Martin M. Miles' photos with the keyword: spinario

In 74 BC, the Roman city was founded by Pompejus on the site of a local settlement. The city served to secure the Pyrenees crossing from Roncesvalles. Pamplona was destroyed several times in the course of its history: 466 by the Visigoths, 542 by the Franks, 778 by Charlemagne, 924 by Abd ar-Rahman III and in 1521 during the Franco-Spanish War by troops of Francis I. Its location on the Way of St. James from France gave the capital of the Kingdom of Navarre a boom in the 11th century. With the division of Navarre, the city ultimately came to Spain. After the conquest of the country and its incorporation into Castile in 1512-1515, Pamplona became one of the outposts of the Spanish crown on the French border. Its mission for 300 years was to secure the border against a possible invasion from France. Fortifications and walls were a vital system of defense, but at the same time prevented the city from expanding. The museum is located in the old hospital “Nuestra Señora de la Misericordia de Pamplona” from the 16th century. However, only the facade with the main entrance and the former chapel remain of the hospital. Pre-Romanesque , 10th century On the left a spinario pulling a thorn out of his foot, on the right a horseman. A warrior (bow) or a bishop (crozier)?

An earlier church was recorded in Newbald in the Domesday Survey but the present was built circa 1140. St Nicholas is a fine Norman church. It has a large cruciform plan with a tall central tower and is almost unique in having four Norman Doorways, the largest and most elaborate being at the west end of the nave, forming the main door. The chancel is 14th and 15th century. This may be a "spinario", a person withdrawing a thorn from the sole of his foot.

Lugo, today a city with a population of about 100.000, claims to be the oldest city in Galicia. Its founding dates back to the expansionist policies of the Romans during the time of Emperor Augustus. Among other things, this aimed to permanently pacify the northwest of the Iberian Peninsula. Paullus Fabius Maximus founded 14–13 BC. BC in the name of his emperor, the place Lucus Augusti on the site of a building dating back to around 25 BC. BC existing military camp. It is the only city in the world surrounded by completely intact Roman walls. The wall is between six and eight meters thick, around twelve meters high at the highest point and has 85, mostly semicircular towers. In Roman times the wall had five gates and today it has ten. A predecessor church existed on the site in 755. In 1129, Bishop Petro III commissioned the local architect Raimund to build a new church in the current Romanesque style, which was completed in 1273. Later renovations and restorations added elements in other styles. The cathedral was built on the floor plan of a Latin cross with a length of 85 metres. A spinario A person withdrawing a thorn from the sole of his foot. The thorn was interpreted as the original sin, so a spinario was the symbol of a sinner, trying to get rid of this sin.

The Basilica of San Prudencio is located in Armentia on the southwestern outskirts of Vitoria-Gasteiz. According to legend, Saint Prudentius was born here in the 6th century. In the 9th century, Armentia was a bishopric until it was transferred to Calahorra in 1087. The Basilica of San Prudencio then became the collegiate church of a canon's monastery, which existed until 1498. It was then that the canons gave up San Prudencio to settle in Vitoria. The current church of San Prudencio was built towards the end of the 12th century. Between 1773 and 1776 the church underwent major changes. The south facade was demolished and the porch was built. Parts of the church's original sculptural decoration were embedded in the walls of this south porch. A "spinario", a boy withdrawing a thorn from the sole of his foot.

The Iberians and the Romans have been here, Visigoths made their way to Solsona in the fifth century and, three centuries later, the Saracens settled here for about 70 years, until it came under the rule of the Franks. A monastery dedicated to Santa Maria was established in 1070 with connections to the Counts of Urgell. In the 13th century is evidence of a weekly market. The town was completely encircled by a wall (up to 16 m high) which had 21 towers. The Black Death of 1348 caused a depopulation of the region. A pre-Romanesque church existed here in 977. The first Romanesque church was consecrated in 1070. Preserved from this church are the three apses, seen on the previous upload, and the bell tower, here seen from the cloister. The present church is Gothic and was begun in the late 13th century. It was completed in the 17th century, so lot of barroque elements can be found. Upto 1593 this was a College church, from there on a Cathedral housing bishop's see, as Pope Clement VIII (on request of Philip II, created the new Diocese of Solsona. The Bishops of Solsona of course needed a comfortable place to live and work, so a neoclassical episcopal palace was added to the former monastery within the 18th century - and now houses the Diocean Museum. A spinario (thorn extractor) under the roof.

