Martin M. Miles' photos with the keyword: Ascension

Santa María de Nogueira de Miño is a Romanesque church from the second half of the 12th century. The tower and façade were renovated in the 18th century. In 2012, wall paintings from the period between 1560 and 1570 were discovered, which have since been restored. They are attributed to the so-called ‘Mestre de Nogueira.

A monastery was founded here by some Everward and his wife Geva around 854 as a house of secular canonesses, unmarried daughters of the saxonian nobility. There are parallels to the abbey in Gandersheim, - only a few years younger - and as well a secular house for noble unmarried ladies. The abbey existed upto 1812, and during centuries had a very colourful history. After Luther´s reformation the canonesses favoured to be "Lutherians" in future, so that some Anabaptists of the Muenster rebellion could find a secret asylum here for some years. Catholicism returned finally to Freckenhorst during the 17th century. In 1116 the collegiate and the church burnt down. Parts of the westwork survived the fire and got integrated into the new church. This got consecrated in 1129 by Egbert, bishop in Muenster, a relative of and advisor to Lothair III. - The most valuable jewel within this great romanesque collegiate church is this baptismal font. Quoting late Georg Dehio, one of the great german art-historians, this is "the most important baptismal from stone of the 12th century" in Germany, "a goldwork in stone". Over a "greek" base, two carved bands going all around (a small third one on top is just ornamental). Inbetween is an inscription telling us the exact date of the consecration of the church: - 04. June 1129 - Framed by arcades are seven "images", connected to the liturgical year, that actually translate to seven "steps" to salvation. Here the Ascension of Jesus The heads and pointing hands of the twelve apostles are to be seen, as they observe the Ascension of Jesus. Jesus, shown in a kind of walking position, holds a cross and looks up to a cloud, symbolizing the heaven. Two angels are on his side, holding speech scroll and so creating a specific structure, consisting out of two earthen and a heavenly triangle. The angels "say": "VIRI GALIL(AEI) Q(UI)D STATIS ASPIC(IENTES) IN C(AE)L(UM)" - "SIC VENIET Q(UEMA)ADMOD(UM) VID(ISTIS) EU(M)" This refers to Acts 1.11 "Men of Galilee, why are you standing there looking at the sky? This Jesus who has been taken up from you into heaven will return in the same way as you have seen him going into heaven." - Sorry for the bad quality of the photos. To take them on a afternoon in winter was not a really good idea, but I could not wait for better light in spring and so had to use a torchlight. - More interesting details can be found in: Kirche und Stift Freckenhorst, Jubilaeumsschrift zur 850. Wiederkehr des Weihetages der Stiftskirche am 04. Juni 1979, Warendorf 1979

On the ruins of a older basilica begann, just next to the Baptistère Saint-Jean the construction of large Cathédrale Saint-Pierre in 1162. The building, the new the seat of the Archbishop of Poitiers, was greatly funded by Henry II of England (aka "Henri II Plantagenêt") and Eleanor of Aquitaine. The construction started as usual in the east and was completed with the western facade end of the 13th century. The cathedral is best known for the wonderful stained glass windows. The three windows around the choir date back to the 12th century and may be the oldest in France. The central window (previous uploads) is very large (8,35ms x 3,10ms). A crucifixion scene is in the center of this window, the Ascension is seen above the crucifixion. Here is, what is seen below. The top tier has the empty tomb (with two sleeping soldiers), the angel waiting to the left and the three "Myrrhbearers" approaching from the the right. Matthew 28:1 "After the Sabbath, at dawn on the first day of the week, Mary Magdalene and the other Mary went to look at the tomb." The center tier has (left) "NERO IMPERAT(OR)" with a blue devil on his shoulder. He just sentences to death: "STS PETRUS" gets crucified upside down and (right) blindfolded "STS PAULUS" gets decapitated. Under the head of Saint Peter the sponsors of this church "Henry II of England" and "Eleanor of Aquitaine" watch the scenes. I cannot read all the words there, but the the restaurators from 188x left their "signature".

On the ruins of a older basilica begann, just next to the Baptistère Saint-Jean the construction of large Cathédrale Saint-Pierre in 1162. The building, the new the seat of the Archbishop of Poitiers, was greatly funded by Henry II of England (aka "Henri II Plantagenêt") and Eleanor of Aquitaine. The construction started as usual in the east and was completed with the western facade end of the 13th century. The cathedral is best known for the wonderful stained glass windows. The three windows around the choir date back to the 12th century and may be the oldest in France. The central window (previous upload) is very large (8,35ms x 3,10ms). A crucifixion scene is in the center of this window. The Ascension fills the top part of the window.

built a cathedral here, dedicated to Saint-Saturnin. When Clovis took over the town, after his Frankish troops had beaten the Visigoths, led by Alaric II, in the Battle of Vouillé (507), he had the Visigothic church demolished to build a new one dedicated to Saint-Pierre and consecrated in 560. This church burnt down, when the Vikings (aka Normans) sacked the town mid of the 8th century. A third cathedral was constructed and was consecrated in 1017. At the beginning of the 12th century, when the pilgrimage to Santiago boomed, this existing church was considered too small and too "humble". The erection of the new, larger cathedral started in 1110 and was completed already in 1128. The church's original appearance was modified a couple of times later. The Wars of Religion caused great damage here, one of the towers got completely destroyed. The restorations of the 19th century, led by Paul Abadie, ended in many more alterations. He even added the two flanking towers with conical tops, what Marcel Durliat did not like at all. Paul Abadie later built Sacré-Cœur de Montmartre. His restorations are disputed, where ever he worked (eg Sainte-Croix (Bordeaux), Saint-Front (Périgueux). Most of his works seem "overrenovated", following his idea of a medieval structure. Here is the upper part of the facade, the oldest part of the cathedral, as the building process started in 1110 here. Seen in the Ascension. The carving style is basically typical for the Poitou-Charentes, but maybe a bit smoother.

The Visigoths, who followed the arian version of Christianity, had built a cathedral here, dedicated to Saint-Saturnin. When Clovis took over the town, after his Frankish troops had beaten the Visigoths, led by Alaric II, in the Battle of Vouillé (507), he had the Visigothic church demolished to build a new one dedicated to Saint-Pierre and consecrated in 560. This church burnt down, when the Vikings (aka Normans) sacked the town mid of the 8th century. A third cathedral was constructed and was consecrated in 1017. At the beginning of the 12th century, when the pilgrimage to Santiago boomed, this existing church was considered too small and too "humble". The erection of the new, larger cathedral started in 1110 and was completed already in 1128. The church's original appearance was modified a couple of times later. The Wars of Religion caused great damage here, one of the towers got completely destroyed. The restorations of the 19th century, led by Paul Abadie, ended in many more alterations. He even added the two flanking towers with conical tops, what Marcel Durliat did not like at all. Paul Abadie later built Sacré-Cœur de Montmartre. His restorations are disputed, where ever he worked (eg Sainte-Croix (Bordeaux), Saint-Front (Périgueux). Most of his works seem "overrenovated", following his idea of a medieval structure. Here is a closer look onto the "renovated" facade. This is the oldest part of the cathedral, as the building process started in 1110 here. Two themes can be seen, the Ascension and the Last Judgement. On the right is Saint Martin, cutting his cloak in two, on the left Saint George, killing the dragon.