Martin M. Miles' photos with the keyword: Guelphs

Helmstedt developed near the monastery of St. Ludgeri, which was probably founded around 800 by St. Liudger. For centuries there was a connection to the Werden Abbey, also founded by St. Luidger. Helmstedt was first mentioned as Helmonstede in 952. Until 1490, the abbots of the Werden-monastery were still the lords of Helmstedt, who then ceded their rights to the dukes of Brunswick-Lüneburg. In the course of the throne dispute between the Guelphs and the Staufers, the city was almost completely destroyed at the turn of the year 1199/1200 by troops of the Magdeburg Archbishop and Philip of Swabia. After reconstruction, the city's fortifications were strengthened to withstand a siege in 1279. After years of war, the abbot of Werden, who acted as a mediator between the warring parties, was killed by enraged citizens in 1288. As a result, the city and its citizens were subjected to imperial ban, which was not lifted until 1290 by King Rudolf I. Helmstedt developed into a trading town at an early stage. Between 1426 and 1518, it was a member of the Hanseatic League. - In the Middle Ages the Beguines lived here. Now it belongs to the parish.

Helmstedt developed near the monastery of St. Ludgeri, which was probably founded around 800 by St. Liudger. For centuries there was a connection to the Werden Abbey, also founded by St. Luidger. Helmstedt was first mentioned as Helmonstede in 952. Until 1490, the abbots of the Werden-monastery were still the lords of Helmstedt, who then ceded their rights to the dukes of Brunswick-Lüneburg. In the course of the throne dispute between the Guelphs and the Staufers, the city was almost completely destroyed at the turn of the year 1199/1200 by troops of the Magdeburg Archbishop and Philip of Swabia. After reconstruction, the city's fortifications were strengthened to withstand a siege in 1279. After years of war, the abbot of Werden, who acted as a mediator between the warring parties, was killed by enraged citizens in 1288. As a result, the city and its citizens were subjected to imperial ban, which was not lifted until 1290 by King Rudolf I. Helmstedt developed into a trading town at an early stage. Between 1426 and 1518, it was a member of the Hanseatic League. The Romanesque predecessor building was burned down by troops of the Magdeburg Archbishop and King Philip of Swabia. Around 1230, the construction of today's St. Stephen's Church in Gothic style began, but the construction work dragged on for several decades. Through structural changes in the following years, the building received not only Gothic and Romanesque sections but also Renaissance and Baroque interior elements. The first Protestant preaching took place here in 1530 by the pastor Heinrich Wende, who was expelled from the city a short time later by the ducal sovereign.

Helmstedt developed near the monastery of St. Ludgeri, which was probably founded around 800 by St. Liudger. For centuries there was a connection to the Werden Abbey, also founded by St. Luidger. Helmstedt was first mentioned as Helmonstede in 952. Until 1490, the abbots of the Werden-monastery were still the lords of Helmstedt, who then ceded their rights to the dukes of Brunswick-Lüneburg. In the course of the throne dispute between the Guelphs and the Staufers, the city was almost completely destroyed at the turn of the year 1199/1200 by troops of the Magdeburg Archbishop and Philip of Swabia. After reconstruction, the city's fortifications were strengthened to withstand a siege in 1279. After years of war, the abbot of Werden, who acted as a mediator between the warring parties, was killed by enraged citizens in 1288. As a result, the city and its citizens were subjected to imperial ban, which was not lifted until 1290 by King Rudolf I. Helmstedt developed into a trading town at an early stage. Between 1426 and 1518, it was a member of the Hanseatic League.

Helmstedt developed near the monastery of St. Ludgeri, which was probably founded around 800 by St. Liudger. For centuries there was a connection to the Werden Abbey, also founded by St. Luidger. Helmstedt was first mentioned as Helmonstede in 952. Until 1490, the abbots of the Werden-monastery were still the lords of Helmstedt, who then ceded their rights to the dukes of Brunswick-Lüneburg. In the course of the throne dispute between the Guelphs and the Staufers, the city was almost completely destroyed at the turn of the year 1199/1200 by troops of the Magdeburg Archbishop and Philip of Swabia. After reconstruction, the city's fortifications were strengthened to withstand a siege in 1279. After years of war, the abbot of Werden, who acted as a mediator between the warring parties, was killed by enraged citizens in 1288. As a result, the city and its citizens were subjected to an imperial ban, which was not lifted until 1290 by King Rudolf I. Helmstedt developed into a trading town at an early stage. Between 1426 and 1518, it was a member of the Hanseatic League. The university "Academia Julia" was founded by Duke Julius in 1576. The university significantly shaped life from 1576 to 1810 in the city. The dukes brought famous scholars to Helmstedt such as Georg Calixt, and polymath Hermann Conring and even Giordano Bruno, who advocated the teachings of Copernicus and therefore ended up at the stake in Rome years later. All these scholars published their notable works on the university printing press set up by the duke and owned by the master Jacob Lucius. Fundamental changes occurred during the "French period" from 1806 to 1813. Jérôme Bonaparte, Napoleon's brother, ruled the Kingdom of Westphalia, to which Helmstedt belonged. By his order, university operations were finally suspended. Giordano Bruno lived in this house during his stay in Helmstedt.

