Martin M. Miles' photos with the keyword: Sant Pere de Galligants

Wilfred the Hairy (aka Guifré el Pilós), whom we just "met" as the founder of the nearby monastery in Sant Joan de les Abadesses, where his daughter Emma of Barcelona was the first abbess, founded the Monastery of Santa Maria in Ripoll in 879. Here his son Radulf de Barcelona was abbot. This was not only Wilfred´s family business, he was very successful in the political power game of that time. The first church was consecrated in 888, but as the monastery grew it was "reconsecrated" in 935, 977 and 1032. When Oliba de Besalú, as well a descendent of Wilfred, was abbot here (1008 - 1046), this was a cultural center. More than 250 books were on the shelves of the monastery´s library. The church was the burial place for the Counts of Besalú and Barcelona. Still today many tombs can be found in the transept, including that one of Wilfred the Hairy. The decline started within the 15th century. In 1428 it was severely damaged by an earthquake, the restoration was done in Gothic style. The church got ruined during the first Carlist War, the library burnt down, and the last monks had left. In 1847 part of the cloister and soon after, the abbot´s palace got demolished. The Bishop of Vic organized the rebuilding so that the church got consecrated again in 1893. The church of today is vastly a product of the reconstruction of the 19th century, but it may be "near" to the romanesque structure. The cloister got reconstructed end of the 19th century as well, but as only a part of it had been demolished, it still contains a lot of the original structure. The construction of the ground floor started in 1180 and it took until the early 15th century to complete it. The second-floor dates to the 15th and 16th centuries. Some of the capitals are sculptured by Jordi de Déu (aka Jordi Johan). Jordi de Déu (+1418), born on the island of Sicily, with greek roots, was sold as a slave to Catalan master carver Jaume Cascalls, who taught him sculpture. - I have been to Ripoll a couple of times, so I may add newer and older photos.

Wilfred the Hairy (aka Guifré el Pilós), whom we just "met" as the founder of the nearby monastery in Sant Joan de les Abadesses, where his daughter Emma of Barcelona was the first abbess, founded the Monastery of Santa Maria in Ripoll in 879. Here his son Radulf de Barcelona was abbot. This was not only Wilfred´s family business, he was very successful in the political power game of that time. The first church was consecrated in 888, but as the monastery grew it was "reconsecrated" in 935, 977 and 1032. When Oliba de Besalú, as well a descendent of Wilfred, was abbot here (1008 - 1046), this was a cultural center. More than 250 books were on the shelves of the monastery´s library. The church was the burial place for the Counts of Besalú and Barcelona. Still today many tombs can be found in the transept, including that one of Wilfred the Hairy. The decline started within the 15th century. In 1428 it was severely damaged by an earthquake, the restoration was done in Gothic style. The church got ruined during the first Carlist War, the library burnt down, and the last monks had left. In 1847 part of the cloister and soon after, the abbot´s palace got demolished. The Bishop of Vic organized the rebuilding so that the church got consecrated again in 1893. The church of today is vastly a product of the reconstruction of the 19th century, but it may be "near" to the romanesque structure. The cloister got reconstructed end of the 19th century as well, but as only a part of it had been demolished, it still contains a lot of the original structure. The construction of the ground floor started in 1180 and it took until the early 15th century to complete it. The second-floor dates to the 15th and 16th centuries. Some of the capitals are sculptured by Jordi de Déu (aka Jordi Johan). Jordi de Déu (+1418), born on the island of Sicily, with greek roots, was sold as a slave to Catalan master carver Jaume Cascalls, who taught him sculpture. - I have been to Ripoll a couple of times, so I may add newer (like this) and older photos.

The Benedictian monastery Sant Pere de Galligants was built, outside the city walls, from 962. The monastery in 1117 was united to the Abbey of Sainte-Marie de Lagrasse (now France, 170kms north), but kept an own abbot and so at least some autonomy. In 1362, when the monastery was enclosed within Girona´s city walls, it was redesigned to a more defensive shape. It started to decay from the 15th century, and in 1592 it was united to the also crumbling monasteries of Sant Miquel de Cruïlles and San Miguel de Fluviá. In 1835 the monastery was given up, the abbot and the last four monks left, so in 1857 the Museu d'Arqueologia de Catalunya moved into the empty buildings. Using the remains of on older church, the construction of the three nave basilica, seen here, facing to the main apse, started in 1130. As this is a museum now, there is no furniture inside.

The Benedictian monastery Sant Pere de Galligants was built, outside the city walls, from 962. The monastery in 1117 was united to the Abbey of Sainte-Marie de Lagrasse (now France, 170kms north), but kept an own abbot and so at least some autonomy. In 1362, when the monastery was enclosed within Girona´s city walls, it was redesigned to a more defensive shape. It started to decay from the 15th century, and in 1592 it was united to the also crumbling monasteries of Sant Miquel de Cruïlles and San Miguel de Fluviá. In 1835 the monastery was given up, the abbot and the last four monks left. In 1857 the Museu d'Arqueologia de Catalunya moved in. Using the remains of on older church, the construction of the three nave basilica started in 1130. On the right side of the main portal of the basilica (just seen), now the entrance to the museum, is this dangerous looking beast, with a round, vicious mouth full of teeth. P.S. On the right side is NO dodo. This is a lion´s tail, imitating a dodo.

