Martin M. Miles' photos with the keyword: Palatine Chapel

The castle was built from 1240 to around 1250, but probably never completed and there is no proof, that Emperor Frederick II has ever used Castel del Monte. The castle has an octagonal footprint. At each of the corners there is a tower, also with an octagonal floor plan. The main octagon is 25 meters high, the towers are 26 meters, there have been 5 metres higher originally. The length of the sides of the main octagon is 16.50 meters, that of the towers each 3.10 meters. So the castle is is an octagonal prism with an octagonal tower at each corner. There are no trenches, or loopholes that suggest it was used as a fortress. Instead, the building was decorated on the main portal. The function of the castle has been discussed by scholars over and over, Frederick II was responsible for the construction of many castles in Apulia, but Castel del Monte's geometric design is unique. The octagonal floor plan inspired fantastic thoughts. Most now see the castle as a hunting lodge. Some follow the theory that the octagon is a symbol between a square (representing the earth) and a circle (representing the sky). Frederick II may have been inspired by either the Dome of the Rock in Jerusalem or by the Palatine Chapel of Aachen Cathedral. For German historian Carl Arnold Willemsen Castel del Monte was the "Stone Crown of Apulia", a symbol of Frederick II`s power. It is known that it was used occasionally by Frederick´s (illegitime) son Manfred of Sicily. Manfred´s death in the Battle of Benevento (1266) ended the Hohenstaufen rule in Italy. The castle was turned into a state prison by Charles I of Anjou. Manfred´s sons Azzo and Enzo were kept as prisoner for many years. Later the castle was abandoned and fell into disrepair. The castle's marble and other ornamentation were looted. Castel del Monte was purchased in 1876 for the sum of 25,000 lire by the Italian State. The restoration process started and was carried out in accordance with the taste of the time. "Tourism" started mid/end of the 18th century, when young English aristocrats did a detour, to visit Castel del Monte, during their "Grand Tour". With the publications of the 19th centuries the abandoned castle got more and more attractive to tourists. Many of them carved their names into the walls.

The castle was built from 1240 to around 1250, but probably never completed and there is no proof, that Emperor Frederick II has ever used Castel del Monte. The castle has an octagonal footprint. At each of the corners there is a tower, also with an octagonal floor plan. The main octagon is 25 meters high, the towers are 26 meters, there have been 5 metres higher originally. The length of the sides of the main octagon is 16.50 meters, that of the towers each 3.10 meters. So the castle is is an octagonal prism with an octagonal tower at each corner. There are no trenches, or loopholes that suggest it was used as a fortress. Instead, the building was decorated on the main portal. The function of the castle has been discussed by scholars over and over, Frederick II was responsible for the construction of many castles in Apulia, but Castel del Monte's geometric design is unique. The octagonal floor plan inspired fantastic thoughts. Most now see the castle as a hunting lodge. Some follow the theory that the octagon is a symbol between a square (representing the earth) and a circle (representing the sky). Frederick II may have been inspired by either the Dome of the Rock in Jerusalem or by the Palatine Chapel of Aachen Cathedral. For German historian Carl Arnold Willemsen Castel del Monte was the "Stone Crown of Apulia", a symbol of Frederick II`s power. It is known that it was used occasionally by Frederick´s (illegitime) son Manfred of Sicily. Manfred´s death in the Battle of Benevento (1266) ended the Hohenstaufen rule in Italy. The castle was turned into a state prison by Charles I of Anjou. Manfred´s sons Azzo and Enzo were kept as prisoner for many years. Later the castle was abandoned and fell into disrepair. The castle's marble and other ornamentation were looted. Castel del Monte was purchased in 1876 for the sum of 25,000 lire by the Italian State. The restoration process started and was carried out in accordance with the taste of the time. The original state of construction was reproduced with modern materials, so in the end, the exterior of the castle was "like new" again. In 1996 Castel del Monte was named a World Heritage Site by UNESCO.

