Martin M. Miles' photos with the keyword: Mouth of Hell

Hereford became the seat of Putta, Bishop of Hereford, some time between 676 and 688, after which the settlement continued to grow due to its proximity to the border between Mercia and Wales, becoming the Saxon capital of West Mercia by the beginning of the 8th century. Hostilities between the Anglo-Saxons and the Welsh came to a head with the Battle of Hereford in 760, in which the Britons freed themselves from the influence of the English. Hereford was again targeted by the Welsh during their conflict with the Anglo-Saxon King Edward the Confessor in 1056 when, supported by Viking allies, Gruffydd ap Llywelyn, King of Gwynedd and Powys, marched on the town and put it to the torch before returning home in triumph. A church has existed on this site since the 8th century or earlier. The present building was begun in 1079. Substantial parts date from both the Norman and the Gothic periods. The cathedral is dedicated to two saints, St Mary the Virgin and St Ethelbert the King. The latter was beheaded by Offa, King of Mercia, in the year 794. Offa had consented to give his daughter to Ethelbert in marriage, but he changed his mind and deprived him of his head. Of this Norman church, completed around 1150, the surviving parts are the nave arcade, the choir, the south transept and the crossing arches. Scarcely 50 years after its completion the east end was altered by constructing a retro-choir and a lady chapel. 1226 - 1246, the Lady Chapel was rebuilt in the Early English style. Around the middle of the century the clerestory, and the vaulting of the choir, were rebuilt, having been damaged by the settling of the central tower. Under Peter of Aigueblanche (bishop 1240–68) the rebuilding of the north transept was begun, being completed later in the same century. On Easter Monday, 1786, the greatest disaster in the history of the cathedral took place. The west tower fell, creating a ruin of the whole of the west front and at least one part of the nave. The restoration work took more than a century. The west front was restored over the period 1902 and 1908. Some of the Norman/Romanesque capitals still exist. The Mouth of Hell - and the Devil himself

The place name Quenington is first mentioned in the Domesday Book of 1086, where it appears as Qvenintone. A priest was recorded here. The land and the settlement had been given to the Lacey family by William the Conquerer. The Knights Hospitallier maintained a preceptory here in the 12th century, which was almost completely demolished around 1600.The Norman church of St Swithin was mainly built in the late 11th century. It has some extraordenary carvings. The northern doorway depicts the Harrowing of Hell. Christ is thrusting the cross into the devil´s mouth while three persons are risung out of the Mouth of Hell.

Gdańsk is mentioned the Vita of Saint Adalbert of Prague who baptised the inhabitants of "urbs Gyddannyzc" in 997. Later the site was a duchy of Poland. In 1224/25, merchants from Lübeck were invited Significant German influence did not appear until the 14th century, after the takeover of the city by the Teutonic Knights. In 1300, the town had an estimated population of 2,000. Low on funds, the Pomeranian Samborides lent the settlement to Brandenburg, although they planned to give it to Poland. Poland threatened to intervene, and the Brandenburgians left the town. Subsequently, the city was taken by Danish princes in 1301. The Teutonic Knights were hired by Polish nobles to drive out the Danes. In 1308, the town was taken by the Teutonic Knights. Primary sources record a large massacre carried out by the Knights against the population. In 1358, Danzig joined the Hanseatic League. After a series of Polish-Teutonic Wars, the Order had to acknowledge that it would hold Pomerelia as a fief from the Polish Crown. The city thrived as a result of increased exports via the Vistula River trading routes. While under the control of the Teutonic Order German migration increased. A new war broke out in 1409, culminating in the Battle of Grunwald in 1410. The city came under the control of the Kingdom of Poland. Only a year later, with the Peace of Thorn, it returned to the Teutonic Order. In 1440, the city participated in the foundation of the "Prussian Confederation", an organisation opposed to the Teutonic Knights. Upon the request of the organisation King Casimir IV of Poland reincorporated the territory to the Kingdom of Poland in 1454. This led to a war between Poland and the Teutonic Order. Casimir IV of Poland granted the town the Great Privilege. With this, the town was granted full autonomy and protection by the King of Poland. The privilege removed tariffs and taxes on trade within Poland, Lithuania and Ruthenia. Gaining privileged access to Polish markets, the seaport prospered while simultaneously trading with the other Hanseatic cities. Being the largest and one of the most influential cities of Poland, it enjoyed voting rights during the royal election period in Poland. In the 1575 election of a king to the Polish throne, Danzig supported Maximilian II in his struggle against Stephen Báthory. Stephen became monarch but the city shut its gates against him. After the 6 months siege of Danzig in 1577 the city's army was defeated. A compromise was reached: Stephen confirmed the city's special status and its privileges. The city recognised him as ruler of Poland and paid the enormous sum of 200,000 guldens in gold as payoff. During the Reformation, most German-speaking inhabitants adopted Lutheranism. The "Battle of Westerplatte" was the first battle of the German invasion of Poland, marking the start of WW II in Europe. The historic city centre of Gdansk was 90% destroyed at the end of WWII. It was reconstructed by Poles at great expense and today attracts tourists. The construction of the three-nave Gothic church started around 1360. The building was completed in the 15th century. There was space for the tower to be built later, as well as for the vaults, which were temporarily replaced by the beamed ceiling. The construction of the vaults and the tower was completed around 1465. In the following centuries, artisan guilds and brotherhoods founded 13 altars, but after the Reformation, most of the altars disappeared. In 1543 the church tower was consumed by fire. Soon there was a problem with the stability of the building. The church was too heavy, the foundation was too weak on unstable ground. In the 17th century, the chancel was on the verge of collapse and the gables were falling away from the east wall. In 1679, huge buttresses were erected on the east wall to keep it from collapsing. The structure was reinforced from the end of the 16th century, several times during the 17th and 18th centuries. In 1680-1690, on the north side of the transept, the library of the Zachariasz Zappio Foundation was established. Other outbuildings added to the temple over time were a large sacristy and the Chapel of St. Spirit on the south transept. In 1945 the church burned down. After the end of WWII, the burned-out church building was roofed over and its vaults were secured. But it fell into disrepair for many years. In the 1960s the tower was rebuilt and in the next decade, the pillars were stacked and reinforced. Only few traces of the former frescoes have survived the times. Like this Mouth of Hell.