Trani may have been founded by Greek settlers, but the known history starts late. After the fall of the Western Roman Empire, it was dominated by Lombards, Byzantines, Saracens and again Byzantines. With the conquest of southern Italy by the Normans and after 50 days of siege by Robert Guiscard´s troops, Trani became part of the Norman Empire in 1073. Already under the Byzantines, Trani had become an important port for trade with the Orient. The heyday was in the time of the crusades in the 12th and 13th centuries, when crusaders and merchants mainly went to the Holy Land from Bari and Trani. It became an episcopal see in place of Canosa, destroyed by the Saracens. Frederick II built a massive castle. Under his rule, the city reached its highest point of wealth and prosperity. San Giacomo, in medieval times known as "Basilica of Santa Maria de Russis", was the first cathedral in Trani. It was built in the first half of the 12th century. Following the 1647 earthquake, the portal was put to the northern facade. Under the church is a small crypt, where once the tomb of San Nicola Pellegrino was placed before it was transferred to the "new" cathedral. The church is adorned with three (!) elephants, you'll find them under photos I took previously. Here is a (damaged) spinario, trying to withdraw a thorn from the sole of his foot. I have already uploaded many photos taken in Trani from previous visits. So I`ll try to cut the number down this time.

Otranto occupies the site of an ancient Greek city. It gained importance in Roman times, as it was the nearest port to the eastern coast of the Adriatic Sea. After the end of the Roman Empire, it was in the hands of the Byzantine emperors until it surrendered to the Norman troops of Robert Guiscard in 1068. The Normans fortified the city and built the cathedral, that got consecrated in 1088. When Henry VI., son of Emperor Frederick Barbarossa, married Constanze of Sicily in 1186 Otranto came under the rule of the Hohenstaufen and later in the hands of Ferdinand I of Aragón, King of Naples. Between 1480 and 1481 the "Ottoman invasion" took place here. Troops of the Ottoman Empire invaded and laid siege to the city and its citadel. Legends tell that more than 800 inhabitants were beheaded after the city was captured. The "Martyrs of Otranto" are still celebrated in Italy, their skulls are on display in the cathedral. A year later the Ottoman garrison surrendered the city following a siege by Christian forces and the intervention of Papal forces. - Otranto had been one of the last Byzantine strongholds in Apulia, but finally Robert Guiscard could take it. It had probably been such a stronghold, as Otranto had hosted an autocephalous bishopric, only dependent of the patriarchal see of Byzantium since 968. So (Roman) Catholicism had to perform something "convincing" for the so long (Byzantine) Orthodox christians. One was to erect a huge church. The Otranto Cathedral was erected, over ruins of a Paleo-christian church from 1080 on and was consecrated in 1088. It is 54 metres long by 25 metres wide and is built on 42 monolithic granite and marble columns. I had come to Otranto, to see the mosaic. I had planned to stay one night in Otranto, I spent three nights - and still had not seen all the details. I was so overwhelmed, that I took hundreds of photos, but the mosaic is "endless". I will upload only a couple. It was created by a monk named Pantaleon and his workshop between 1163 and 1165. Pantaleon lived at the monastery San Nicola di Casole, located a few kilometres south of Otranto. The mosaic covers the nave, both aisles, the apse and the presbytery. This sums up to a total of 1596 m². About 10 000000 (10 million!) "tesserae" were used. There are scholars, who have counted up to 700 different "stories", that are told here. Though, these "stories" are often disputed, as today's interpretations are mostly very "vague". German historian Carl Arnold Willemsen published the most important book about the mosaic in Italian " L'enigma di Otranto", that since the 1970s is translated in many languages. I followed his theories. As the church is a parish church, there are benches placed on the mosaic floor. Only for the Sunday service, the ropes are open so that the parishioners can reach the benches. I stayed up to Sunday to mix with the locals. The central nave has twelve medallions depicting the "Labours of the Months" (and the zodiacs) with scenes the rural activities that commonly took place in the months of the year. This is the area where the benches for the parishioners are placed, so some are only partly visible. July - October - November

