Martin M. Miles' photos with the keyword: Matter of Britain

Otranto occupies the site of an ancient Greek city. It gained importance in Roman times, as it was the nearest port to the eastern coast of the Adriatic Sea. After the end of the Roman Empire, it was in the hands of the Byzantine emperors until it surrendered to the Norman troops of Robert Guiscard in 1068. The Normans fortified the city and built the cathedral, that got consecrated in 1088. When Henry VI., son of Emperor Frederick Barbarossa, married Constanze of Sicily in 1186 Otranto came under the rule of the Hohenstaufen and later in the hands of Ferdinand I of Aragón, King of Naples. Between 1480 and 1481 the "Ottoman invasion" took place here. Troops of the Ottoman Empire invaded and laid siege to the city and its citadel. Legends tell that more than 800 inhabitants were beheaded after the city was captured. The "Martyrs of Otranto" are still celebrated in Italy, their skulls are on display in the cathedral. A year later the Ottoman garrison surrendered the city following a siege by Christian forces and the intervention of Papal forces. Otranto had been one of the last Byzantine strongholds in Apulia, but finally, Robert Guiscard could take it. It had probably been such a stronghold, as Otranto had hosted an autocephalous bishopric, only dependent on the patriarchal see of Byzantium since 968. So (Roman) Catholicism had to perform something "convincing" for the so-long (Byzantine) Orthodox Christians. One was to erect a huge church. The Otranto Cathedral, seen in the center, was erected over the ruins of a Paleochristian church from 1080 on and was consecrated in 1088. It is 54 meters long by 25 meters wide and is built on 42 monolithic granite and marble columns. I had returned to Otranto to see the unbelievable, breathtaking mosaic again. It was created by a monk named Pantaleon and his workshop between 1163 and 1165. Pantaleon lived at the monastery San Nicola di Casole, located a few kilometers south of Otranto. The mosaic covers the nave, both aisles, the apse and the presbytery. This sums up to a total of 1596 m². About 10 000000 (10 million!) "tesserae" were used. There are scholars, who have counted up to 700 different "stories", that are told here. Though, these "stories" are often disputed, as today's interpretations are mostly very "vague". German historian Carl Arnold Willemsen published the most important book about the mosaic in Italian " L'enigma di Otranto", that since the 1970s is translated in many languages. I followed his theories. As the church is a parish church, there are benches placed on the mosaic floor. Next to Abel - King Artus is riding a goat. The Arthurian cycle is part of the "Matter of Britain", which uses Celtic narrative material that became popular in the mid-12th century. Chrétien de Troyes (1135-1188) and Robert Wace (1110-1074) wrote novels about Arthur and the Knights of the Round Table. Around the same time, more than 2000 km south of England, this work of art was created. As I have uploaded so many photos taken in Otranto already, I will upload now only a few. If you want to see more click here: www.ipernity.com/doc/323415/album/1333378

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. Many renowned sculptors have worked here. The "Porta della Pescheria", as well as side portal, opens to the north, where in mediavel times the fish-market was located. The "Porta della Pescheria", as well as side portal, opens to the north, where in mediavel times the fish-market was located. I learned that the archivolt depicts a scene from the Arthurian Legend. Older Welsh and Breton tales about Artur were written down in the "Historia Regum Britanniae" written by Geoffrey of Monmouth around 1136. This carving may be a little older. It is dated to 1130. Artus is the second on the left, the only one without a chainmail. The lintel has other stories. To the left a young nude guy rided a hippocamus. The followig reliefs may relate to the French "Roman de Renart", written by Pierre de St. Cloud from 1174 on, based party on Aesop's fables. The artists probably knew as well the "Physiologus".