Martin M. Miles' photos with the keyword: Hedda Finke

Saint Martin of Tours was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Some of the corbels under the roof are remarkable as well. Many corbels are under the roof of San Martin´s apse. Some are really strange. Here are three "objects". A horn (?), a phallus, a ???

Saint Martin of Tours was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Some of the corbels under the roof are remarkable as well. Many corbels are under the roof of San Martin´s apse. Some of them depict grotesque faces. Here are two old men - grimacing.

Saint Martin of Tours was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Some of the corbels under the roof are remarkable as well. Many corbels are under the roof of San Martin´s apse.

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Some of the corbels under the roof are remarkable as well. Here on the right a little weathered bishop, wearing a mitra and holding a crozier. He is obviously blessing the pilgrims below. The corbel to the left is strange. A head with three faces can be found on one of the artful capitals of the portal, but this one is different. Actually I have the impression it is not Romanesque, but modern. It is totally unweathered and it is carved from a different stone in a very modern style. I may be wrong...

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... Close to the very artful and complex capitals, just seen, next to the door, under the lintel is this bearded face. The face of the gatekeeper. It seems simple and kind of "abstract", but it is well composed. Nose and eyebrows form a crossbow.

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... There are six capitals flanking the entrance. The quality of these carvings is just extraordenary. Though weathered many details are still visible. Hedda Finke compares them to ivory carvings! This is a detail of the very left capital (see previous upload for an overview).

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... There are six capitals flanking the entrance. The quality of these carvings is just extraordenary. Though weathered many details are still visible. Hedda Finke compares them to ivory carvings! Here are the three capitals, that are on the right side of the door.

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... There are six capitals flanking the entrance. The quality of these carvings is just extraordenary. Though weathered many details are still visible. Hedda Finke compares them to ivory carvings! Here is a detail from one of the capitals just seen on the previous uplaod. in the center is a bearded man with three faces. The women seem to grow out of buds.

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... Here are the three capitals, that are left of the door. The quality of the carvings is just extraordenary (not only compared to the rough reliefs seen before). Though weathered many details are still visible. Hedda Finke compares them to ivory carvings! I will upload a close up of the bearded person in the center, as he has three faces.

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The masterly composed and carved portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... Between the seven corbels under the portal´s roof are six reliefs. This one is the only without a bible-theme. It depicts a fight between to knights, that may be the martial game of jousting, that was popular especially in England and Germany with the nobility upto the 16th century. The two knights are obviously quite experienced, as the won their spurs already. On the exhibitionist (?) seen before, on the right a christian warrior, armed with shield and lance.

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The masterly composed and carved portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... Between the seven corbels under the portal´s roof are six reliefs. This one depicts the parable of the "Rich Man and Lazarus". Luke 16:19-21 "There was a certain rich man who clothed himself in purple and fine linen, and who feasted luxuriously every day. At his gate lay a certain poor man named Lazarus who was covered with sores. Lazarus longed to eat the crumbs that fell from the rich man’s table. Instead, dogs would come and lick his sores." I stumbled about a book by German author Meinolf Schumacher, about the "icon" of licking dogs in european literature. This may be interesting for German readers. Meinolf Schumacher, Ärzte mit der Zunge - Leckende Hunde in der europäischen Literatur The left corbel has the lady giving birth to a child (again). I am not sure about the figure to the right. For a while I saw a miser with a moneybag, or maybe even a coin- box. Then I found a theory, that he and the lady to the right should be seen as a couple. So the right corbel depicts the male part - and a phallus once was affixed, where we now see a hole.

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The masterly composed and carved portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... Between the seven corbels under the portal´s roof are six reliefs. This one depicts the "Sacrifice of Isaac". Genesis 22:10 - 13 ".. Abraham stretched forth his hand, and took the knife to slay his son. And the angel of the Lord called unto him out of heaven, and said, Abraham, Abraham: and he said, Here am I. And he said, Lay not thine hand upon the lad, neither do thou any thing unto him: for now I know that thou fearest God, seeing thou hast not withheld thy son, thine only son from me. And Abraham lifted up his eyes, and looked, and behold behind him a ram caught in a thicket by his horns.." The left corbel depicts the musician with a vielle, seen already before. The right one is interesting. Either the elegant lady, holding a vessel, gives birth - or hides a small child between her feet. The first corbel without "music and dance".

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The masterly composed and carved portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... Between the seven corbels under the portal´s roof are six reliefs. This one depicts the "Harrowing of Hell". In the time between Crucifixion and the Resurrection Christ (here without a nimbus!) descended into hell, bringing salvation to the righteous, who had died since the beginning (mostly symbolized by Adam and Eve). Here the giant mouth of the hell is open. Christ spears a beast with a cross, that reminds on a processional cross or a pilgrim's staff. The corbels depict a flautist (left) and a musician with a vielle.

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The masterly composed and carved portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... Between the seven corbels under the portal´s roof are six reliefs. This one depicts a situation, that still is part of the liturgy of the Mass. This is probably the consecration, the priest has raised his arms, while the chalice is placed in the center of the altar. The scene is flanked by two altar-boys. One holds the bible, while his smaller collegue swings the censer. The Buddha-like priest faces the parish, what was actually introduced officialy by the Second Vatican Council (1962-1965). The corbels have the dancer again (left) and a musician playing a (partly lost) flute.

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The masterly composed and carved portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... Between the seven corbels under the portal´s roof are six large reliefs. This one depicts (probably) the "Weighing of Souls" ("Psychostasia"). A fully dressed angel to the left and a naked devil to the right. The small figure may be the devil´s helper - or the poor soul. The left corbel depicts a musician playing a harp or zither. The person to the right is a dancer.

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The masterly composed and carved portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke about this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am... Here are the two evil, devouring lions, that look down to the approaching pilgrims. They are gigantic, compared to the victims. This is fate of all the sinners, all pilgrims knew that.

This church, dedicated to Saint Martin of Tours, was a real surprise to me. The single nave structure was probably erected within the 12th century. It was built in a "walking distance" off the pilgrim routes (like "San Pedro de Echano"), as the hamlet Artaiz is just about 10kms north of the "Camino Aragonés". San Martin will have been for sure a stopover for pilgrims, who had visited the tomb of Saint Martin of Tours, following the "Via Turonensis". The masterly composed and carved portal of Saint Martin is extraordinary in the specific iconography, that in parts may reflect the relations to the Islamic neighbours (Reconquista). Here is a script by German arthistorian Hedda Finke on this subject. art.unt.edu/medieval-symposium/presenter.php?year=2009&am...