Otranto occupies the site of an ancient Greek city. It gained importance in Roman times, as it was the nearest port to the eastern coast of the Adriatic Sea. After the end of the Roman Empire, it was in the hands of the Byzantine emperors until it surrendered to the Norman troops of Robert Guiscard in 1068. The Normans fortified the city and built the cathedral, that got consecrated in 1088. When Henry VI., son of Emperor Frederick Barbarossa, married Constanze of Sicily in 1186 Otranto came under the rule of the Hohenstaufen and later in the hands of Ferdinand I of Aragón, King of Naples. Between 1480 and 1481 the "Ottoman invasion" took place here. Troops of the Ottoman Empire invaded and laid siege to the city and its citadel. Legends tell that more than 800 inhabitants were beheaded after the city was captured. The "Martyrs of Otranto" are still celebrated in Italy, their skulls are on display in the cathedral. A year later the Ottoman garrison surrendered the city following a siege by Christian forces and the intervention of Papal forces. - Otranto had been one of the last Byzantine strongholds in Apulia, but finally Robert Guiscard could take it. It had probably been such a stronghold, as Otranto had hosted an autocephalous bishopric, only dependent of the patriarchal see of Byzantium since 968. So (Roman) Catholicism had to perform something "convincing" for the so long (Byzantine) Orthodox christians. One was to erect a huge church. The Otranto Cathedral was erected, over ruins of a Paleo-christian church from 1080 on and was consecrated in 1088. It is 54 metres long by 25 metres wide and is built on 42 monolithic granite and marble columns. I had come to Otranto, to see the mosaic. I had planned to stay one night in Otranto, I spent three nights - and still had not seen all the details. I was so overwhelmed, that I took hundreds of photos, but the mosaic is "endless". I will upload only a couple. It was created by a monk named Pantaleon and his workshop between 1163 and 1165. Pantaleon lived at the monastery San Nicola di Casole, located a few kilometres south of Otranto. The mosaic covers the nave, both aisles, the apse and the presbytery. This sums up to a total of 1596 m². About 10 000000 (10 million!) "tesserae" were used. There are scholars, who have counted up to 700 different "stories", that are told here. Though, these "stories" are often disputed, as today's interpretations are mostly very "vague". German historian Carl Arnold Willemsen published the most important book about the mosaic in Italian " L'enigma di Otranto", that since the 1970s is translated in many languages. I followed his theories. As the church is a parish church, there are benches placed on the mosaic floor. Only for the Sunday service, the ropes are open so that the parishioners can reach the benches. I stayed up to Sunday to mix with the locals. The central nave has twelve medallions depicting the "Labours of the Months" (and the zodiacs) with scenes the rural activities that commonly took place in the months of the year. This is the area where the benches for the parishioners are placed, so some are only partly visible. January - March - April

Bari was an early settlement and passed under Roman rule in the 3rd century BC. It developed strategic significance as the point of junction between the coast road and the Via Traiana and as a port for eastward trade. The first bishop of Bari was Gervasius who is known from the Council of Sardica in 347. After the decline of the Roman Empire, the town was devasted and taken by Alaric´s Visigothic troops, then was under Lombardian rule, before the Byzantines took over. In 755 it was conquered by Pepin the Short (Charlemagne´s father) and from 847 on it was an Islamic Emirate. The Byzantine fleet returned in 871 and since 885 Bari ws the residence of the local Byzantine governor. Following a three-year siege, Bari was captured by Robert Guiscard in 1071. After the relics of Saint Nicholas, which were surreptitiously brought from Myra in Lycia (Byzantine territory), arrived in Bari, the Basilica di San Nicola was founded in 1087. This attracted pilgrims, whose encouragement and care became central to the economy of Bari. Pope Urban II consecrated the Basilica in 1089. In 1096 a crusader army embarked in the port of Bari for the First Crusade. After the murder of archbishop Griso in 1117 a civil war broke our and the control was seized by Grimoald Alferanites, a native Lombard, in opposition to the Normans. He later did homage to Roger II of Sicily, but rebelled and was defeated in 1132. The Castello Normanno-Svevo (aka "Castello di Bari") was probably built around 1132 by Norman King Roger II. When in 1155 the Baresi rebelled against the Normans, the castle got destroyed, so as a retaliatory action, William I of Sicily (aka William the Wicked") had the city destroyed except for the cathedral and the Basilica of St. Nicola. Bari recovered and had its heydays under Frederick II. When he returned from his crusade after 1229, the city gates were locked so he had to use force to gain entry. Therefore, he probably had the fort built in 1233 to keep the city in check. On the other hand, he granted the city generous trade privileges and left it the leading role in the region. - The construction of the "Cattedrale di San Sabino" (aka "Bari Cathedral" started around 1170 on. The cathedral is the seat of the Archbishop of Bari-Bitonto. It is dedicated to Saint Sabinus, a bishop of Canosa, whose relics were brought here in the 9th century. It was erected on the site of the ruins of the Imperial Byzantine cathedral, destroyed in 1156 by William I of Sicily with the rest of the city. For the reconstruction of the cathedral materials from the preceding church and other destroyed buildings got reused. During the 18th century the façade, the nave and aisles and the crypt were refurbished in Baroque style. The building later underwent a series of refurbishments, demolitions and extensions. The original Romanesque appearance of the interior was restored in the 1950s. A little spinario holds up the arches of the façade. Spinarios seem to be a common species in Apulia, as this is the third I found here.

