Martin M. Miles' photos with the keyword: sagittarius

The abbey was founded at the end of the 7th century by monks from the abbey Saint-Hilaire de Poitiers. In the early years only a small convent existed, dependent from the abbey in Poitiers, just 15kms away. Since 830, when the remains of Saint Junien de Poitou (once befriended with Queen Radegunde) were transferred to the convent, it is known as "Abbaye Saint-Junien". At that time a church was built, equipped with a crypt, to receive the relics. In the 11th century, under the protection of the Counts of Poitou, the abbey prospered and restorations were undertaken. In the 12th century, the vaulted nave was completed and the belltower got erected. During the 100 Years´ War, it was necessary to fortify the abbey. Walls and ditches surrounded the complex in the 14th century. After a century of prosperity, when again buildings got added, the Wars of Religion started and during the siege of Poitiers in 1569, the Protestant army of Gaspard II de Coligny pillaged and burned the abbey. When the troops left choir and cloister were gone, while the nave was relatively spared. The restoration of the damage took a century. In 1734 the abbey only had seven monks, in 1790, when the Revolution had taken over there were only four. The abbey was sold in 1792, the church since then serves the parish. Today large parts are privately owned. All along the nave are some very unusual carvings. May the artistic style be not that surprising, the themes and icons are very specific. The fighting scene (prev upload) continues. Watched by a centaur / Sagittarius the attacked monk is offered a drink. The servant (?) holds a cup and a bottle.

Saint-Genès, erected in the 11th and 12th century, was the church of the priory Saint-Etienne, dependent from the important Abbaye Notre-Dame in Déols. This abbey, now in ruins, had been founded in 917 and developed into one of the most powerful regional institutions. It was one of the first in the Cluniac network. Odo of Cluny (+ 942) was abbot of three monasteries: Cluny, Massy and Deols. This is important, as Saint-Genès has architectural parralells to Cluny II and Cluny III. The building got severely damaged, when Louis VII (aka "Louis le Jeune", 1. husband of Eleanor of Aquitaine) burnt down the town in 1152 during a feud with Abbo II de Déols, a supporter of Henri Plantagenêt (aka Henry II, "Curtmantle", 2. husband of Eleanor of Aquitaine). In 1569 the Huguenots set fire here - and many restorations followed that. During the French Revolution the bell tower was destroyed and the church became a "Temple of Reason". The carvings inside were created by (at least) two different workshops. There are rough and archaic capitals, that are probably older than the more elaborated, "sophisticared" ones. On the left a guy with bow and arrow, who may hunt the dog(?), goat(?) or sheep(?) protected in the center by a huge person with the elegantly combed beard. What is below the quadruped? A net? Branches?

The village Saint-Bertrand-de-Comminges, named after a bishop of the once existing diocese here,was just like neighbouring Valcabrère once part of a large Roman settlement, that may have had about 30.000 inhabitants. In the early 5th century the Vandals sacked the city, in 585 merovingian troops razed the site, that probably had the bishopric seat already at that time. Saint Bertrand of Comminges (1073–1123) restored and fortified the town. He commissioned the erection of the cathedral. Saint Bertrand´s tomb was a center of regional pilgrimage already before he got canonized around 1220. Pope Clement V, who had once been Bishop of this diocese, strongly promoted the pilgrimage, so that soon after the Romanesque church was to small for the many "pelerins". Between 1304 and 1352 the major part of old nave got demolished to make room for a new, larger Gothic nave. In 1586, during the Wars of Religion, the cathedral was looted and severely damaged by the Huguenot troops. It took the next centuries to restore and repair. Saint-Bertrand´s relics were hidden during the Huguenot raids and are meanwhile back in the cathedral. The Romanesque cloister, where the canons once praid the Divine Office, got rather damaged by the Huguenots. It got restored and there are still some very interesting carvings. Lots of scenes are on this capital. Easy to "recognize" is a centaur / Sagittarius hunting a mermaid or maybe here a "meranimal" with bow and arrow. On the bottom I see a farmer ploughing with two oxes. Behind is a person picking something from the ground (ears?). In the center are three persons. One holds an animal, while the other seems to slaughter it. Maybe this is a hunting scene, as the log "object" under the large animal may be a dog. On the left somebody carries and object (sack?) on his shoulders.

The town was founded by the hermit Domingo de la Calzada (aka "Dominic of the Causeway"), who supported the pilgrims on the way to Santiago de Compostela. Domingo not only built a hospital for the pilgrims, but as well a paved causeway and a bridge. He was such a successful architect, that he is still patron saint of the Spanish civil engineers. The first church, erected by him, got consecrated in 1106. Since 1232 this was the Seat of the Bishops of the Calahorra-La Calzada and Logroño, so the structure got enlarged and modified. The ambulatory is Romanesque and may (in parts) date back to the first church, built by Santo Domingo. Most of the elaborate carvings may date from the mid/end of the 12th century. Two fighting centaurs.