Auxerre was a Gallo-Roman centre, then called Autissiodorum. It became the seat of a bishop already in the 3rd century. In the 5th century, it received a cathedral. Wine cultivations starting from the twelfth century made Auxerre a flourishing town. Auxerre suffered during the Hundred Years' War and the Wars of Religion. In 1567 it was captured by the Huguenots, and many of the Catholic edifices were damaged. The Cathédrale Saint-Étienne is actually the 5th on the spot. The erection started in 1215 around the same time when the building of the cathedrals in Reims and Amiens started. The church was erected over a still existing crypt from the previous building (~ 1030). The choir was completed in 1235. At the same time, the construction of the facade began. The sculptured portal is dated to around 1320. I have been here a couple of times and have uploaded already many photos, so this time I will cut it down to just a few. The three tympana of the facade are pretty damaged. Seen on the left side of the lintel is a "Weighing of the Souls". The "bad ones" go directly into the "Mouth of Hell" to suffer while the "good ones" are carried away by angels.

The construction of the Cattedrale di San Giorgio began in the early 12th century, when the city was taken by Matilda of Tuscany (aka "Matilde di Canossa"). When the new cathedral was consecrated in 1135 it was not completed at all. It was - and still is - located in the center of the city. The lower part of the facade is Romanesque was probably built in the first half of the 11th century. The building process was continued a century later in Gothic style. A "renovation" of the Ferrara Cathedral done in the early 18th century resulted in a demolition. Only the facade and the outer walls survived. The the medieval interior and the apses, that once existed are lost. The portal is attributed to Master Niccolò (aka "Nicholaus"), who (or his workshop) worked as well in Verona (San Zeno) and Piacenza (Cathedral). The upper part of the narthex depicts the "Last Judgement", a popular theme (eg Conques, Autun, Moissac, Sangüesa) here is seen in a delicate style of transition from from Romanesque to Gothic. Souls rise from open graves. Above them Archangel Michael holds a scale doing the "Weighing of the Souls". A little devil tries to hold down the right side. The sinners leave -naked- to the right side, the good souls - nicely dressed to the left. Above all Christ in a mandorla, showing the "Five Holy Wounds". I have added the neighbouring carvings (in a larger scale). To the left the good souls are saved in the "Bosom of Abraham", to the right the poor souls are stuffed by evil devils into the "Mouth of Hell".

On the ruins of a older basilica begann, just next to the Baptistère Saint-Jean the construction of large Cathédrale Saint-Pierre in 1162. The building, the new the seat of the Archbishop of Poitiers, was greatly funded by Henry II of England (aka "Henri II Plantagenêt") and Eleanor of Aquitaine. The construction started as usual in the east and was completed with the western facade end of the 13th century. The transition from the late Romanesque to the Gothic style is visible. The three Gothic portals of the western facade seem influenced by the Gothic cathedrals from northern France. The tympanum of the central portal depicts the "Last Judgment", a "traditional" theme, as this can often found on Romanesque tympana. The tympanum is densely populated and delicately carved. Tombs open on the lowest tier, while above them souls go to heaven (left) or enter the "Mouth of Hell" (right). Christ is flanked by angels, who hold the "Arma Christi". The icon "Instruments of the Passion" got popular during the 13th century.