The castle was built from 1240 to around 1250, but probably never completed and there is no proof, that Emperor Frederick II has ever used Castel del Monte. The castle has an octagonal footprint. At each of the corners there is a tower, also with an octagonal floor plan. The main octagon is 25 meters high, the towers are 26 meters, there have been 5 metres higher originally. The length of the sides of the main octagon is 16.50 meters, that of the towers each 3.10 meters. So the castle is is an octagonal prism with an octagonal tower at each corner. There are no trenches, or loopholes that suggest it was used as a fortress. Instead, the building was decorated on the main portal. The function of the castle has been discussed by scholars over and over, Frederick II was responsible for the construction of many castles in Apulia, but Castel del Monte's geometric design is unique. The octagonal floor plan inspired fantastic thoughts. Most now see the castle as a hunting lodge. Some follow the theory that the octagon is a symbol between a square (representing the earth) and a circle (representing the sky). Frederick II may have been inspired by either the Dome of the Rock in Jerusalem or by the Palatine Chapel of Aachen Cathedral. For German historian Carl Arnold Willemsen Castel del Monte was the "Stone Crown of Apulia", a symbol of Frederick II`s power. It is known that it was used occasionally by Frederick´s (illegitime) son Manfred of Sicily. Manfred´s death in the Battle of Benevento (1266) ended the Hohenstaufen rule in Italy. The castle was turned into a state prison by Charles I of Anjou. Manfred´s sons Azzo and Enzo were kept as prisoner for many years. Later the castle was abandoned and fell into disrepair. The castle's marble and other ornamentation were looted. Castel del Monte was purchased in 1876 for the sum of 25,000 lire by the Italian State. The restoration process started and was carried out in accordance with the taste of the time. The original state of construction was reproduced with modern materials, so in the end, the exterior of the castle was "like new" again. In 1996 Castel del Monte was named a World Heritage Site by UNESCO.

The castle was built from 1240 to around 1250, but probably never completed and there is no proof, that Emperor Frederick II has ever used Castel del Monte. The castle has an octagonal footprint. At each of the corners there is a tower, also with an octagonal floor plan. The main octagon is 25 meters high, the towers are 26 meters, there have been 5 metres higher originally. The length of the sides of the main octagon is 16.50 meters, that of the towers each 3.10 meters. So the castle is is an octagonal prism with an octagonal tower at each corner. There are no trenches, or loopholes that suggest it was used as a fortress. Instead, the building was decorated on the main portal. The function of the castle has been discussed by scholars over and over, Frederick II was responsible for the construction of many castles in Apulia, but Castel del Monte's geometric design is unique. The octagonal floor plan inspired fantastic thoughts. Most now see the castle as a hunting lodge. Some follow the theory that the octagon is a symbol between a square (representing the earth) and a circle (representing the sky). Frederick II may have been inspired by either the Dome of the Rock in Jerusalem or by the Palatine Chapel of Aachen Cathedral. For German historian Carl Arnold Willemsen Castel del Monte was the "Stone Crown of Apulia", a symbol of Frederick II`s power. It is known that it was used occasionally by Frederick´s (illegitime) son Manfred of Sicily. Manfred´s death in the Battle of Benevento (1266) ended the Hohenstaufen rule in Italy. The castle was turned into a state prison by Charles I of Anjou. Manfred´s sons Azzo and Enzo were kept as prisoner for many years. Later the castle was abandoned and fell into disrepair. The castle's marble and other ornamentation were looted. Castel del Monte was purchased in 1876 for the sum of 25,000 lire by the Italian State. The restoration process started and was carried out in accordance with the taste of the time. The original state of construction was reproduced with modern materials, so in the end, the exterior of the castle was "like new" again. In 1996 Castel del Monte was named a World Heritage Site by UNESCO.