Moradillo de Sedano is a small hamlet, about 50kms north of Burgos. The "Iglesia de San Esteban" was built on a little hill. Following an inscription, the church was completed in 1188. The church has been enlarged during the 14th century, when a Gothic apse was added. A recently added porch protects the southern portal. Here are the tympanum and the archivolts. Christ (Pantocrator) is seated in the center of an oval mandorla on a sculptured throne (lions). Around him are four angels holding the evangelists´ symbols, flanked by St. Peter and St. Paul. Around the two halfs of the mandorla runs an inscription, that reads "vicit leo de tribu iuda, radix David, alelluia". There are three archivolts. The outer one has floral patterns, the middle one a mixture of mythical beasts and biblical scenes, while the inner one is populated by the 24 crowned Elders of the Apocalypse. There are twelve on either sides plus one angel in the center. The center of the middle archivolt depicts from left to right: Massacre of the Innocents, Annunciation, Visitation, Massacre, Centaur/Sagittarius, Samson, Warrior, Griffin, Massacre, Flight into Egypt.

Moradillo de Sedano is a small hamlet, about 50kms north of Burgos. The "Iglesia de San Esteban" was built on a little hill. Following an inscription, the church was completed in 1188. The church has been enlarged during the 14th century, when a Gothic apse was added. A recently added porch protects the southern portal. Here are the tympanum and the archivolts. Christ (Pantocrator) is seated in the center of an oval mandorla on a sculptured throne (lions). Around him are four angels holding the evangelists´ symbols, flanked by St. Peter and St. Paul. Around the two halfs of the mandorla runs an inscription, that reads "vicit leo de tribu iuda, radix David, alelluia". There are three archivolts. The outer one has floral patterns, the middle one a mixture of mythical beasts and biblical scenes, while the inner one is populated by the 24 crowned Elders of the Apocalypse. There are twelve on either sides plus one angel in the center. The center of the middle archivolt depicts from left to right: Massacre of the Innocents, Annunciation, Visitation, Massacre, Centaur/Sagittarius, Samson, Warrior, Griffin, Massacre, Flight into Egypt

A priory of the Abbey Sainte-Barbe en Auge (100 kms east) existed nearby since 1107. "Notre Dame" (co-dedicated to "Sainte Barbe") was given to the priory in 1165. An inscription in the apse tells, that the church was consecrated in 1128. The choir and apse, constructed during the Romanesque period, still exist pretty complete. Within the 19th century a sacristy was "glued" onto the apse. So the large carving, that once was outside - now is inside (the sacristy). Here is a detail of that large carving (see previous upload). The semicircular part over the window/door has a hunting scene. On the left is a stag, attacked by a dog. ON the right side, hidden by a tree in the center, a centaur / sagittarius waiting for the right moment to shoot the arrow.

A priory of the Abbey Sainte-Barbe en Auge (100 kms east) existed nearby since 1107. "Notre Dame" (co-dedicated to "Sainte Barbe") was given to the priory in 1165. An inscription in the apse tells, that the church was consecrated in 1128. The choir and apse, constructed during the Romanesque period, still exist pretty complete. Within the 19th century a sacristy was "glued" onto the apse. So this impressing, large carving around a window/door, once outside, but now can be seen from the sacristy. The carvings is stunning and I´ll upload two closeups next.

Notre-Dame de Surgères was erected in the center of a large castle in the 12th century. The fortification, founded in the 9th century as a motte, when the area was raided by the Vikings, then guarded the border of the historical province of Aunis once. When the church was built a small town had developed around the defence already. Later a small priory and a "hopital" existed, as this was a halt on the Via Turonensis. The pilgrims had a lot to gape here, the facade is stunning 23 meters wide. Eleanor of Aquitaine married Henry II of England in 1152, so the area changed hands and was ruled by the House of Plantagenet. During the Hundred Years' War Surgères experienced a long period of decline. Louis XI´s troops conquered the town in 1472 and the fortifications got destructed. During that time Notre Dame lost the tower and large parts of the nave, but not the facade! Six blind arches once flanked the door, five arches above them on "the second floor". There are more than 100 capitals and corbels all over the facade. This seems to be a medieval encyclopedia. Separated by a weathered atlas is an ugly devil playing the harp (probably "profane music with the claws) and a very elegant centaur, that may stand for the zodiac sign "sagittarius".