Martin M. Miles' photos with the keyword: Ark

Tangermünde Castle was first mentioned in 1009 as "civitate Tongeremuthi" because this is where the Tanger (Tongera) flows into the Elbe. The city was first mentioned in 1275. From 1373 to 1378 Tangermünde was the second seat of Emperor Charles IV, who appointed his 12-year-old son Wenzel Elector of Brandenburg in 1373. After the death of Emperor Charles IV, there was a turbulent development in the Mark, until the Hohenzollerns were enfeoffed with the Mark as electors in 1415 and initially resided in Tangermünde. The heyday of the Hanseatic city was the 15th century, when the city gates and the town hall were built in the North German brick Gothic style. At this time, St. Stephen's Church was expanded into a Gothic hall church. The city lost the Elector's favor after the uprising of 1488, when the citizens rebelled against the beer tax. In 1617 the city burned down almost completely. After the fire, many magnificent half-timbered houses were built. Due to the Thirty Years' War, however, the city became a rather insignificant country town. - The predecessor of St. Stephan was a Romanesque basilica. It was in existence by 1188. Parts of this original building were reused in the construction of the present church. The transept of the former building gave the width of the new nave. Emperor Charles IV, who lived in Tangermünde between 1373 and 1378, founded a house of Augustinian Canons, to which he gave the church as a source of income. The canons conducted the services. During the late Middle Ages the construction took place in several phases of today's triple-aisled Gothic hall church. Firstly, after 1350, the northern wall of the nave and the southern wall were built, and in about 1405, the roof and the rib vaults. The prominent octagonal pillars are unusual. The south tower remains uncompleted to this day. In 1450 work began on the construction of the new choir, followed by the outside walls of the new ambulatory and also the arms of the transept. Only then was the old choir removed. The choir was roofed in 1475. The city-wide fire from 1617 damaged the church and the top part of the north tower collapsed. It was not restored until after 1714, when the tower received its present Baroque roof. A "Biblia Pauperum" (Bible for the poor) was attached to the north gallery of the church in 1620. In this way, the parishioners who could not read were able to experience the stories of the Bible in pictures. Noah's Ark. In the backdrop the elephants are approaching the ark.

Florentina was established in Roman times as a settlement for veteran soldiers. The name had changed already when young Charlemagne conquered the town in 774. It became part of the Duchy of Tuscany, with Lucca as the capital. Around 1000 Margrave Hugo chose Florence as residency instead of Lucca. After the death of Matilda of Tuscany (1115), the Florentines formed a republic ruled by a council. The town prospered, despite a constant fight between the different factions and noble families. In the 15th century, Florence was among the largest and wealthiest cities in Europe. This was when the Medici family entered the political scene. As a dynasty of art-loving, power-hungry bankers, they made Florence the birthplace of the Renaissance. The Baptistery of San Giovanni is the baptistery of Florence Cathedral. The time of origin is disputed, the church was consecrated in the 11th century. The church stands on the foundations of a Roman building. The first reliable source dates from 897, when an ecclesia (church) dedicated to John the Baptist and facing the bishop's palace is mentioned. Today's building dates from the 11th century at the earliest. The octagon had been a common shape for baptisteries for many centuries since early Christian times. The construction was finished in 1128. An octagonal lantern was added to the roof around 1150. It was enlarged with a rectangular entrance porch in 1202, leading into the original western entrance of the building, that in the 15th century became an apse, after the opening of the eastern door facing the western door of the cathedral by Lorenzo Ghiberti. The interior is divided into a lower part with columns and an upper part with a corridor. The interior walls are clad in dark green and white marble inlaid with geometric designs. The marble lining of the interior began in the second half of the eleventh century. From 1225, the dome was decorated with one of the world's largest mosaic cycles, with a diameter of 26 m in eight rings by famous artists such as Giotto or Cimabue; This mosaic, dominated by a mighty figure of Christ, was only completed after 50 years. The cyclorama was created between 1260 and 1275 and has a diameter of eight meters. Details of the mosaic: The Story of Noah's Ark