The castle was built from 1240 to around 1250, but probably never completed and there is no proof, that Emperor Frederick II has ever used Castel del Monte. The castle has an octagonal footprint. At each of the corners there is a tower, also with an octagonal floor plan. The main octagon is 25 meters high, the towers are 26 meters, there have been 5 metres higher originally. The length of the sides of the main octagon is 16.50 meters, that of the towers each 3.10 meters. So the castle is is an octagonal prism with an octagonal tower at each corner. There are no trenches, or loopholes that suggest it was used as a fortress. Instead, the building was decorated on the main portal. The function of the castle has been discussed by scholars over and over, Frederick II was responsible for the construction of many castles in Apulia, but Castel del Monte's geometric design is unique. The octagonal floor plan inspired fantastic thoughts. Most now see the castle as a hunting lodge. Some follow the theory that the octagon is a symbol between a square (representing the earth) and a circle (representing the sky). Frederick II may have been inspired by either the Dome of the Rock in Jerusalem or by the Palatine Chapel of Aachen Cathedral. For German historian Carl Arnold Willemsen Castel del Monte was the "Stone Crown of Apulia", a symbol of Frederick II`s power. It is known that it was used occasionally by Frederick´s (illegitime) son Manfred of Sicily. Manfred´s death in the Battle of Benevento (1266) ended the Hohenstaufen rule in Italy. The castle was turned into a state prison by Charles I of Anjou. Manfred´s sons Azzo and Enzo were kept as prisoner for many years. Later the castle was abandoned and fell into disrepair. The castle's marble and other ornamentation were looted. Castel del Monte was purchased in 1876 for the sum of 25,000 lire by the Italian State. The restoration process started and was carried out in accordance with the taste of the time. The original state of construction was reproduced with modern materials, so in the end, the exterior of the castle was "like new" again. In 1996 Castel del Monte was named a World Heritage Site by UNESCO, and today it attracts thousands of tourists every day.

The castle was built from 1240 to around 1250, but probably never completed and there is no proof, that Emperor Frederick II has ever used Castel del Monte. The castle has an octagonal footprint. At each of the corners there is a tower, also with an octagonal floor plan. The main octagon is 25 meters high, the towers are 26 meters, there have been 5 metres higher originally. The length of the sides of the main octagon is 16.50 meters, that of the towers each 3.10 meters. So the castle is is an octagonal prism with an octagonal tower at each corner. There are no trenches, or loopholes that suggest it was used as a fortress. Instead, the building was decorated on the main portal. The function of the castle has been discussed by scholars over and over, Frederick II was responsible for the construction of many castles in Apulia, but Castel del Monte's geometric design is unique. The octagonal floor plan inspired fantastic thoughts. Most now see the castle as a hunting lodge. Some follow the theory that the octagon is a symbol between a square (representing the earth) and a circle (representing the sky). Frederick II may have been inspired by either the Dome of the Rock in Jerusalem or by the Palatine Chapel of Aachen Cathedral. For German historian Carl Arnold Willemsen Castel del Monte was the "Stone Crown of Apulia", a symbol of Frederick II`s power. It is known that it was used occasionally by Frederick´s (illegitime) son Manfred of Sicily. Manfred´s death in the Battle of Benevento (1266) ended the Hohenstaufen rule in Italy. The castle was turned into a state prison by Charles I of Anjou. Manfred´s sons Azzo and Enzo were kept as prisoner for many years. Later the castle was abandoned and fell into disrepair. The castle's marble and other ornamentation were looted. Castel del Monte was purchased in 1876 for the sum of 25,000 lire by the Italian State. The restoration process started and was carried out in accordance with the taste of the time. The original state of construction was reproduced with modern materials, so in the end, the exterior of the castle was "like new" again.

The "Basilica di San Vitale" was erected on an octagonal plan from 526 on, when Ravenna was under the rule of the Ostrogoths, followers of the Arianism. It was completed and got consecrated in 547, when Ravenna was part of the Byzantine Empire. The church combines Roman with Byzantine elements. It is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. It is one of the most important examples of early Christian Byzantine art and architecture in Europe. The impact, that this church had on the Wesern European architecture, can hardly be overestimated. The Palatine Chapel in Aachen, commisioned by Charlemagne, has strong parallels to San Vitale. Not only walls and ceilings are covered with fantastic Byzantine mosaics (see previous uploads), the floor has mosaics as well. Here are three water fowls.

The "Basilica di San Vitale" was erected on an octagonal plan from 526 on, when Ravenna was under the rule of the Ostrogoths, followers of the Arianism. It was completed and got consecrated in 547, when Ravenna was part of the Byzantine Empire. The church combines Roman with Byzantine elements. It is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. It is one of the most important examples of early Christian Byzantine art and architecture in Europe. The impact, that this church had on the Wesern European architecture, can hardly be overestimated. The Palatine Chapel in Aachen, commisioned by Charlemagne, has strong parallels to San Vitale. Empress Theodora, bedecked in jewels and purple robes, bringing the cup of the Eucharist to the altar with her attendants. Here is a detail of her embroidered robe. The Magi wear the typical phrygian hats.

