Martin M. Miles' photos with the keyword: Doubting Thomas

"San Bartolomeo in Pantano" was founded between 726 and 764 by the Lombard physician Gaiduald on swampy ground (= pantano) . A Benedictian convent was established here under the protection of the Marquises of Tuscany. In 1433 the Benedictines were replaced by Canons Regular. End of the 18th century the monastery was given to the Vallumbrosan Order, which remained here in 1810. Then church became a parish church. San Bartolomeo in Pantano of today was erected mid 12th century, commissioned by Abbot Buono in 1159. The facade, divided into five compartments with arches, is characteristic for the Pistoiese Romanesque style. The interior had been modified and altered a couple of times over the centuries, but a renovation undertaken in the 1950s broight back the Romanesque church. The pulpit, created by Guido da Como (aka Guido Bigarelli) got restaurated as well. Below the left scene (Emaus?) on the bottom is the artist´s signature "Sculptor laudatur qui doctus in arte probatur Guido de Como.." "Praised sculptor proven and skilled in the art Guido de Como .." He obviously was very self confident, just as his older collegue Giovanni Pisani.

"San Bartolomeo in Pantano" was founded between 726 and 764 by the Lombard physician Gaiduald on swampy ground (= pantano) . A Benedictian convent was established here under the protection of the Marquises of Tuscany. In 1433 the Benedictines were replaced by Canons Regular. End of the 18th century the monastery was given to the Vallumbrosan Order, which remained here in 1810. Then church became a parish church. San Bartolomeo in Pantano of today was erected mid 12th century, commissioned by Abbot Buono in 1159. The facade, divided into five compartments with arches, is characteristic for the Pistoiese Romanesque style. The interior had been modified and altered a couple of times over the centuries, but a renovation undertaken in the 1950s broight back the Romanesque church. The pulpit, created (and signed) by Guido da Como (aka Guido Bigarelli) got restaurated as well. This is the square pulpit´s front panel. The signature is on the left - on the right AD MCCL = 1250.

"San Bartolomeo in Pantano" was founded between 726 and 764 by the Lombard physician Gaiduald on swampy ground (= pantano) . A Benedictian convent was established here under the protection of the Marquises of Tuscany. In 1433 the Benedictines were replaced by Canons Regular. End of the 18th century the monastery was given to the Vallumbrosan Order, which remained here in 1810. Then church became a parish church. San Bartolomeo in Pantano of today was erected mid 12th century, commissioned by Abbot Buono in 1159. The facade, divided into five compartments with arches, is characteristic for the Pistoiese Romanesque style. It is very much like the facade of Sant' Andrea, only a few hundred metres away. Here is the lintel over the central door. The carving is attributed to Gruamonte (see Sant' Andrea). Depicted is the "Doubting Thomas". John 20:25–27 "So the other disciples told him, “We have seen the Lord!" But he said to them, "Unless I see the nail marks in his hands and put my finger where the nails were, and put my hand into his side, I will not believe." A week later his disciples were in the house again, and Thomas was with them. Though the doors were locked, Jesus came and stood among them and said, "Peace be with you!" Then he said to Thomas, "Put your finger here; see my hands. Reach out your hand and put it into my side. Stop doubting and believe." The names of the disciples are inscribed below. Under the lintel (not seen from here) is inscribed "RODOLFIN P. O. MCLXVII", what dates this work to 1167.

On the ruins of a older basilica begann, just next to the Baptistère Saint-Jean the construction of large Cathédrale Saint-Pierre in 1162. The building, the new the seat of the Archbishop of Poitiers, was greatly funded by Henry II of England (aka "Henri II Plantagenêt") and Eleanor of Aquitaine. The construction started as usual in the east and was completed with the western facade end of the 13th century. The transition from the late Romanesque to the Gothic style is visible. The three Gothic portals of the western facade seem influenced by the Gothic cathedrals from northern France. Saint Thomas is in the center of the right portal´s tympanum. The "Doubting Thomas" following John 20:24-29 "But Thomas, one of the twelve, called Didymus, was not with them when Jesus came. The other disciples therefore said unto him, We have seen the Lord. But he said unto them, Except I shall see in his hands the print of the nails, and put my finger into the print of the nails, and thrust my hand into his side, I will not believe. And after eight days again his disciples were within, and Thomas with them: then came Jesus, the doors being shut, and stood in the midst, and said, Peace be unto you. Then saith he to Thomas, Reach hither thy finger, and behold my hands; and reach hither thy hand, and thrust it into my side: and be not faithless, but believing. And Thomas answered and said unto him, My Lord and my God. Jesus saith unto him, Thomas, because thou hast seen me, thou hast believed: blessed are they that have not seen, and yet have believed."

The abbey at Saint-Benoît-sur-Loire (originally known as Fleury Abbey) was founded on the banks of the Loire river mid 7th century. It is one of the oldest abbeys of the Benedictine rule in France. The story starts in 672, when some of its monks traveled to Montecassino (Italy), dug up the remains of St. Benedict of Nursia (+ 547) and his sister St. Scholastica and brought them home. After the relics had reached at Fleury Abbey it which was renamed Saint-Benoît-sur-Loire - and due to the relics became a major place of pilgrimage. Of course, this did not help when the Normans rowed up the Loire and burned the buildings of the monastery. But the convent recovered and rebuilt. A famous school and a scriptorium existed here in the late 10th century. The erection of the church started around 1071. When the church was consecrated in 1108, the long nave was not completed. The abbey thrived, but times got rougher. In 1562, the abbey was pillaged by Huguenots. The buildings were restored, but looted and destroyed again during the French Revolution. Saint-Benoît's monks left the abbey and so the history of the convent ended after more than 1100 years. The abbey church had escaped destruction and got restored in the 19th century. In 1944, the convent was refounded the abbey buildings were rebuilt by Benedictine monks after World War II. So the history of the convent was just interrupted for about 150 years. "Tour de Gauzlin", the massive porch tower, erected from 1020 on, serves as a narthex for the west entrance. The columns are decorated with interesting capitals, that were probably carved around 1080. One artist, who worked here, was Unbertus. He left a signature. Here are Christ, Saint Peter (with a giant key) and a "Doubting Thomas". This scene is sometimes called the "Incredulity of Thomas". John 20. 24-29 "Now Thomas (also known as Didymus, one of the Twelve, was not with the disciples when Jesus came. So the other disciples told him, "We have seen the Lord!" But he said to them, "Unless I see the nail marks in his hands and put my finger where the nails were, and put my hand into his side, I will not believe." A week later his disciples were in the house again, and Thomas was with them. Though the doors were locked, Jesus came and stood among them and said, "Peace be with you!" Then he said to Thomas, "Put your finger here; see my hands. Reach out your hand and put it into my side. Stop doubting and believe." Thomas said to him, “My Lord and my God!” Then Jesus told him, "Because you have seen me, you have believed; blessed are those who have not seen and yet have believed."