There had been a church here earlier, that was just too small, when Autun became a centre of pilgrimage, after relics of St. Lazarus were kept here since about 970. Just like Vezelay, only 90kms north, where the relics of St. Lazarus´ sister St. Maria Magdalena were kept at that time. So in 1120, it was decided to construct this larger and more suitable cathedral. At that time this construction was influenced by Cluny III, that was a little older. After severe damage during the Hundred Years' War, rebuilding and remodelling the romanesque structure started. The central nave never changed - and the many carved capitals. Some of these works were taken down, during the renovation by Viollet-le-Duc and are now shown in the "Salle Capitulaire", where it is interesting to see the carvings at eye level. This carved capital depicts the Ark, being boarded by Noah´s extended family - and all the animals, that should be saved from the flood. Noah (seen in the top window) has placed the Ark on top of a wooded mountain, so there would be a little more time before the waves would carry the Ark away. Two animals look out of the central window. The Ark seems to be a woven or braided house- or basketlike boat. The carving is very symmetrical. The ark is very small, same like the mountain, but as symbols, they are clearly recognisable.

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by the Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archiepiscopal palace, a royal palace and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting him to build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendour of the "Duomo di Monreale" (= "Cattedrale di Santa Maria Nuova"), that with the cloister, is the only building that survived the times. The interior is breathtaking, but as the cathedral is about 100 m long, there are distances here, not like inside the "Capella Palatina", where all the mosaics are so "near" - plus the visitors can sit down here - and gaze. It is overwhelming. Here are more than 6000m² of byzantine mosaics. The sides of the nave show many very strong parallels to the Cappella Palatina. Here and there probably the same workshop. Probably a large, maybe even a generation-spanning studio of Byzantine artists. Noah's Ark Genesis 6.12-16 "God saw how corrupt the earth had become, for all the people on earth had corrupted their ways. So God said to Noah, "I am going to put an end to all people, for the earth is filled with violence because of them. I am surely going to destroy both them and the earth. So make yourself an ark of cypress wood; make rooms in it and coat it with pitch inside and out. This is how you are to build it: The ark is to be three hundred cubits long, fifty cubits wide and thirty cubits high. Make a roof for it, leaving below the roof an opening one cubit high all around. Put a door in the side of the ark and make lower, middle and upper decks." Genesis 8.10-17 "He waited seven more days and again sent out the dove from the ark. When the dove returned to him in the evening, there in its beak was a freshly plucked olive leaf! Then Noah knew that the water had receded from the earth. He waited seven more days and sent the dove out again, but this time it did not return to him. By the first day of the first month of Noah’s six hundred and first year, the water had dried up from the earth. Noah then removed the covering from the ark and saw that the surface of the ground was dry. By the twenty-seventh day of the second month the earth was completely dry. Then God said to Noah, "Come out of the ark, you and your wife and your sons and their wives. Bring out every kind of living creature that is with you—the birds, the animals, and all the creatures that move along the ground—so they can multiply on the earth and be fruitful and increase in number on it."

This small church in a Germigny des Pres (pop. 750), was built to serve as the private chapel of Bishop Theodulf of Orléans, who had a sumptuous "villa" here. Theodulf, one of Charlemagne's important counselors, had written the Libri Carolini (aka "Opus Caroli regis contra synodum") at Charles´ request, before Charlemagne appointed him Bishop of Orléans as well as abbot of Fleury Abbey (= "St-Benoit-sur-Loire"), just 7kms east. All the remains of the residence are gone. The "oratorium", that has many parallels to Charlemagne´s palace chapel in Aachen ("Aix-la-Chapelle"), is the last remaining structure. It was consecrated on January 3, 806. In 817, three years after Charlemagne had died, Theodulf was accused of treason and imprisoned in Angers until he died in 821. The church became part of a priory and was used by the parish since the 13th century, when the western wall and apse were removed to make way for a traditional Latin nave. That Romanesque nave was in turn replaced by the present larger one in the 15th or 16th century. The renovation, that was completed end of the 19th century, was not done with much "respect": much of the Carolingian masonry was replaced, two flanking apsidioles were removed, the crossing tower was shortened, most capitals were replaced. But this is still a wonderful carolingian chapel and one of the oldest still existing in France. This magnificent apse mosaic was hidden under whitewash (what may have saved it during the French Revolution). It got discovered in 1840, after local kids played with coloured glass cubes - of unknown origin. This great work of medieval art has no parallel in France and was surely done by an artist from the East. At the time this mosaic was created, the controvery over Iconoclasm was still going on in the Byzantine Empire. All forms of religious imagery were banned in the East - and many gifted artists fled to the West. Maybe the artist, who worked here, was one of them. The mosaic, made of glass and colored stone, is symmetrical, centering on the Ark of the Covenant. In a small area of starry sky the Hand of God descends. Two angels flank the scene. They enclose the sky with their wings and look down at the Ark. Two smaller angels stand atop the Ark, reaching down to it. The Ark of the Covenant is shown as a gold box with side rails for carrying. Along the bottom of the mosaic is a Latin text, which reads: ORACLUM SCM ET CERUBIN HIC ASPICE SPECTANS ET TESTAMENTI MICAT ARCA DEI HAEC CERNENS PRECIBUSQUE STUDENS PULSARE TONANTEM THEODULFUM VOTIS IUNGITO QUAESO TUIS "As you gaze upon the holy propitiatorium and Cherubim, beholder, and see the shimmering of the Ark of God's covenant, perceiving these things, and prepared to beset the Thunderer with prayers, add, I beg you, Theodulf's name to your invocations." (transation from Wikpedia) For a total of the mosaic see the previous uploads. Here is a detail ..

