Martin M. Miles' photos with the keyword: 24 Elders

The Romans were already here and utilised the hot springs. They built a bridge over the river, the Ponte romana, creating an important communication route, which was of course secured by fortifications. In the 5th century, Ourense became the seat of a bishopric. As the capital of the kingdom of the Suebi, Ourense flourished in the 5th and 6th centuries. The Suebi king Teodomiro († 570) built the first cathedral in Ourense after converting from Arianism to Catholicism. Constant raids by the Moorish conquerors and the Normans devastated the city to such an extent that it remained almost uninhabited for several centuries. It was rebuilt in 1071 under King Sancho II of Castile. In the following centuries, the city gained importance as a bishop's see, but also as a trading centre. In the 13th century, Ourense was an important trading centre in Galicia due to its geographical location and its large Jewish community. The economic decline began after the expulsion of Ourense's Jews in 1492 by the Catholic Monarchs. In the centuries that followed, Ourense's importance steadily declined. The earliest cathedral appears to have been a church dedicated to Santa María la Madre. In 550, the Suevian king Chararic built a second church here dedicated to St Martin of Tour. The cathedral was however repeatedly destroyed over the centuries by the Moors and the Northmen who invaded the city. Today's building was constructed as a Romanesque church in the 12th and 13th centuries. Gothic additions followed until the early 16th century. The consecration of the high altar was already in 1188. The "Pórtico del Paraíso" reproduces, in a simplified manner, the structure of the "Pórtico de la Gloria" of the cathedral of Santiago de Compostela, being later than the latter. It is a smaller-scale recreation of the Pórtico de la Gloria in Santiago. This one was creared about fifty years after it. The current polychromy dates from the 18th century, and was probably made over the original Romanesque one, of which remains can be seen in the figures on the pilasters. The intention of this sculptural work was to instruct the ancient medieval people in the sacred scriptures. From left to right, the Old Testament prophets are depicted, while on the right are nine of the twelve apostles, and in the central arcade are the twenty-four elders of the Apocalypse with musical instruments. The smaller arch on the right also depicts the Last Judgement. The Elders of the Apocalypse - right side

The Romans were already here and utilised the hot springs. They built a bridge over the river, the Ponte romana, creating an important communication route, which was of course secured by fortifications. In the 5th century, Ourense became the seat of a bishopric. As the capital of the kingdom of the Suebi, Ourense flourished in the 5th and 6th centuries. The Suebi king Teodomiro († 570) built the first cathedral in Ourense after converting from Arianism to Catholicism. Constant raids by the Moorish conquerors and the Normans devastated the city to such an extent that it remained almost uninhabited for several centuries. It was rebuilt in 1071 under King Sancho II of Castile. In the following centuries, the city gained importance as a bishop's see, but also as a trading centre. In the 13th century, Ourense was an important trading centre in Galicia due to its geographical location and its large Jewish community. The economic decline began after the expulsion of Ourense's Jews in 1492 by the Catholic Monarchs. In the centuries that followed, Ourense's importance steadily declined. The earliest cathedral appears to have been a church dedicated to Santa María la Madre. In 550, the Suevian king Chararic built a second church here dedicated to St Martin of Tour. The cathedral was however repeatedly destroyed over the centuries by the Moors and the Northmen who invaded the city. Today's building was constructed as a Romanesque church in the 12th and 13th centuries. Gothic additions followed until the early 16th century. The consecration of the high altar was already in 1188. The "Pórtico del Paraíso" reproduces, in a simplified manner, the structure of the "Pórtico de la Gloria" of the cathedral of Santiago de Compostela, being later than the latter. It is a smaller-scale recreation of the Pórtico de la Gloria in Santiago. This one was creared about fifty years after it. The current polychromy dates from the 18th century, and was probably made over the original Romanesque one, of which remains can be seen in the figures on the pilasters. The intention of this sculptural work was to instruct the ancient medieval people in the sacred scriptures. From left to right, the Old Testament prophets are depicted, while on the right are nine of the twelve apostles, and in the central arcade are the twenty-four elders of the Apocalypse with musical instruments. The smaller arch on the right also depicts the Last Judgement. The Elders of the Apocalypse - left side

r The town of Toro lies on a plateau above the Duero River about 40 km east of Zamora. In medieval times Toro had some importance. Ferdinand III of Castile was crowned king in Toro in 1230, his wife Elisabeth of Swabia died here five years later. The large collegiate church Colegiata de Santa María la Mayor, whose construction began in 1160 under Alfonso VII, but lasted possibly even until the end of the 13th century. During the reign of the Catholic Monarchs, it was elevated to a collegiate church. The architectural highlight of the church building is the two-story crossing tower (“cimborrio”) with its sixteen-sided floor plan, with four sides being particularly highlighted by round corner towers, which serve both for architectural decoration and for static stabilization. While the corner towers in the lower part hardly have any architectural decoration, the two levels of the central tower with their windows - accompanied by small columns and ending in oriental-looking multi-aisle arches - are designed in exactly the same way. The west portal ("Portada de la Majestad") is an important achievement of Spanish Gothic architecture. The portal itself is dated to the time of Sancho IV (1258-1295), the colored version comes from the 18th century. In the stone lintel there is a depiction of the death and ascension of Mary. The tympanum shows the scene of her sitting at God's right hand and being crowned. In the six archivolts above are a total of 78 individual figures. Here are parts of the outer archivolts. After the cruelest torture, the poor souls are stuffed into the mouth of hell. While the orchestra of the 24 Elders of the Apocalypse coninues to play.

The town of Toro lies on a plateau above the Duero River about 40 km east of Zamora. In medieval times Toro had some importance. Ferdinand III of Castile was crowned king in Toro in 1230, his wife Elisabeth of Swabia died here five years later. The large collegiate church Colegiata de Santa María la Mayor, whose construction began in 1160 under Alfonso VII, but lasted possibly even until the end of the 13th century. During the reign of the Catholic Monarchs, it was elevated to a collegiate church. The architectural highlight of the church building is the two-story crossing tower (“cimborrio”) with its sixteen-sided floor plan, with four sides being particularly highlighted by round corner towers, which serve both for architectural decoration and for static stabilization. While the corner towers in the lower part hardly have any architectural decoration, the two levels of the central tower with their windows - accompanied by small columns and ending in oriental-looking multi-aisle arches - are designed in exactly the same way. The west portal ("Portada de la Majestad") is an important achievement of Spanish Gothic architecture. The portal itself is dated to the time of Sancho IV (1258-1295), the colored version comes from the 18th century. In the stone lintel there is a depiction of the death and ascension of Mary. The tympanum shows the scene of her sitting at God's right hand and being crowned. In the six archivolts above are a total of 78 individual figures. Here are the central parts of the outer archivolts. The Last Judgement and opening graves. The "good ones" leave to the left, the "bad ones" to the right. Seen below them is the orchestra of the 24 Elders of the Apocalypse.