Martin M. Miles' photos with the keyword: Guglielmo da Modena

Modena, an Etruscan foundation, was an important city in the Roman Empire and a stronghold against the barbarian attacks at its end. It is said that it was never sacked by Attila, for a dense fog hid it (a miracle said to be provided by Saint Geminianus, patron of Modena), but it was eventually buried by a great flood in the 7th century and abandoned. Towards the end of the 9th century, Modena was rebuilt and fortified by its bishop Ludovicus. When the construction of the cathedral began in 1099, the city was part of the possessions of Margravine Matilda of Tuscia. But when the building was consecrated by Lucius III in 1184, it was a free commune. In the wars between Frederick II and Gregory IX, it sided with the emperor. Two churches built since the 5th century on the site of the present cathedral were both destroyed when Modena got resettled. A church was erected that soon was too small and a large cathedral was planned. Work on the present cathedral began in 1099 under the direction of the master builder Lanfranco. The first stone was laid in 1099 with the support of Matilda of Tuscia. A plaque outside the main apse gives 23 May 1099 as the date of the foundation of the new Modena Cathedral and also the name of the architect Lanfranco. The cathedral was consecrated by Pope Lucius III in 1184. However, the cathedral was not completed until 1322. The façade of the cathedral has remarkable reliefs made by the sculptor Wiligelmus (aka "Guglielmo da Modena"). He and Lanfranco are considered the first Italian artists to sign their works. The lintel tells the story of St. Geminiano's journey to the East to free the daughter of Emperor Jovian from the devil. Seen on the very right is the saint´s death.

Modena, an Etruscan foundation, was an important city in the Roman Empire and a stronghold against the barbarian attacks at its end. It is said that it was never sacked by Attila, for a dense fog hid it (a miracle said to be provided by Saint Geminianus, patron of Modena), but it was eventually buried by a great flood in the 7th century and abandoned. Towards the end of the 9th century, Modena was rebuilt and fortified by its bishop Ludovicus. When the construction of the cathedral began in 1099, the city was part of the possessions of Margravine Matilda of Tuscia. But when the building was consecrated by Lucius III in 1184, it was a free commune. In the wars between Frederick II and Gregory IX, it sided with the emperor. Two churches built since the 5th century on the site of the present cathedral were both destroyed when Modena got resettled. A church was erected that soon was too small and a large cathedral was planned. Work on the present cathedral began in 1099 under the direction of the master builder Lanfranco. The first stone was laid in 1099 with the support of Matilda of Tuscia. A plaque outside the main apse gives 23 May 1099 as the date of the foundation of the new Modena Cathedral and also the name of the architect Lanfranco. The cathedral was consecrated by Pope Lucius III in 1184. However, the cathedral was not completed until 1322. The façade of the cathedral has remarkable reliefs made by the sculptor Wiligelmus (aka "Guglielmo da Modena"). He and Lanfranco are considered the first Italian artists to sign their works. Noah's Ark

Modena, an Etruscan foundation, was an important city in the Roman Empire and a stronghold against the barbarian attacks at its end. It is said that it was never sacked by Attila, for a dense fog hid it (a miracle said to be provided by Saint Geminianus, patron of Modena), but it was eventually buried by a great flood in the 7th century and abandoned. Towards the end of the 9th century, Modena was rebuilt and fortified by its bishop Ludovicus. When the construction of the cathedral began in 1099, the city was part of the possessions of Margravine Matilda of Tuscia. But when the building was consecrated by Lucius III in 1184, it was a free commune. In the wars between Frederick II and Gregory IX, it sided with the emperor. Two churches built since the 5th century on the site of the present cathedral were both destroyed when Modena got resettled. A church was erected that soon was too small and a large cathedral was planned. Work on the present cathedral began in 1099 under the direction of the master builder Lanfranco. The first stone was laid in 1099 with the support of Matilda of Tuscia. A plaque outside the main apse gives 23 May 1099 as the date of the foundation of the new Modena Cathedral and also the name of the architect Lanfranco. The cathedral was consecrated by Pope Lucius III in 1184. However, the cathedral was not completed until 1322. The façade of the cathedral has remarkable reliefs made by the sculptor Wiligelmus (aka "Guglielmo da Modena"). He and Lanfranco are considered the first Italian artists to sign their works. Expulsion from Paradise "Cursed is the ground because of you; through painful toil you will eat food from it all the days of your life. It will produce thorns and thistles for you, and you will eat the plants of the field. By the sweat of your brow you will eat your food"