Troia was probably founded by Greek settlers under the name of Aecae. The current Troia was founded as a fortified town in 1018 the by the Byzantine general Basil Boiannes. For long it was a stronghold against the Normans and got besieged by the emperors Henry II and Frederick II, who destroyed the town in 1229. He did not touch the "Concattedrale della Beata Vergine Maria Assunta in Cielo", erected in the first quarter of the 12th century where a Byzantine church formerly stood, that was apparently constructed largely from the remains of Roman buildings. The Concattedrale di Troia is reckoned a masterpiece of Apulian Romanesque architecture and is particularly noted for the rose window and the bronze doors of the west front. Once it was the seat of the Bishops of Troia, it is now a co-cathedral in the diocese of Lucera-Troia. The central rose window of the facade is very complex. The upper half is framed by a semicircle populated by strange and mythical animals. Some sculptures, integrated into the Concattedrale´s facade seem to be older, somehow "glued" in here. Here may be three spoliae. On the left is a stone with an inscription (Roman?), the head of the (nude!) spinario (?) does not really fit the body.

Trani may have been founded by Greek settlers, but the known history starts late. After the fall of the Western Roman Empire, it was dominated by Lombards, Byzantines, Saracens and again Byzantines. With the conquest of southern Italy by the Normans and after 50 days of siege by Robert Guiscard´s troops, Trani became part of the Norman Empire in 1073. Already under the Byzantines, Trani had become an important port for trade with the Orient. The heyday was in the time of the crusades in the 12th and 13th centuries, when crusaders and merchants mainly went to the Holy Land from Bari and Trani. It became an episcopal see in place of Canosa, destroyed by the Saracens. Frederick II promoted the Teutonic Knights and the Jewish community and built a massive castle. Under his rule, the city reached its highest point of wealth and prosperity. The construction of the "Cattedrale di Trani" began in 1099, over the earlier church of "Santa Maria della Scala", which went back to the 4th century. It is dedicated to "San Nicola Pellegrino". Bari had the relics of "Saint Nicholas of Myra". The Bishop of Trani could convince Pope Urban II to canonized a young pilgrim, who had died on his way to Jerusalem in Trani in 1094 from exhaustion. The new church was intended to house the relics of "Saint Nicholas the Pilgrim". Pina Belli d'Elia ("Puglia romanica") is sure, that this cathedral is the most important of all romanic buildings in Apulia. The building process started at the crypt. The "translatio corporis S. Nicolai ad novam Ecclediam" took place in 1142. As parts of the old church, dedicated to Virgin Mary, were maintained, the construction is pretty complex. The "Cattedrale di Trani" was completed around 1200, the construction of the campanile started by Nicolaus Sacerdos (see "Bitonto") and completed in the mid 14th century. In the 20th century, the bell tower was in such a bad state, that it was completely dismantled and rebuilt in the 1950s to avoid it collapsing. The cathedral was built from white, local stones, that change the colour from white to yellowish and reddish, during the sunset. This sculpture is on the south side of the nave. I have the impression, that is was once a part of a larger group. There are two men, the left one is a "spinario", a person pulling a thorn out of his foot. From the second man, only the head is seen. Inbetween them the head of a bovine - and the men´s feet are placed on a pig. Does the left person pull a thorn out of the right men´s foot? Do both feet on top of that piggy belong to the left person? No, can´t be, then the toes would... the right foot on that pig cannot belong to the left person.. Find out!