The "Basilica di San Vitale" was erected on an octagonal plan from 526 on, when Ravenna was under the rule of the Ostrogoths, followers of the Arianism. It was completed and got consecrated in 547, when Ravenna was part of the Byzantine Empire. The church combines Roman with Byzantine elements. It is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. It is one of the most important examples of early Christian Byzantine art and architecture in Europe. The impact, that this church had on the Wesern European architecture, can hardly be overestimated. The Palatine Chapel in Aachen, commisioned by Charlemagne, has strong parallels to San Vitale. Empress Theodora, bedecked in jewels and purple robes, bringing the cup of the Eucharist to the altar with her attendants. Empress Theodora was the wife of Emperor Justinian I (see previous upload). Some sources mention her as empress regnant with Justinian I as her co-regent. Along with her husband, she is a saint in the Orthodox Church. Please note, that her dress is embroidered. The three figures seen there can only be the Magi. No tourist will ever be alone here. Large groups move around and listen to the guides, who use, as you can see here, laser pointers.

The "Basilica di San Vitale" was erected on an octagonal plan from 526 on, when Ravenna was under the rule of the Ostrogoths, followers of the Arianism. It was completed and got consecrated in 547, when Ravenna was part of the Byzantine Empire. The church combines Roman with Byzantine elements. It is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. It is one of the most important examples of early Christian Byzantine art and architecture in Europe. The impact, that this church had on the Wesern European architecture, can hardly be overestimated. The Palatine Chapel in Aachen, commisioned by Charlemagne, has strong parallels to San Vitale. Emperor Justinian clothed in full regalia and standing in the center of a retinue of clergy, officials and soldiers (flanked on the right by Bishop Maximian) bringing the bread of the Eucharist to the altar. He has a nimbus already! "Justinian the Great" (= Saint Justinian in the Orthodox Church) was born into a peasant´s familiy ~ 482. He made an astonishing career. He was Byzantine (East Roman) emperor from 527 to 565. He tried the empire's greatness and reconquer the lost western half of the historical Roman Empire.

The "Basilica di San Vitale" was erected on an octagonal plan from 526 on, when Ravenna was under the rule of the Ostrogoths, followers of the Arianism. It was completed and got consecrated in 547, when Ravenna was part of the Byzantine Empire. The church combines Roman with Byzantine elements. It is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. It is one of the most important examples of early Christian Byzantine art and architecture in Europe. The impact, that this church had on the Wesern European architecture, can hardly be overestimated. The Palatine Chapel in Aachen, commisioned by Charlemagne, has strong parallels to San Vitale. The mosaic under the dome..

The "Basilica di San Vitale" was erected on an octagonal plan from 526 on, when Ravenna was under the rule of the Ostrogoths, followers of the Arianism. It was completed and got consecrated in 547, when Ravenna was part of the Byzantine Empire. The church combines Roman with Byzantine elements. It is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. It is one of the most important examples of early Christian Byzantine art and architecture in Europe. The impact, that this church had on the Wesern European architecture, can hardly be overestimated. The Palatine Chapel in Aachen, commisioned by Charlemagne, has strong parallels to San Vitale. The mosaic of the apse depicting the garden Eden (watered by four rivers), in which (young and beardless) Christ, seated on a blue sphere and holding seven seals, is flanked by two angels. To the right is Bishop Ecclesius offering a model of the church, to the left Vitalis who is about to be crowned by Christ as a martyr.

The "Basilica di San Vitale" was erected on an octagonal plan from 526 on, when Ravenna was under the rule of the Ostrogoths, followers of the Arianism. It was completed and got consecrated in 547, when Ravenna was part of the Byzantine Empire. The church combines Roman with Byzantine elements. It is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. It is one of the most important examples of early Christian Byzantine art and architecture in Europe. The impact, that this church had on the Wesern European architecture, can hardly be overestimated. The Palatine Chapel in Aachen, commisioned by Charlemagne, has strong parallels to San Vitale.

