Martin M. Miles' photos with the keyword: Schottenkloster

A Benedictian monastery was founded by Hiberno-Scottish monks in Regensburg already around 1070. Soon after, the convent moved to a place just outside the city walls and in started to erect first buildings. The first church, consecrated in 1120, was of such a poor workmanship, that the convent decided to tear it down (except one apse and the flanking towers) and restart the process. The church of today was completed before 1200. It is one of the most important Romanesque structures in Bavaria. The abbey was a hub for the Irish/Scottish mission to central Europe. Daughter establishments of St. Jakob were founded in Vienna (1155), Erfurt (1136), Wuerzburg (1138), Nuremberg (1140), Constance (1142), Eichstaett (1148), Memmingen (1178), Kiev (!) (late 12th century) and Kelheim (13th century). WHile the first monks and abbots were Irish, the Scottish period started after the Reformation with Scottish abbot Ninian Vincet (1577-1592). A century later Scottish priests were educated here to do missionary work back in Scotland. Abbot Benedikt Aburthnot (1737-1820) could avoid the secularisation in 1802 by making clear, that the monastery was a Scottish (not at all Bavarian!) national treasure. It took upto 1814 to incorporate the Scottish monastery into the Bavarian sovereignty. Monastic life finally ended here in 1862, when the buildings were taken over by the bishop, who 10 years later founded a still existing seminary here. The northern portal ("Schottenportal") is one of the most important (and largest) Romanesque works of art in Germany. It occupies about a third of the church´s northern wall and is divided into thirds both horizontally and vertically, plus a small frieze that tops the central arch (the vertical center). While most authors reckon, that Irish masters created this portal, Marcel Durliat sees parallels to works in Northern Italy, created by the Comacine masters ("Magistri Comacini"). He even connects this portal to the carvings in Linden and Remagen. I doubt that.. The dimensions of the protective glass pavillion (and the limited features if my camera) made it impossible to get the portal "in toto" on one picture. For the previous shot I had left the pavillion. This now is the portal seen from right. The next upload will be - the portal seen from the left.

A Benedictian monastery was founded by Hiberno-Scottish monks in Regensburg already around 1070. Soon after, the convent moved to a place just outside the city walls and in started to erect first buildings. The first church, consecrated in 1120, was of such a poor workmanship, that the convent decided to tear it down (except one apse and the flanking towers) and restart the process. The church seen today was completed before 1200. It is one of the most important Romanesque structures in Bavaria. The abbey was a hub for the Irish/Scottish mission to central Europe. Daughter establishments of St. Jakob were founded in Vienna (1155), Erfurt (1136), Wuerzburg (1138), Nuremberg (1140), Constance (1142), Eichstaett (1148), Memmingen (1178), Kiev (!) (late 12th century) and Kelheim (13th century). WHile the first monks and abbots were Irish, the Scottish period started after the Reformation with Scottish abbot Ninian Vincet (1577-1592). A century later Scottish priests were educated here to do missionary work back in Scotland. Abbot Benedikt Aburthnot (1737-1820) could avoid the secularisation in 1802 by making clear, that the monastery was a Scottish (not at all Bavarian!) national treasure. It took upto 1814 to incorporate the Scottish monastery into the Bavarian sovereignty. Monastic life finally ended here in 1862, when the buildings were taken over by the bishop, who 10 years later founded a still existing seminary here. The "Schottenkirche" is basilica with a central nave, two aisles, three apses and a western transept. Most Romanesque churches in Bavaria got Baroque interiors during the 18th century. The scottish monks in Regensburg did not follow that fashion - and so the church is still very much like it was built around 1200. Seen from this pov are the clerestories - and some of the capitals. The tomb of abbot Ninian Vincet is in the southern aisle. Before he became abbot in Regensburg, he was Maria Stuart´s father confessor.

