Martin M. Miles' photos with the keyword: piglet

One of the first printed records about this gate stated in 1859 "Of all old monuments in the Rhine valley, none as mysterious as the portal (...) near the church in Remagen". The Pfarrhoftor (= Gateway to the parish close) still is enigmatic. It may have been erected for a nearby monastery, that centered around an St. Apollinaris shrine, it may have been in deed a gate to a parish close. Actually it known since the 17th century, when parts of it were found, walled in between the rectory and the encircling wall. The parts were recovered and like pieces of a puzzle joined together. Though the cope stone was lost, the large arch was easy to reconstruct. Wether the smaller side portal originally was left or right is unclear. The 22 carved reliefs here have triggered more than a dozend different theories. I will quote some. The carving style was not appreciated by the art-historians. Already Wilhelm Bode ("Geschichte der Deutschen Plastik") wrote in 1887 that the carver was "without any artistic ambition". For me this portal has parallels in Linden and Goegging. All three portals are roughly carved - and enigmatic, blending christian, pagan and ancient icons. The only point, that is undisputed is, that the portal was erected in the second half of the 12th century. It may be, that the reliefs, seen here, are just single icons, that are not interconnected to a certain "iconographic program". This is claimed by Paul Clement (1938), Georg Dehio (1933) and Josef Minn (1942). In 1947 Albert M. Koeniger published the results of his research, interpreting the reliefs as icons of eight (!) deadly sins as described by Bishop Burchard of Worms (965-1025), author of a canon law collection (aka "Decretum Burchardi"). A sow and three piglets According to Albert M. Koeniger, the sow stands for lust ("luxuria") and the three piglets for the three sins connected to lust. The following relief depicts the merman with the net, seen already, framing the arch with the paddling mermaid to the left. This ends the large semicircle.

The Pieve di San Pietro a Gropina is located on a hill in the hamlet Gropina, that meanwhile belongs to Loro Ciuffenna. A chapel existed here already in the 4th century. Soon after Charlemagne had donated the area to the Nonantola Abbey, Benedictian monks erected a church here end of the 8th century. The church of today was probably built within the 12th century. At that time this was one of the wealthiest parish church with the diocese, having about 30 depending churches. The nave is flanked by pillars, that all have sculpted capitals. The capitals of left and right side differ in style. Within some decades two workshops have worked here. Maybe even more. The remarkable pulpit is based on a knotted pillar, is a striking piece of art. Some scholars attribute it to a "Master of Campione" (or a workshop). This workshop created as well some of the capitals. The wolf to the right is holding (devouring) something, that may well be the shank of a lamb. This is surely connected to the (from this pov not visible) left side of the capital, as there is a a wolf chasing a lamb. The principal side depicts a sow suckling four piglets. I have never such an icon inside a church. Is it an (heathenly) icon for fertility? Some see this as a symbol of "Mother" church nourishing the pious believers.