids hang down to the shoulders. It is hard to see the arms. I had the impression, that the left arm (her right) goes up - ends in a huge fist, holding the beast, but then I would expect, to see the same/similar on the other side. This is not the case. Two beasts are hanging down the sidewards. Luxurias are mostly connected with suckling snakes or toads. Here are two (ugly, fat) lizard like creatures (salamanders?), that either are just being breastfed (the breasts are lost) or bite into the stomach. The person either wears a kind of skirt - or stands ontop of a small brick-built structure (tower, chimney). Too many details are missing, but - at this moment - I think this is a Luxuria, what would be pretty special for the area.