Martin M. Miles' photos with the keyword: Mermaid

Colonia Copia Claudia Augusta Lugdunum (now Lyon) was an important Roman city in Gaul. It was the capital of the Roman province of Gallia Lugdunensis. The Christianization took place very early. In 177, the Christian community sent a letter naming 48 of their number who had been martyred. In 843 it was ceded to Lorraine and then passed to the Kingdom of Burgundy, whose dominion was entrusted to the Archbishop of Lyon by Frederick Barbarossa in 1157. In 1312 Philip the Fair incorporated Lyon into the kingdom of France. Lyon was the scene of an urban revolt in 1436 when Charles VII increased taxation. The uprising, mainly of small merchants, lasted a total of two months. During the reign of Louis XI. Four fairs were set up, attracting merchants from all over Europe, especially Italy. Lyon became an important center for the spice trade and, more importantly, the silk trade after François I granted the weaving rights, which until then had been an Italian monopoly. Florentine immigrants also made Lyon a financial center for banking and insurance. - It is often said that the most beautiful cities are located on rivers. Lyon is situated on two rivers, the Rhone and the Saone, which meet in the south of the city. - The Lyon Cathedral was begun in 1180 on the ruins of a 6th-century church and completed in 1476. In 1245, the church hosted the First Council of Lyon, where the Pope declared Emperor Frederick II deposed. In 1274, the Second Council of Lyon was held in the cathedral, mainly to discuss the union of the Catholic Church with the Greek Orthodox. On August 17, 1316, John XXII was elected pope in the cathedral. He was the second of the Avignon popes. In 1562 the church was devastated by Calvinist Huguenots. In 1600 the cathedral was the scene of the marriage between King Henry IV and Mary de Medici. The facade from the 14th and 15th centuries is influenced by the flamboyant Gothic style. Episodes from the Old and New Testaments are told in 300 picture panels. Here, however, a very musical mermaid plays an organ.

The former parish church St. Andreas in Bad Goegging has a very winding and interesting history. This is the second church here. The predecessing one was built once over the basin of a Roman thermal bath, used by the Roman troops for recreation. There is a speculation, that Christians lived here already during the late Roman times. It is proven that this place was a Christian center during the time of the early missionaries. Only about 12kms north is Weltenburg Abbey, the oldest Bavarian monastery founded by iro-scottish monks in 617 - and there may have been connections to Goegging. The northern portal of St. Andreas is so elaborate, that this church must have been important during the 12th century. The entrance is flanked by two small lions, guarding the door. The portal so outstanding, it has been connected to the "Magistri Comacini" from Northern Italy, but the style seen here is rather rough. The Lombardic master masons mostly carved in a more elegant, softer style (eg Koenigslutter). There are many "interpretations" of all the different icons found here. There are 14 framed reliefs in Bad Goegging. Peter Leuschner ("Romanische Kirchen in Bayern") refers to late Dr. J. Reichart, an archeologist from nearby Ingolstadt, who divided them in to three groups. Following Dr. Reichart, seven carvings illustrate the seven deadly sins, three depicts scene from the Old and four scenes of the New Testament. I am not completely sure about these interpretations. This is the carvings just over the lion´s head on the right side of the portal. Just like the carving on the left side it has two frames. The right one depicts a mermaid (or is it a siren?), while the left one has a person with a bulbous nose. The person looks like a dwarf, but the hood my be part of a monk´s habit.

The former parish church St. Andreas in Bad Goegging has a very winding and interesting history. This is the second church here. The predecessing one was built once over the basin of a Roman thermal bath, used by the Roman troops for recreation. There is a speculation, that Christians lived here already during the late Roman times. It is proven that this place was a Christian center during the time of the early missionaries. Only about 12kms north is Weltenburg Abbey, the oldest Bavarian monastery founded by iro-scottish monks in 617 - and there may have been connections to Goegging. The northern portal of St. Andreas is so elaborate, that this church must have been important during the 12th century. The entrance is flanked by two small lions, guarding the door. The portal so outstanding, it has been connected to the "Magistri Comacini" from Northern Italy, but the style seen here is rather rough. The Lombardic master masons mostly carved in a more elegant, softer style (eg Koenigslutter). There are many "interpretations" of all the different icons found here. There are 14 framed reliefs in Bad Goegging. Peter Leuschner ("Romanische Kirchen in Bayern") refers to late Dr. J. Reichart, an archeologist from nearby Ingolstadt, who divided them in to three groups. Following Dr. Reichart, seven carvings illustrate the seven deadly sins, three depicts scene from the Old and four scenes of the New Testament. I am not completely sure about these interpretations. This is the carvings just over the lion´s head on the right side of the portal. Just like the carving on the left side it has two frames. The right one depicts a mermaid (or is it a siren?), while the left one has a person with a bulbous nose. The person looks like a dwarf, but the hood my be part of a monk´s habit.

The Monasterio de San Pedro el Viejo ("Saint Peter the Old") is a former Benedictine monastery built within the 12th century. A church had existed here (built on the place of a Roman temple) since Visigothic times and even, when the Moors hold Huesca, this church was in use. Christian troops conquered Huesca in 1096 and from 1117 on Benedictines with obvious ties to Cluny reconstructed the church and erected a monasterio here. Of course the Benedictian monastery needed a decent cloister. This got erected adjoining the church around 1140. Many of the capitals, carved in the style of the "Master of Agüero" (aka "Master of San Juan de la Peña"), are creations done during the renovation of San Pedro el Viejo end of the 19th century. This capital is (probably) one of the old (original) ones. A centaur attacks a mermaid with bow and arrow. The mermaid holds two large fishes. Maybe the centaur is a mugger...

A convent under the patronage of St. Peter was founded in Blesle within the 9th century by Ermengarde d’Auvergne, the mother of Guillaume le Pieux, who founded Cluny on 910. The construction of St. Piere (now a parish church) started end of 11th century. Within a hunderd years, most of the church was built, only the south portal, the tower and parts of the apse were done in the 14th century. "L'église Saint-Pierre" is remarkable for it´s interesting layout and the richness of romanesque carvings inside and outside. A capital in the transept shows these pale looking mermaids, wearing a headdress. I have the impression, that the capital had four sides once - and so four mermaids, but as a wall was built later - only two of them a visible. These are the collegues of the colourful mairmaid in the nave of the St. Pierre, which is probably more than 100 years younger.

A convent under the patronage of St. Peter was founded in Blesle within the 9th century by Ermengarde d’Auvergne, the mother of Guillaume le Pieux, who founded Cluny on 910. The construction of St. Piere (now a parish church) started end of 11th century. Within a hunderd years, most of the church was built, only the south portal, the tower and parts of the apse were done in the 14th century. "L'église Saint-Pierre" is remarkable for it´s interesting layout and the richness of romanesque carvings inside and outside. One of the capitals shows the carving of a mermaid. She is very colourful and golden fish scales are on her two tails. Actually she has a "collegue" in the transept.

"Puerta de las Platerías" - A detail from the right side of th portal is this mermaid. Hit through the chest by an arrow. A second arrow missed her head and tail. I´m pretty sure, that the arrow comes from the centaur on the left side of the Puerta, seen on this photo: www.flickr.com/photos/martin-m-miles/4666362092/in/photos...

The capital of one of the pillars next to the "Puerta Santa", the center of the ambulatory, shows a row of mermaids and angels. A very prominent place for mermaids.