The "Basilica di San Vitale" was erected on an octagonal plan from 526 on, when Ravenna was under the rule of the Ostrogoths, followers of the Arianism. It was completed and got consecrated in 547, when Ravenna was part of the Byzantine Empire. The church combines Roman with Byzantine elements. It is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. It is one of the most important examples of early Christian Byzantine art and architecture in Europe. The impact, that this church had on the Wesern European architecture, can hardly be overestimated. The Palatine Chapel in Aachen, commisioned by Charlemagne, has strong parallels to San Vitale. Here are Abraham and his wife Sarah. Genesis 18:1-10 "The Lord appeared to Abraham near the great trees of Mamre while he was sitting at the entrance to his tent in the heat of the day. Abraham looked up and saw three men standing nearby. When he saw them, he hurried from the entrance of his tent to meet them and bowed low to the ground. He said, "If I have found favor in your eyes, my lord, do not pass your servant by. Let a little water be brought, and then you may all wash your feet and rest under this tree. Let me get you something to eat, so you can be refreshed and then go on your way—now that you have come to your servant." "Very well," they answered, "do as you say." So Abraham hurried into the tent to Sarah. "Quick," he said, "get three seahs of the finest flour and knead it and bake some bread." Then he ran to the herd and selected a choice, tender calf and gave it to a servant, who hurried to prepare it. He then brought some curds and milk and the calf that had been prepared, and set these before them. While they ate, he stood near them under a tree. "Where is your wife Sarah?" they asked him. "There, in the tent," he said. Then one of them said, "I will surely return to you about this time next year, and Sarah your wife will have a son." Now Sarah was listening at the entrance to the tent, which was behind him."

The "Basilica di San Vitale" was erected on an octagonal plan from 526 on, when Ravenna was under the rule of the Ostrogoths, followers of the Arianism. It was completed and got consecrated in 547, when Ravenna was part of the Byzantine Empire. The church combines Roman with Byzantine elements. It is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. It is one of the most important examples of early Christian Byzantine art and architecture in Europe. The impact, that this church had on the Wesern European architecture, can hardly be overestimated. The Palatine Chapel in Aachen, commisioned by Charlemagne, has strong parallels to San Vitale. The mosaic, below the triforium, depicts Abel and Melchizedek bringing their offerings to the altar. God´s accepting hand is above the altar. On the adjoining spandrals are Isaiah (upper right) and Moses loosening his sandals before the Burning Bush (upper left).

The "Basilica di San Vitale" was erected on an octagonal plan from 526 on, when Ravenna was under the rule of the Ostrogoths, followers of the Arianism. It was completed and got consecrated in 547, when Ravenna was part of the Byzantine Empire. The church combines Roman with Byzantine elements. It is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. It is one of the most important examples of early Christian Byzantine art and architecture in Europe. The impact, that this church had on the Wesern European architecture, can hardly be overestimated. The Palatine Chapel in Aachen, commisioned by Charlemagne, has strong parallels to San Vitale.

The "Basilica di San Vitale" was erected on an octagonal plan from 526 on, when Ravenna was under the rule of the Ostrogoths, followers of the Arianism. It was completed and got consecrated in 547, when Ravenna was part of the Byzantine Empire. The church combines Roman with Byzantine elements. It is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. It is one of the most important examples of early Christian Byzantine art and architecture in Europe. The impact, that this church had on the Wesern European architecture, can hardly be overestimated. The Palatine Chapel in Aachen, commisioned by Charlemagne, has strong parallels to San Vitale.

The "Basilica di San Vitale" was erected on an octagonal plan from 526 on, when Ravenna was under the rule of the Ostrogoths, followers of the Arianism. It was completed and got consecrated in 547, when Ravenna was part of the Byzantine Empire. The church combines Roman with Byzantine elements. It is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. It is one of the most important examples of early Christian Byzantine art and architecture in Europe. The impact, that this church had on the Wesern European architecture, can hardly be overestimated. The Palatine Chapel in Aachen, commisioned by Charlemagne, has strong parallels to San Vitale. There are many more stories to tell about "San Vitale". This sophisticated "slot machine" knows them all and it is willing to share them with you for only 2 Euros.