Modena, an Etruscan foundation, was an important city in the Roman Empire and a stronghold against the barbarian attacks at its end. It is said that it was never sacked by Attila, for a dense fog hid it (a miracle said to be provided by Saint Geminianus, patron of Modena), but it was eventually buried by a great flood in the 7th century and abandoned. Towards the end of the 9th century, Modena was rebuilt and fortified by its bishop Ludovicus. When the construction of the cathedral began in 1099, the city was part of the possessions of Margravine Matilda of Tuscia. But when the building was consecrated by Lucius III in 1184, it was a free commune. In the wars between Frederick II and Gregory IX, it sided with the emperor. Two churches built since the 5th century on the site of the present cathedral were both destroyed when Modena got resettled. A church was erected that soon was too small and a large cathedral was planned. Work on the present cathedral began in 1099 under the direction of the master builder Lanfranco. The first stone was laid in 1099 with the support of Matilda of Tuscia. A plaque outside the main apse gives 23 May 1099 as the date of the foundation of the new Modena Cathedral and also the name of the architect Lanfranco. The cathedral was consecrated by Pope Lucius III in 1184. However, the cathedral was not completed until 1322. The façade of the cathedral has remarkable reliefs made by the sculptor Wiligelmus (aka "Guglielmo da Modena"). He and Lanfranco are considered the first Italian artists to sign their works. The "Creation of Eve" Genesis 2.21-2.22 "So the Lord God caused the man to fall into a deep sleep; and while he was sleeping, he took one of the man’s ribs and then closed up the place with flesh. Then the Lord God made a woman from the rib he had taken out of the man, and he brought her to the man."

The Pieve di San Pietro a Gropina is located on a hill in the hamlet Gropina, that meanwhile belongs to Loro Ciuffenna. A chapel existed here already in the 4th century. Soon after Charlemagne had donated the area to the Nonantola Abbey, Benedictian monks erected a church here end of the 8th century. The church of today was probably built within the 12th century. At that time this was one of the wealthiest parish church with the diocese, having about 30 depending churches. The nave is flanked by pillars, that all have sculpted capitals. The capitals of left and right side differ in style. Within some decades at least two workshops have worked here. Maybe even more. This capital is as well attribute this to "Wiligelmo da Modena" (aka "Gulielmo da Modena", "Guglielmo da Modena") - or a workshop by some scholars. Wiligelmo (active ~ 1099 - 1120) was a sculptor who was influenced by the Romanesque style of Southern France. I do see parallels... Sexuality is quite a theme in this church (see the pulpit)! One of the Luxuriae in detail.

The Pieve di San Pietro a Gropina is located on a hill in the hamlet Gropina, that meanwhile belongs to Loro Ciuffenna. A chapel existed here already in the 4th century. Soon after Charlemagne had donated the area to the Nonantola Abbey, Benedictian monks erected a church here end of the 8th century. The church of today was probably built within the 12th century. At that time this was one of the wealthiest parish church with the diocese, having about 30 depending churches. The nave is flanked by pillars, that all have sculpted capitals. The capitals of left and right side differ in style. Within some decades at least two workshops have worked here. Maybe even more. This capital is as well attribute this to "Wiligelmo da Modena" (aka "Gulielmo da Modena", "Guglielmo da Modena") - or a workshop by some scholars. Wiligelmo (active ~ 1099 - 1120) was a sculptor who was influenced by the Romanesque style of Southern France. I do see parallels... Sexuality is quite a theme in this church (see the pulpit)! This beardpuller stands for sinful masturbation.

The Pieve di San Pietro a Gropina is located on a hill in the hamlet Gropina, that meanwhile belongs to Loro Ciuffenna. A chapel existed here already in the 4th century. Soon after Charlemagne had donated the area to the Nonantola Abbey, Benedictian monks erected a church here end of the 8th century. The church of today was probably built within the 12th century. At that time this was one of the wealthiest parish church with the diocese, having about 30 depending churches. The nave is flanked by pillars, that all have sculpted capitals. The capitals of left and right side differ in style. Within some decades at least two workshops have worked here. Maybe even more. This capital is as well attribute this to "Wiligelmo da Modena" (aka "Gulielmo da Modena", "Guglielmo da Modena") - or a workshop by some scholars. Wiligelmo (active ~ 1099 - 1120) was a sculptor who was influenced by the Romanesque style of Southern France. I do see parallels... Sexuality is quite a theme in this church (see the pulpit)! This capital depicts two Luxuriae, standing for sinful lust, and two beardpullers, connected to - as well sinful - masturbation.

The Pieve di San Pietro a Gropina is located on a hill in the hamlet Gropina, that meanwhile belongs to Loro Ciuffenna. A chapel existed here already in the 4th century. Soon after Charlemagne had donated the area to the Nonantola Abbey, Benedictian monks erected a church here end of the 8th century. The church of today was probably built within the 12th century. At that time this was one of the wealthiest parish church with the diocese, having about 30 depending churches. The nave is flanked by pillars, that all have sculpted capitals. The capitals of left and right side differ in style. Within some decades at least two workshops have worked here. Maybe even more. This "Samson fighting the lion" is carved in much softer and smoother style than the other capitals (previous uploads). The capital is even "decorated" with tendrils. Samson has the legendary long hair, that was later cut off by his wife. Some scholars attribute this to "Wiligelmo da Modena" (aka "Gulielmo da Modena", "Guglielmo da Modena") - or a workshop. Wiligelmo (active ~ 1099 - 1120) was a sculptor who was influenced by the Romanesque style of Southern France. I do see parallels...