This small church in a Germigny des Pres (pop. 750), was built to serve as the private chapel of Bishop Theodulf of Orléans, who had a sumptuous "villa" here. Theodulf, one of Charlemagne's important counselors, had written the Libri Carolini (aka "Opus Caroli regis contra synodum") at Charles´ request, before Charlemagne appointed him Bishop of Orléans as well as abbot of Fleury Abbey (= "St-Benoit-sur-Loire"), just 7kms east. All the remains of the residence are gone. The "oratorium", that has many parallels to Charlemagne´s palace chapel in Aachen ("Aix-la-Chapelle"), is the last remaining structure. It was consecrated on January 3, 806. In 817, three years after Charlemagne had died, Theodulf was accused of treason and imprisoned in Angers until he died in 821. The church became part of a priory and was used by the parish since the 13th century, when the western wall and apse were removed to make way for a traditional Latin nave. That Romanesque nave was in turn replaced by the present larger one in the 15th or 16th century. The renovation, that was completed end of the 19th century, was not done with much "respect": much of the Carolingian masonry was replaced, two flanking apsidioles were removed, the crossing tower was shortened, most capitals were replaced. But this is still a wonderful carolingian chapel and one of the oldest still existing in France. This magnificent apse mosaic was hidden under whitewash (what may have saved it during the French Revolution). It got discovered in 1840, after local kids played with coloured glass cubes - of unknown origin. This great work of medieval art has no parallel in France and was surely done by an artist from the East. At the time this mosaic was created, the controvery over Iconoclasm was still going on in the Byzantine Empire. All forms of religious imagery were banned in the East - and many gifted artists fled to the West. Maybe the artist, who worked here, was one of them. The mosaic, made of glass and colored stone, is symmetrical, centering on the Ark of the Covenant. In a small area of starry sky the Hand of God descends. Two angels flank the scene. They enclose the sky with their wings and look down at the Ark. Two smaller angels stand atop the Ark, reaching down to it. The Ark of the Covenant is shown as a gold box with side rails for carrying. Along the bottom of the mosaic is a Latin text, which reads: ORACLUM SCM ET CERUBIN HIC ASPICE SPECTANS ET TESTAMENTI MICAT ARCA DEI HAEC CERNENS PRECIBUSQUE STUDENS PULSARE TONANTEM THEODULFUM VOTIS IUNGITO QUAESO TUIS "As you gaze upon the holy propitiatorium and Cherubim, beholder, and see the shimmering of the Ark of God's covenant, perceiving these things, and prepared to beset the Thunderer with prayers, add, I beg you, Theodulf's name to your invocations." (transation from Wikpedia) For a total of the mosaic see the previous uploads. Here is a detail (rotated).

