Martin M. Miles' photos with the keyword: Saint Geminianus

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. Below the risen presbyterium is the crypt, where since 1106 the remains of Saint Geminianus are kept. Many small graffiti cover the pillars in the crypt. It must have taken some effort to carve in such a large cross and the initials. Below the letters is another small cross.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen. Below is a crypt, where since 1106 the remains of Saint Geminianus are kept. The capitals in the crypt were sculpted by different workshops. So they differ in style and iconography. Around the four sides of the capital are mermaid quadruplets.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen. Below is a crypt, where since 1106 the remains of Saint Geminianus are kept. The capitals in the crypt were sculpted by different workshops. So they differ in style and iconography. Here is a pride of mythical manticores. The beasts wear crownlike caps - and have very aggressive tails.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen. Below is this crypt, where since 1106 the remains of Saint Geminianus are kept.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen, below is a crypt. Between the central nave and the presbyterium/crypt is a large structure with a marble parapet. It was created by Anselmo da Campione portraying the Passion of Christ. Part of this impressive parapet is a pulpit. Below this are the atlantes, supporting it since more than 700 years. Anselmo da Campione, who came (like Lanfranco) from the area near the Lake Como, worked here with his workshop. These experienced specialists, known as "Maestri Campionesi" worked here over many decades. One of them was Anselmo´s grandson Arrigo da Campione.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen, below is a crypt. Between the central nave and the presbyterium/crypt is a large structure with a marble parapet. It was created by Anselmo da Campione portraying the Passion of Christ. Part of this impressive parapet is this pulpit with the symbols of the evangelists. The pillars below the pulpit are based on lions and atlantes. Anselmo da Campione, who came (like Lanfranco) from the area near the Lake Como, worked here with his workshop. These experienced specialists, known as "Maestri Campionesi" worked here over many decades. One of them was Anselmo´s grandson Arrigo da Campione.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen, below is a crypt. Between the central nave and the presbyterium/crypt is a large structure with a marble parapet. It was created by Anselmo da Campione portraying the Passion of Christ. In the center the "Last Supper". Anselmo da Campione, who came (like Lanfranco) from the area near the Lake Como, worked here with his workshop. These experienced specialists, known as "Maestri Campionesi" worked here over many decades. One of them was Anselmo´s grandson Arrigo da Campione.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen, below is a crypt. Between the central nave and the presbyterium/crypt is a large structure with a marble parapet. It was created by Anselmo da Campione portraying the Passion of Christ, starting (fltr) with the "Washing of the Feet", the "Last Supper", the "Arrest of Jesus"/the Betrayal, "Pilate's court", the Flagellation and Christ "Carrying the Cross". Anselmo da Campione, who came (like Lanfranco) from the area near the Lake Como, worked here with his workshop. These experienced specialists, known as "Maestri Campionesi" worked here over many decades. One of them was Anselmo´s grandson Arrigo da Campione.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen, below is a crypt. Between the central nave and the presbyterium/crypt is a large structure with a marble parapet. It was created by Anselmo da Campione portraying the Passion of Christ, including the Last Supper in the center and a pulpit (seen here) on the left side. Here are the symbols of the evangelists. Seen to the right is the "Washing of the Feet" John 13:5 "After that, He poured water into a basin and began to wash the disciples’ feet, and to wipe them with the towel with which He was girded." Anselmo da Campione, who came (like Lanfranco) from the area near the Lake Como, worked here with his workshop. These experienced specialists, known as "Maestri Campionesi" worked here over many decades. One of them was Anselmo´s grandson Arrigo da Campione.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen, below is a crypt. Between the central nave and the presbyterium/crypt is a large structure with a marble parapet, seen here. It was created by Anselmo da Campione portraying the Passion of Christ, including the Last Supper in the center. The pulpit (left) has the left are the symbols of the evangelists. Anselmo da Campione, who came (like Lanfranco) from the area near the Lake Como, worked here with his workshop. These experienced specialists, known as "Maestri Campionesi" worked here over many decades. One of them was Anselmo´s grandson Arrigo da Campione.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. The interior of the Duomo is divided into one nave and two aisles, the interior length is 63 metres. The presbyterium is risen, below is a crypt. Between the central nave and the presbyterium/crypt is a large structure with a marble parapet.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. Many renowned sculptors have worked here. Many of the works, that once embellished the outside wall of the cathedral have suffered from weathering. They have been replaced by copies. The original carvings can now be seen in the "Lapidarium" of the Museo del Duomo, neighbouring the cathedral. It is very interesting to see them from a close distance. On display are as well some carvings that originate from the pre-existing churches on the same place. I saw similar carvings in Ferentillo (Umbria), that were dated to ~ 750/800.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. Many renowned sculptors have worked here. Many of the works, that once embellished the outside wall of the cathedral have suffered from weathering. They have been replaced by copies. The original carvings can now be seen in the "Lapidarium" of the Museo del Duomo, neighbouring the cathedral. It is very interesting to see them from a close distance. On display are as well some carvings that originate from the pre-existing churches on the same place. I saw similar carvings in Ferentillo (Umbria), that were dated to ~ 750/800.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. Many renowned sculptors have worked here. Many of the works, that once embellished the outside wall of the cathedral have suffered from weathering. They have been replaced by copies. The original carvings can now be seen in the "Lapidarium" of the Museo del Duomo, neighbouring the cathedral. It is very interesting to see them from a close distance. This carving is called "antipodes". I cannot remember having seen a similar composition... The sculpture is attributed to the "Master of the Metopes", who may habe been a student an follower of Wiligelmo. Scholars see influences of the 12th century art in Burgundy in his works.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. Many renowned sculptors have worked here. Many of the works, that once embellished the outside wall of the cathedral have suffered from weathering. They have been replaced by copies. The original carvings can now be seen in the "Lapidarium" of the Museo del Duomo, neighbouring the cathedral. It is very interesting to see them from a close distance. To the left is a very relaxed yoga guru doing his morning stretch. To the right is a mermaid. Yes, she does have feet, but as well fins.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. Many renowned sculptors have worked here. Many of the works, that once embellished the outside wall of the cathedral have suffered from weathering. They have been replaced by copies. The original carvings can now be seen in the "Lapidarium" of the Museo del Duomo, neighbouring the cathedral. It is very intersting to see them from a close distance. A disturbing exhibitionist in a very explicit pose. This sculpture is attributed to the "Master of the Metopes", who may habe been a student an follower of Wiligelmo. Scholars see influences of the 12th century art in Burgundy in his works.