The Benedictian monastery Sant Pere de Galligants was built, outside the city walls, from 962. The monastery in 1117 was united to the Abbey of Sainte-Marie de Lagrasse (now France, 170kms north), but kept an own abbot and so at least some autonomy. In 1362, when the monastery was enclosed within Girona´s city walls, it was redesigned to a more defensive shape. It started to decay from the 15th century, and in 1592 it was united to the also crumbling monasteries of Sant Miquel de Cruïlles and San Miguel de Fluviá. In 1835 the monastery was given up, the abbot and the last four monks left. In 1857 the Museu d'Arqueologia de Catalunya moved in. Using the remains of on older church, the construction of the three nave basilica started in 1130. On the left side of the main portal of the basilica (just seen), now the entrance to the museum, is this long nosed person, pulling his stylish beard, a gesture that is often connoted to masturbation.

The Benedictian monastery Sant Pere de Galligants was built, outside the city walls, from 962. The monastery in 1117 was united to the Abbey of Sainte-Marie de Lagrasse (now France, 170kms north), but kept an own abbot and so at least some autonomy. In 1362, when the monastery was enclosed within Girona´s city walls, it was redesigned to a more defensive shape. It started to decay from the 15th century, and in 1592 it was united to the also crumbling monasteries of Sant Miquel de Cruïlles and San Miguel de Fluviá. In 1835 the monastery was given up, the abbot and the last four monks left. In 1857 the Museu d'Arqueologia de Catalunya moved in. Using the remains of on older church, the construction of the three nave basilica started in 1130. On the left side of the main portal of the basilica (just seen), now the entrance to the museum, are these two lions, holding a human head, ready to devour it.

The Benedictian monastery Sant Pere de Galligants was built, outside the city walls, from 962. The monastery in 1117 was united to the Abbey of Sainte-Marie de Lagrasse (now France, 170kms north), but kept an own abbot and so at least some autonomy. In 1362, when the monastery was enclosed within Girona´s city walls, it was redesigned to a more defensive shape. It started to decay from the 15th century, and in 1592 it was united to the also crumbling monasteries of Sant Miquel de Cruïlles and San Miguel de Fluviá. In 1835 the monastery was given up, the abbot and the last four monks left. In 1857 the Museu d'Arqueologia de Catalunya moved in. Using the remains of on older church, the construction of the three nave basilica started in 1130. The main portal of the basilica, now the entrance to the museum. The archivolts bear nicely carved foliage.

The Benedictian monastery Sant Pere de Galligants was built, outside the city walls, from 962. The monastery in 1117 was united to the Abbey of Sainte-Marie de Lagrasse (now France, 170kms north), but kept an own abbot and so at least some autonomy. In 1362, when the monastery was enclosed within Girona´s city walls, it was redesigned to a more defensive shape. It started to decay from the 15th century, and in 1592 it was united to the also crumbling monasteries of Sant Miquel de Cruïlles and San Miguel de Fluviá. In 1835 the monastery was given up, the abbot and the last four monks left. In 1857 the Museu d'Arqueologia de Catalunya moved in. Using the remains of on older church, the contruction of the three nave basilica started in 1130. Seeing the campanile-like octogonal tower and all the lombardic bands, there is a clear influence from Northern Italy. This may be connected to abbot Oliba of Saint-Michel-de-Cuxa (971-1046). He was a descendant of Wilfred the Hairy, count of Berga and Ripoll and later bishop of Vic. He had been in Italy at least twice and had invited "lombard masters" to create churches in their new style, what they did in Cuxa. Our schedule was still very "French", so this was the first time, we crashed into the Spanish Siesta - and had plenty of time in the shady park.

The Benedictian monastery Sant Pere de Galligants was built, outside the city walls of Girnona, from 962 on. The monastery in 1117 was united to the Abbey of Sainte-Marie de Lagrasse (now France, 170kms north), but kept an own abbot and so at least some autonomy. In 1362, when the monastery was enclosed within Girona´s city walls, it was redesigned to a more defensive shape. It started to decay from the 15th century, and in 1592 it was united to the also crumbling monasteries of Sant Miquel de Cruïlles and San Miguel de Fluviá. In 1835 the monastery was given up, the abbot and the last four monks left. In 1857 the Museu d'Arqueologia de Catalunya moved into the buildings. Using the remains of on older church, the contruction of the three nave basilica started in 1130. Parts of the facade may date back to the older church, but not that large rose-window (3,50m in diameter), that is quite sensational for that time. Note the lombardic bands around the walls. Behind the high wall to the right is the cloister.