Martin M. Miles' photos with the keyword: sun and moon

The area around the modern Altamura (pop 70.000) was inhabited in early times. There are Bronze Age tumuli and between the 6th and the 3rd century BC a massive line of megalithic walls was erected. This (later Roman) city was inhabited until the 10th century when it was reportedly looted by Saracens. A couple of centuries after Altamura was reportedly looted by the Saracens, it started to be inhabited again as Emperor Frederick II refounded the city (1232) and ordered the construction of the large Altamura Cathedral, which became one of the most venerated sanctuaries in Apulia. Altamura was ruled by various feudal families, including the Orsini del Balzo and the Farnese (1538–1734), the latter responsible for the construction of numerous palaces and churches. In the past, Altamura also had a large castle, whose construction dated back to the 11th-13th century, which has been completely demolished. Altamura Cathedral (Cattedrale di Santa Maria Assunta) was founded by Emperor Frederick II in 1232. In 1248, under pressure from Frederick, Pope Innocent IV declared Altamura exempt from the jurisdiction of the bishop of Bari, making it a "palatine church", that is the equivalent of a palace chapel. After heavy damage caused by an earthquake in 1316, it was renovated by Robert of Anjou. Major changes were made to the cathedral in 1534, including switching the front and back around! The cathedral's main facade originally faced west but it now faces east. This carving dates probably to the 13th century. Note sun and moon over the mandorla.

With a population of about 10.000 Soest was the most important town in Westphalia within the 11th and 12th century. The "Soester Stadtrecht" ("Soest city law") is the oldest city law, documented in German territory. Soest was one of the most important Hanseatic cities in medieval times. During the "Soester Fehde" (Soest Feud") it liberated itself from the Bishop of Cologne, who controlled Westphalia. During and after the Thirty Years' War, Soest suffered a tremendous loss population and influence. At the lowest point in 1756, it had only 3,600 citizens. Soest has still a couple of wonderful medieval, Romanesque churches, erected from the regional greenish sandstone. The "Hohnekirche" (officially "St. Maria zur Höhe") is one of them. The church was built in its present form from 1180 and is one of the oldest hall churches in Westphalia. It replaced an older church here. Here is the tympanum, created 1220/1230. Framed by a quatrefoil is the crucifixion in the centre. The cross is flanked by sun and moon - and below Mary and John. To the left is the nativity scene. Mary, the crib, the ox, the ass and Joseph (note the Jewish hat). To the right, the "myrrhbearers", three ladies visiting the (empty) tomb, the soldiers in front are sleeping. The inscription on the lintel is about a renovation in 1671. This tympanum has parallels to the tympanum in Plettenberg (50kms south).

A monastery was founded here mid 10th century. Records exist from 994 on. Egas Moniz o Aio, teacher (= o Aio) and guardian of Afonso I , the first King of Portugal, bequeasted half of his wealth against the promise to be buried here. Between 1088 and 1106 Benedictine monks from Cluny settled here. The church of today was probably erected in the first half of the 13th century, but later lots of modifications were done. The monks kept the promise, when Egas Moniz o Aio died in 1146, he was buried here - and got a fantastic tomb. Unfortunately the church was locked - and I could not see it. As the inscription is not readable any longer, so it is not clear, what "moon" and "sun" stand for.

St. Pankratius, the parish church of the village Hoinkhausen, is located on an elevated place in the very centre of the village. The large church was erected mid 13th century from regional, green sandstone, better known as "Anröchter Sandstein". The original tower was demolished in 1860 and a new "Neo-Romanesque" one was built. The side portal has an interesting tympanum. The crucifixion in the centre, flanked by John and Mary. Just like in Plettenberg (60kms southwest), Christ´s arms are very long and are spread to embrace the onlookers. To the right is the nativity scene. The crib, the ox, the ass, Mary and Joseph (note the Jewish hat). This scene stands for the New Testament, while to the right the Old Testament is represented by long-haired Samson tears the lion apart.

This church, dedicated to St. Christopher, is the last remaining building of a monastery founded in the 11th century, and belonging to the Canons Regular of St. Augustine. The earliest reference to the monastery dates from 1103. The monastery existed upto 1443, when it was dissolved The present church is the result of a rebuilding carried out in 1151, as indicated by an inscription on the apse. The western facade and this fantastic portal was probably created late 12th century. A well dressed bishop/abbot with a crozier and a mitra is in the center. He is depicted in a blessing gesture. He is flanked by two smaller persons holding books (probably the bible) - and in the corners a bird under a sun symbol - and a small mermaid holding a moon symbol. The style is pretty rough, but impressing.

Already Theodoric the Great, King of the Ostrogoths, may have funded a church, erected over the tomb of Saint Zeno, who, following the legends, was born in Mauretania and died around 380 in Verona. The erection of the present church began in the 9th century. Soon after San Zeno´s relics were translated into the new church. At that time Charlemagne´s son Pepin (aka "Pepin of Italy") resided in Verona and a large Benedictine monastery grew all around the church. When the Magyars invaded Italy in the early 10th century, the church got severely damaged, but the relics were not harmed, as they had been taken out and were hidden. In 967, a new church was built with the patronage of Otto I. On January 3, 1117, the church was damaged by an earthquake, that ruined so many buildings in Northern Italy. The church was restored and got enlarged in 1138. It may well be, that soon after panels of a bronze door from another (destroyed?, damaged?) church were transferred to San Zeno - and so got reused here. Today the famous bronze door consists out of two panels on which the plates are fixed. The older ones (~ 1100) are often compared with the bronze works in Hildesheim, and Saxon Masters may have worked here. The younger ones (1200) are "smoother" and some scholars connect them to Benedetto Antelami, who worked in Parma 1178 ("Deposition"). Unfortunately the room is so small, that I was unable to take an "overview", so I could only take photos of panels and details. The "Descent from the Cross" Joseph of Arimathea and Nicodemus taking Christ down from the cross.

Notre-Dame la Grande, a former collegiate church, was completed around 1150. This facade is a masterpiece of Romanesque art. The church replaced an older one, known since the 9th century. The western facade is the result of an enlargement. In the first half of the 12th century, the older facade got removed - and two spans were added to the nave toward the west. The facade (sometimes called it a "frontage-screen") completed that enlargement. This facade is a brilliant example of the Romanesque "style poitevin". Seen here is the top tier, a richly-carved medallion of Christ in Glory (now headless), surmounted by the sun and moon and surrounded by the symbols of the Four Evangelists. As the church went trough the Wars of Religions and the French Revolution many of the carvings are damaged.