Since 1554, when the Reformation spread from Bern to Grandson, this church is the Evangelical Reformed parish church of the small, quaint town at the banks of the Lake Neuchâtel. Most of the structure seen today was erected after 1178, when the lords of Grandson had founded a Benedictian priory,dependent on La Chaise-Dieu in the Auvergne, about 400kms southwest. Inside the nave facing east to the gothic choir. It seems, that the iconoclasms of the Swiss Reformation did not harm the church, all capitels are "in situ" and intact. Most of the column shafts are - Roman! They were probably hauled to Grandson for recycling from the vast ruins of Aventicum the Roman capital of the Swiss area during Vespasian´s time. Today "Avenches" is a small town about 40kms east on the other side of the lake. The church is extremly well preserved and very tastefully furnished. This is by far the strangest (and so most interesting) capital in Grandson. While most other capitals are carved very masterly, this one seems rough. Only three sides are visible. It is populated by a group of strange, grimacing people, who show their teeth or tongue. This makes clear, that the person is not performing a strange bavarian dance. He is a "spinario", trying to pull a thorn out of his naked foot. Ray ("adfinem") recently uploaded a very elegant "spinario" and published some excellent information, so follow the link below - and compare them.

Trani may have been founded by Greek settlers, but the known history starts late. After the fall of the Western Roman Empire, it was dominated by Lombards, Byzantines, Saracens and again Byzantines. With the conquest of southern Italy by the Normans and after 50 days of siege by Robert Guiscard´s troops, Trani became part of the Norman Empire in 1073. Already under the Byzantines, Trani had become an important port for trade with the Orient. The heyday was in the time of the crusades in the 12th and 13th centuries, when crusaders and merchants mainly went to the Holy Land from Bari and Trani. It became an episcopal see in place of Canosa, destroyed by the Saracens. Frederick II promoted the Teutonic Knights and the Jewish community and built a massive castle. Under his rule, the city reached its highest point of wealth and prosperity. The construction of the "Cattedrale di Trani" began in 1099, over the earlier church of "Santa Maria della Scala", which went back to the 4th century. It is dedicated to "San Nicola Pellegrino". Bari had the relics of "Saint Nicholas of Myra". The Bishop of Trani could convince Pope Urban II to canonized a young pilgrim, who had died on his way to Jerusalem in Trani in 1094 from exhaustion. The new church was intended to house the relics of "Saint Nicholas the Pilgrim". Pina Belli d'Elia ("Puglia romanica") is sure, that this cathedral is the most important of all romanic buildings in Apulia. The building process started at the crypt. The "translatio corporis S. Nicolai ad novam Ecclediam" took place in 1142. As parts of the old church, dedicated to Virgin Mary, were maintained, the construction is pretty complex. The "Cattedrale di Trani" was completed around 1200, the construction of the campanile started by Nicolaus Sacerdos (see "Bitonto") and completed in the mid 14th century. In the 20th century the bell tower was in such a bad state, that it was completely dismantled and rebuilt in the 1950s to avoid it collapsing. The cathedral was built from white, local stones, that change the colour from white to yellowish and reddish, during the sunset. There are dozens of sculpted corbels under the transept´s roof. Here is a "spinario", a person pulling a thorn out of his foot, an icon known since Greek and Roman times. PiP

The island of Corsica is one of the 18 regions of France. It was colonized the Carthaginians, the Greeks, the Etruscans and the Romans. After the Roman empire collapsed, Corsica got invaded by the Vandals and the Ostrogoths. For a short while the island belonged to the Byzantine Empire, then the Franks granted the island to the Pope, in the early 11th century Pisa and Genoa together freed the island from the threat of Arab invasion. The island came under the influence of the Republic of Pisa, later it belonged to Genua for centuries. In 1755 after a long fight for independence from Genoa the independent Corsican Republic was proclaimed, but in 1769, when the island was conquered by France. As the areas near the coast over centuries have been threatened by attacks and raids of pirates many old hamlets and dwellings are wide inland, high in the mountains. So most of the old churches are in the mountains and some of them are hard to find. Archeologists proved, that Aregno was occupied already in Roman times and was a regional center of the surrounding hamlets in medieval times. It is known for this church. "Trinita e San Giovanni Battista", located in the center of the graveyard, is a former "pieve" (parish church) erected in the first half of the 12th century. This is a "Pisan style" single nave church 16.60 mx 6.30 m, with a semicircular apse circular and a spectacular facade with extraordenary carvings. Under the gable stands a "spinario", a person pulling a thorn out of his foot, an icon known since Greek and Roman times.

