Martin M. Miles' photos with the keyword: Ascension of Christ

The Basilica of San Prudencio is located in Armentia on the southwestern outskirts of Vitoria-Gasteiz. According to legend, Saint Prudentius was born here in the 6th century. In the 9th century, Armentia was a bishopric until it was transferred to Calahorra in 1087. The Basilica of San Prudencio then became the collegiate church of a canon's monastery, which existed until 1498. It was then that the canons gave up San Prudencio to settle in Vitoria. The current church of San Prudencio was built towards the end of the 12th century. Between 1773 and 1776 the church underwent major changes. The south facade was demolished and the porch was built. Parts of the church's original sculptural decoration were embedded in the walls of this south porch. The tympanum depicts the Ascension of Christ

Lucca existed already in Etruscan times and became a Roman colony in 180 BC. The Diocese of Lucca dates back to the first century, legends tell, that St. Paulinus, a disciple of St. Peter, was the first Bishop of Lucca. In medieval times Lucca was the residence of the Margraves of Tuscany. After the death of Matilda of Tuscany (1115), Lucca constituted itself as an independent republic. Actually the "Republic of Lucca" existed from 1160 to 1805. San Frediano (aka "Fridianus", "Frigianu") was an Irish hermit, who in 560 became Bishop of Lucca. He died in 588 and got buried in the crypt of a church, that existed here at that time. The construction of today´s "Basilica di San Frediano" started in 1112. The church was consecrated in 1147. As it was built very close to the city wall, this church is not oriented to the east. About a century after the consecration, the first remodelling was done, enlarging the church - and creating the facade with the monumental mosaic, seen here. It was renovated within the 19th century, but is still near to original "byzantine" style, created by the artist Berlinghiero (aka "Berlinghiero Berlinghieri") or at least his school. Berlinghiero was the father of the painters Barone, Bonaventura and Marco Berlinghieri. The mosaic depicts the "Ascension of Christ" supported by angels. Below him are the apostles, who were once centered around Mary. Where she once was - is a window now.

There have been five cathedrals on this site. One was destroyed by Visigothic troops mid of the 8th century. The successive cathedral was burnt down by Vikings ("Danes") in 858. The carolingian structure that was erected within the next decades was burnt down in 962 by troops led by Richard I of Normandy (aka "Richard the Fearless", "Richard Sans-Peur"). The rebuilding started again, but whatever was completed got destroyed by a fire, caused accidently, in 1020. The erection of a Romanesque cathedral started and most of the still existing crypt dates back to that building. In 1134, another fire damaged the town and large parts of the cathedral. The towers got repaired and rebuilt and the portal between them got created. Another blaze hit the town in June 1194. The cathedral was burnt down. Construction works started the same year. The western towers and the undamaged western portal ("Portail Royal") got integrated into the new building. The nave was already vaulted in 1220, the transept and the stained windows were completed in 1260. On 24 October 1260, only 66 years after the start of construction, the Cathédrale Notre-Dame was consecrated in the presence of Louis IX of France (aka "Saint Louis", "le Prudhomme"). Since Charles the Bald, Louis the Pious´ son, had given the "Sancta Camisia" to the cathedral in 876. Because of this "Veil of the Virgin" Chartres developed into a very important Marian pilgrimage center in medieval times. The "Portail Royal" is part of the cathedral´s western façade. This portal survived the fire, that destroyed the preceding cathedral in 1194. The portal was carved by 1150, a visible transition from Romanesque to Gothic style. The upper part of the Royal Portal´s left portal is seen here. The tympanum shows Christ standing on a cloud, supported by two angels. This is probably a depiction of the Ascension of Christ. Witnesses watch the scene from the lintel below. On the archivolts are zodiacs and the Labors of the months.

There have been five cathedrals on this site. One was destroyed by Visigothic troops mid of the 8th century. The successive cathedral was burnt down by Vikings ("Danes") in 858. The carolingian structure that was erected within the next decades was burnt down in 962 by troops led by Richard I of Normandy (aka "Richard the Fearless", "Richard Sans-Peur"). The rebuilding started again, but whatever was completed got destroyed by a fire, caused accidently, in 1020. The erection of a Romanesque cathedral started and most of the still existing crypt dates back to that building. In 1134, another fire damaged the town and large parts of the cathedral. The towers got repaired and rebuilt and the portal between them got created. Another blaze hit the town in June 1194. The cathedral was burnt down. Construction works started the same year. The western towers and the undamaged western portal ("Portail Royal") got integrated into the new building. The nave was already vaulted in 1220, the transept and the stained windows were completed in 1260. On 24 October 1260, only 66 years after the start of construction, the Cathédrale Notre-Dame was consecrated in the presence of Louis IX of France (aka "Saint Louis", "le Prudhomme"). Since Charles the Bald, Louis the Pious´ son, had given the "Sancta Camisia" to the cathedral in 876. Because of this "Veil of the Virgin" Chartres developed into a very important Marian pilgrimage center in medieval times. The "Portail Royal" is part of the cathedral´s western façade. This portal survived the fire, that destroyed the preceding cathedral in 1194. The portal was carved by 1150, a visible transition from Romanesque to Gothic style. The left portal of the "Portail Royal" is seen here. The tympanum shows Christ standing on a cloud, supported by two angels. This is probably a depiction of the Ascension of Christ. On the archivolts are zodiacs and the Labors of the months.

A priory, dependent from the (once important) Benedictian abbey Saint-Sauveur de Charroux existed here since the 12th century. At that time Saint-Martin was erected as the church for the priory. The church got enlarged and vaulted in the 13th and 14th century, but during the Wars of Religion (1562–1598), the structure got severely damaged, so that the ceiling and the crossing dome collapsed. The imposant western facade with the large archivolts survived the attacks. The priory was sold after the French Revolution and all buildings, but the church, got demolished. Today Saint-Martin serves as the parish church of the small village. The main portal in the architectural style, that is typical for the Saintonge. Two blind arches flank the larger arch / doors. There is no central tympanum, but a multitude of archivolts. Here is the center of the main archivolt over the entrance door of Saint-Martin. In all books I found, the theme is described as "Ascension of Christ", what is right. Christ, crowned like a king and flanked by soldiers, is tiny. Like a grandgrandfather of the Infant Jesus of Prague.

A priory, dependent from the (once important) Benedictian abbey Saint-Sauveur de Charroux existed here since the 12th century. At that time Saint-Martin was erected as the church for the priory. The church got enlarged and vaulted in the 13th and 14th century, but during the Wars of Religion (1562–1598), the structure got severely damaged, so that the ceiling and the crossing dome collapsed. The imposant western facade with the large archivolts survived the attacks. The priory was sold after the French Revolution and all buildings, but the church, got demolished. Today Saint-Martin serves as the parish church of the small village. The main portal in the architectural style, that is typical for the Saintonge. Two blind arches flank the larger arch / doors. There is no central tympanum, but a multitude of archivolts. These are the densely populated archivolts of the central arch. Most literature, that the theme of the carvings here is the "Ascension of Christ".