This small church in a Germigny des Pres (pop. 750), was built to serve as the private chapel of Bishop Theodulf of Orléans, who had a sumptuous "villa" here. Theodulf, one of Charlemagne's important counselors, had written the Libri Carolini (aka "Opus Caroli regis contra synodum") at Charles´ request, before Charlemagne appointed him Bishop of Orléans as well as abbot of Fleury Abbey (= "St-Benoit-sur-Loire"), just 7kms east. All the remains of the residence are gone. The "oratorium", that has many parallels to Charlemagne´s palace chapel in Aachen ("Aix-la-Chapelle"), is the last remaining structure. It was consecrated on January 3, 806. In 817, three years after Charlemagne had died, Theodulf was accused of treason and imprisoned in Angers until he died in 821. The church became part of a priory and was used by the parish since the 13th century, when the western wall and apse were removed to make way for a traditional Latin nave. That Romanesque nave was in turn replaced by the present larger one in the 15th or 16th century. The renovation, that was completed end of the 19th century, was not done with much "respect": much of the Carolingian masonry was replaced, two flanking apsidioles were removed, the crossing tower was shortened, most capitals were replaced. But this is still a wonderful carolingian chapel and one of the oldest still existing in France. This magnificent apse mosaic was hidden under whitewash (what may have saved it during the French Revolution). It got discovered in 1840, after local kids played with coloured glass cubes - of unknown origin. This great work of medieval art has no parallel in France and was surely done by an artist from the East. At the time this mosaic was created, the controvery over Iconoclasm was still going on in the Byzantine Empire. All forms of religious imagery were banned in the East - and many gifted artists fled to the West. Maybe the artist, who worked here, was one of them. The mosaic, made of glass and colored stone, is symmetrical, centering on the Ark of the Covenant. In a small area of starry sky the Hand of God descends. Two angels flank the scene. They enclose the sky with their wings and look down at the Ark. Two smaller angels stand atop the Ark, reaching down to it. The Ark of the Covenant is shown as a gold box with side rails for carrying. Along the bottom of the mosaic is a Latin text, which reads: ORACLUM SCM ET CERUBIN HIC ASPICE SPECTANS ET TESTAMENTI MICAT ARCA DEI HAEC CERNENS PRECIBUSQUE STUDENS PULSARE TONANTEM THEODULFUM VOTIS IUNGITO QUAESO TUIS "As you gaze upon the holy propitiatorium and Cherubim, beholder, and see the shimmering of the Ark of God's covenant, perceiving these things, and prepared to beset the Thunderer with prayers, add, I beg you, Theodulf's name to your invocations." (transation from Wikpedia) For a total of the mosaic see the previous uploads. Here is a detail (rotated).

This small church in a Germigny des Pres (pop. 750), was built to serve as the private chapel of Bishop Theodulf of Orléans, who had a sumptuous "villa" here. Theodulf, one of Charlemagne's important counselors, had written the Libri Carolini (aka "Opus Caroli regis contra synodum") at Charles´ request, before Charlemagne appointed him Bishop of Orléans as well as abbot of Fleury Abbey (= "St-Benoit-sur-Loire"), just 7kms east. All the remains of the residence are gone. The "oratorium", that has many parallels to Charlemagne´s palace chapel in Aachen ("Aix-la-Chapelle"), is the last remaining structure. It was consecrated on January 3, 806. In 817, three years after Charlemagne had died, Theodulf was accused of treason and imprisoned in Angers until he died in 821. The church became part of a priory and was used by the parish since the 13th century, when the western wall and apse were removed to make way for a traditional Latin nave. That Romanesque nave was in turn replaced by the present larger one in the 15th or 16th century. The renovation, that was completed end of the 19th century, was not done with much "respect": much of the Carolingian masonry was replaced, two flanking apsidioles were removed, the crossing tower was shortened, most capitals were replaced. But this is still a wonderful carolingian chapel and one of the oldest still existing in France. This magnificent apse mosaic was hidden under whitewash (what may have saved it during the French Revolution). It got discovered in 1840, after local kids played with coloured glass cubes - of unknown origin. This great work of medieval art has no parallel in France and was surely done by an artist from the East. At the time this mosaic was created, the controvery over Iconoclasm was still going on in the Byzantine Empire. All forms of religious imagery were banned in the East - and many gifted artists fled to the West. Maybe the artist, who worked here, was one of them. The mosaic, made of glass and colored stone, is symmetrical, centering on the Ark of the Covenant. In a small area of starry sky the Hand of God descends. Two angels flank the scene. They enclose the sky with their wings and look down at the Ark. Two smaller angels stand atop the Ark, reaching down to it. The Ark of the Covenant is shown as a gold box with side rails for carrying. Along the bottom of the mosaic is a Latin text, which reads: ORACLUM SCM ET CERUBIN HIC ASPICE SPECTANS ET TESTAMENTI MICAT ARCA DEI HAEC CERNENS PRECIBUSQUE STUDENS PULSARE TONANTEM THEODULFUM VOTIS IUNGITO QUAESO TUIS "As you gaze upon the holy propitiatorium and Cherubim, beholder, and see the shimmering of the Ark of God's covenant, perceiving these things, and prepared to beset the Thunderer with prayers, add, I beg you, Theodulf's name to your invocations." (transation from Wikpedia)