Milan is the city capital of the Lombardy and the second most populous city in Italy after Rome. Known during Roman times as "Mediolanum" it was the place, where in 313 Constantine I and Licinius met and "signed" the "Edict of Milan", giving Christianity a legal status within the Roman empire. At the end of the Roman empire Milan was besieged by the Visigoths in 402, looted by the Huns in 452, and taken by the Ostrogoths in 539. Only 30 years later is belonged to the Kingdom of the Lombards, until in 774 Charlemagne defeated the Langobards and added Milan to the Carolingian empire. During Barbarossa´s (Frederik I) "Italian Campaigns" Milan was taken and destroyed to a great extent. The "Basilica of Sant'Ambrogio" is much older and was not destroyed by Barbarossa´s troops. It is one of the most ancient churches in Milan, built by St. Ambrose in 379–386, outside the city of Milan on the site of a cemetery, where the martyrs of the Roman persecutions had been buried. The first name of the church was "Basilica Martyrum". Ambrose, born into a noble family about 340 in (present-day) Trier (Germany), was governor of Liguria and Emilia for two years before he became the Bishop of Milan in 374 by popular acclamation. He was a staunch opponent of Arianism. Only very few traces of the first church can still be found, as in the centuries after its construction, the basilica underwent numerous restorations and reconstructions. The current Romanesque church, mostly built in brickwork, was begun around 1080. In 789, a Benedictine monastery was established here. The canons of the basilica, however, retained their own community. So two separate communities shared the basilica. In the 11th century, the canons adopted orders and became Canons Regular. From then on two separate monastic orders following different rules lived in the basilica. The canons were in the northern building, the cloister of the canons, while the monks were in the two southern buildings. The two towers symbolize the division in the basilica. The 9th century Torre dei Monaci ("Tower of the Monks") tower was used by the monks. However, the canons did not have a bell tower and were not allowed to ring bells until they finished the Canons' bell tower in the 12th Century. This tower got two additional levels in 1889. In 1943 the basilica got severely damaged by bombings. It took a decade to rebuilt and reconstruct the church. The ambo stands on the left side of the nave. From here the monks and canons read the Gospel. The ambo, supported by nine slender ancient columns, was built over a 4th century sarcophagus, known as "Stilicho's Sepulchre", between 1130 and 1143. When the roof of the basilica collapsed in 1196, the ambo got severely damaged, but it got rebuilt already in 1201. Between the ambo and the sarcophagus are some semicircular lunettes. They again differ style and in icons. Some scholars see here the "Labors of the Months". Here the person to the left (with a scythe) would stand for June or July, while the man holding the would symbolize April. The person to the right is a "spinario". He is trying to pull a thorn out of his naked foot - and does not stand for a month of the year.

The construction of the "Battistero di San Giovanni" started in 1152 to replace an older baptistry. Since its completion in 1363 the transition from (Pisan) Romanesque to (Pisan) Gothic style was visible. The baptistry was designed by Diotisalvi, who signed and dated the building ("1153"), similar to the "Chiesa del Santo Sepolcro" (previous uploads), he had designed some decades before. The baptistry is about 54 m high, with a circumference of 107 m. On the left side of the doors of the main portal are the "Labours of the Months". There is even a spinario.

Melle was known already during Roman times, when silver and lead were mined here. The silver mines were exploited over hundreds of years, got forgotten and "rediscovered" in the 19th century. Today they are a tourist attraction. Melle was wealthy and the pilgrims, walking the Via Turonensis, passed through Melle on their way to Santiago, what brought even more money into town. Churches were erected during the heydays of the pilgrimage. Three (!) Romanesque churches can still be found here. Melle must have been a large building site within the 12th century, with hundreds of construction worker and dozends of carvers. An oratory, dedicated to St. Peter, was existing here around 950 in the center of a Carolingian cementary. This humble chapel was dependent from the mighty Benedictine abbey of Saint-Maixent (25kms north). This small structure got extended and enlarged in two stages during the early 12th century. The choir with the nicely decorated chapels and transept form the oldest existing part. The church was set on fire and defaced during the Wars of Religions. After the French Revolution this was the meeting place for the assemblies of the inhabitants. Prosper Mérimée initiated the restaurations undertaken from 1855 on. The stair to the gallery was not locked, so I could take the photo from this vantage point. There are some interesting capitals, that can be easily seen from the galery. One of them depicts this nice "spinario", a person pulling a thorn out of his foot.