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. Many renowned sculptors have worked here. The "Porta della Pescheria", as well as side portal, opens to the north, where in mediavel times the fish-market was located. The "Porta della Pescheria", as well as side portal, opens to the north, where in mediavel times the fish-market was located. I learned that the archivolt depicts a scene from the Arthurian Legend. Older Welsh and Breton tales about Artur were written down in the "Historia Regum Britanniae" written by Geoffrey of Monmouth around 1136. This carving may be a little older. It is dated to 1130. Artus is the second on the left, the only one without a chainmail. The lintel has other stories. To the left a young nude guy rided a hippocamus. The followig reliefs may relate to the French "Roman de Renart", written by Pierre de St. Cloud from 1174 on, based party on Aesop's fables. The artists probably knew as well the "Physiologus".

In the center of Modena, where the Duomo di Modena (aka "Cattedrale di Santa Maria Assunta e San Geminiano") is placed, churches have existed since the 5th century. After the burial site of Modena's patron Saint Geminianus, a former bishop (+397), was dicovered here, the existing cathedral seemed to small. The first stone laying for the cathedral of today took place in May 1099, strongly supported by Matilde di Canossa (aka "Matilda of Tuscany"). First architect was Master Lanfranco, descibed as "maestro ingenio clarus [...] doctus et aptus". The Duomo di Modena was consecrated in 1184, but the building process continued. It was finally completed in 1322. Many renowned sculptors have worked here. The "Porta della Pescheria", as well as side portal, opens to the north, where in mediavel times the fish-market was located.