Helmstedt developed near the monastery of St. Ludgeri, which was probably founded around 800 by St. Liudger. For centuries there was a connection to the Werden Abbey, also founded by St. Luidger. Helmstedt was first mentioned as Helmonstede in 952. Until 1490, the abbots of the Werden-monastery were still the lords of Helmstedt, who then ceded their rights to the dukes of Brunswick-Lüneburg. In the course of the throne dispute between the Guelphs and the Staufers, the city was almost completely destroyed at the turn of the year 1199/1200 by troops of the Magdeburg Archbishop and Philip of Swabia. After reconstruction, the city's fortifications were strengthened to withstand a siege in 1279. After years of war, the abbot of Werden, who acted as a mediator between the warring parties, was killed by enraged citizens in 1288. As a result, the city and its citizens were subjected to imperial ban, which was not lifted until 1290 by King Rudolf I. Helmstedt developed into a trading town at an early stage. Between 1426 and 1518, it was a member of the Hanseatic League. The university "Academia Julia" was founded by Duke Julius in 1576. The university significantly shaped life from 1576 to 1810 in the city. The dukes brought famous scholars to Helmstedt such as Georg Calixt, and polymath Hermann Conring and even Giordano Bruno, who advocated the teachings of Copernicus and therefore ended up at the stake in Rome years later. All these scholars published their notable works on the university printing press set up by the duke and owned by the master Jacob Lucius. Fundamental changes occurred during the "French period" from 1806 to 1813. Jérôme Bonaparte, Napoleon's brother, ruled the Kingdom of Westphalia, to which Helmstedt belonged. By his order, university operations were finally suspended.

Helmstedt developed near the monastery of St. Ludgeri, which was probably founded around 800 by St. Liudger. For centuries there was a connection to the Werden Abbey, also founded by St. Luidger. Helmstedt was first mentioned as Helmonstede in 952. Until 1490, the abbots of the Werden-monastery were still the lords of Helmstedt, who then ceded their rights to the dukes of Brunswick-Lüneburg. In the course of the throne dispute between the Guelphs and the Staufers, the city was almost completely destroyed at the turn of the year 1199/1200 by troops of the Magdeburg Archbishop and Philip of Swabia. After reconstruction, the city's fortifications were strengthened to withstand a siege in 1279. After years of war, the abbot of Werden, who acted as a mediator between the warring parties, was killed by enraged citizens in 1288. As a result, the city and its citizens were subjected to imperial ban, which was not lifted until 1290 by King Rudolf I. Helmstedt developed into a trading town at an early stage. Between 1426 and 1518, it was a member of the Hanseatic League. The university "Academia Julia" was founded by Duke Julius in 1576. The university significantly shaped life from 1576 to 1810 in the city. The dukes brought famous scholars to Helmstedt such as Georg Calixt, and polymath Hermann Conring and even Giordano Bruno, who advocated the teachings of Copernicus and therefore ended up at the stake in Rome years later. All these scholars published their notable works on the university printing press set up by the duke and owned by the master Jacob Lucius. Fundamental changes occurred during the "French period" from 1806 to 1813. Jérôme Bonaparte, Napoleon's brother, ruled the Kingdom of Westphalia, to which Helmstedt belonged. By his order, university operations were finally suspended.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Inside the baptistery is this delicately carved baptismal font, too small for a total immersion.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes. Inbetween are columns and capitals. The baptistery´s altar. John the Baptist (JOHANNIS BATTISTA) is flanked by a priest (SACERDOS) and a Levite (LEVITA)

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes. Inbetween are columns and capitals. Here is Habakkuk delivering food to hungry Daniel in the lions' den. Daniel 14:33-36 "Now the prophet Habakkuk was in Judea; he had made a stew and had broken bread into a bowl, and was going into the field to take it to the reapers. But the angel of the Lord said to Habakkuk, "Take the food that you have to Babylon, to Daniel, in the lions’ den." Habakkuk said, "Sir, I have never seen Babylon, and I know nothing about the den." Then the angel of the Lord took him by the crown of his head and carried him by his hair; with the speed of the wind, he set him down in Babylon, right over the den."

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes. The "Labours of the Months" - and the zodiac signs. March = Aries April = Taurus May = Gemini

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes. The "Labours of the Months" - and the zodiac signs. June = Cancer July = Lion

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes in the semicircular spaces. Seen here is the "Flight into Egypt". An angel points the party in the right direction.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes in the semicircular spaces. Seen here is King David, who obviously knew about the importance of music in early childhood.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Below the large triangular frescoes are tiers with carvings, sculptures and even more frescoes. With my equipment it is not possible to take a photo of the complete wall structure.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Here are three (of the sixteen) arches. Seen from left to right: NATIVITAS STE JOHANNIS BATISTE The Birth of John the Baptist. His mother Elizabeth, reclined on the bed, watches the midwives performing "the first bath". HIC BATISTATUR CHRIST Christ´s baptism in the River Jordan. The painting is obviously influenced by older icons (Ravenna). Christ is nude - and the River Jordan is personalised. HIC AMPUTAVIT CAPUT JOHANNIS The death of John the Baptist. Seen below is (left) Abramham´s sacrifie - and (right) two battle scenes, probably connected to the cruisades (camels).

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. Most striking is the painted domed ceiling. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. A frieze, depicting animals and mythological creatures, runs around the eights sides of the Battistero di San Giovanni. A nice mermaid - in detail.

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. A frieze, depicting animals and mythological creatures, runs around the eights sides of the Battistero di San Giovanni. Two battling centaurs, a dog and a lion.