A Benedictian monastery was founded by Hiberno-Scottish monks in Regensburg already around 1070. Soon after, the convent moved to a place just outside the city walls and in started to erect first buildings. The first church, consecrated in 1120, was of such a poor workmanship, that the convent decided to tear it down (except one apse and the flanking towers) and restart the process. The church of today was completed before 1200. It is one of the most important Romanesque structures in Bavaria. The abbey was a hub for the Irish/Scottish mission to central Europe. Daughter establishments of St. Jakob were founded in Vienna (1155), Erfurt (1136), Wuerzburg (1138), Nuremberg (1140), Constance (1142), Eichstaett (1148), Memmingen (1178), Kiev (!) (late 12th century) and Kelheim (13th century). While the first monks and abbots were Irish, the Scottish period started after the Reformation with Scottish abbot Ninian Vincet (1577-1592). A century later Scottish priests were educated here to do missionary work back in Scotland. Abbot Benedikt Aburthnot (1737-1820) could avoid the secularisation in 1802 by making clear, that the monastery was a Scottish (not at all Bavarian!) national treasure. It took upto 1814 to incorporate the Scottish monastery into the Bavarian sovereignty. Monastic life finally ended here in 1862, when the buildings were taken over by the bishop, who 10 years later founded a still existing seminary here. The northern portal ("Schottenportal") is one of the most important (and largest) Romanesque works of art in Germany. It occupies a third of the church´s northern wall and is divided into thirds both horizontally and vertically, plus a small frieze that tops the central arch (the vertical center). While most authors reckon, that Irish masters created this portal, Marcel Durliat sees parallels to works in Northern Italy, created by the Comacine masters ("Magistri Comacini"). He even connects this portal to the carvings in Linden and Remagen. The interpretation of such a large and cryptic portal has been controversial since the beginning, what means the 19th century, as only since then Romanesque carvings were seen as works of art (mostly). There was even a theory claiming that such a carving could not have been done during the 12th/13th century, and that it probably was added to the church later. The time of origin is not disputed any longer, but the meaning of figures and symbols. Richard Strobel ("Romanik in Altbayern") has no hard facts, but found out, that left (eastern) side stands for the "Good", while the right side stands for the "Evil". This meanwhile is undisputed. A detail from the right (evil) side. This is a close up of the dragon, right to the Antichrist. The two legged dragon is running fast - and devouring a human (soul) on the run. The fully dressed victim seems relaxed, holding an object in his hand.

A Benedictian monastery was founded by Hiberno-Scottish monks in Regensburg already around 1070. Soon after, the convent moved to a place just outside the city walls and in started to erect first buildings. The first church, consecrated in 1120, was of such a poor workmanship, that the convent decided to tear it down (except one apse and the flanking towers) and restart the process. The church of today was completed before 1200. It is one of the most important Romanesque structures in Bavaria. The abbey was a hub for the Irish/Scottish mission to central Europe. Daughter establishments of St. Jakob were founded in Vienna (1155), Erfurt (1136), Wuerzburg (1138), Nuremberg (1140), Constance (1142), Eichstaett (1148), Memmingen (1178), Kiev (!) (late 12th century) and Kelheim (13th century). WHile the first monks and abbots were Irish, the Scottish period started after the Reformation with Scottish abbot Ninian Vincet (1577-1592). A century later Scottish priests were educated here to do missionary work back in Scotland. Abbot Benedikt Aburthnot (1737-1820) could avoid the secularisation in 1802 by making clear, that the monastery was a Scottish (not at all Bavarian!) national treasure. It took upto 1814 to incorporate the Scottish monastery into the Bavarian sovereignty. Monastic life finally ended here in 1862, when the buildings were taken over by the bishop, who 10 years later founded a still existing seminary here. The northern portal ("Schottenportal") is one of the most important (and largest) Romanesque works of art in Germany. It occupies a third of the church´s northern wall and is divided into thirds both horizontally and vertically, plus a small frieze that tops the central arch (the vertical center). While most authors reckon, that Irish masters created this portal, Marcel Durliat sees parallels to works in Northern Italy, created by the Comacine masters ("Magistri Comacini"). He even connects this portal to the carvings in Linden and Remagen. I doubt that.. While the right side, just seen, had snarling male lions, the left side has five female ones. The have no manes and cute, soft (humanoid?) faces. The pillars are (just like the opposite ones) elaborately decorated with foliage. Two human faces look out of the capital of the central one. The kneeling person to the right seems to hold a cup or bowl.

A Benedictian monastery was founded by Hiberno-Scottish monks in Regensburg already around 1070. Soon after, the convent moved to a place just outside the city walls and in started to erect first buildings. The first church, consecrated in 1120, was of such a poor workmanship, that the convent decided to tear it down (except one apse and the flanking towers) and restart the process. The church seen today was completed before 1200. It is one of the most important Romanesque structures in Bavaria. The northern portal (seen in a protective "aquarium" here) was done by irish masons during the 13th century. The abbey was a hub for the Irish/Scottish mission to central Europe. Daughter establishments of St. Jakob were founded in Vienna (1155), Erfurt (1136), Wuerzburg (1138), Nuremberg (1140), Constance (1142), Eichstaett (1148), Memmingen (1178), Kiev (!) (late 12th century) and Kelheim (13th century). WHile the first monks and abbots were Irish, the Scottish period started after the Reformation with Scottish abbot Ninian Vincet (1577-1592). A century later Scottish priests were educated here to do missionary work back in Scotland. Abbot Benedikt Aburthnot (1737-1820) could avoid the secularisation in 1802 by making clear, that the monastery was a Scottish (not at all Bavarian!) national treasure. It took upto 1814 to incorporate the Scottish monastery into the Bavarian sovereignty. Monastic life finally ended here in 1862, when the buildings were taken over by the bishop, who 10 years later founded a still existing seminary here. The seminary has a website: www.priesterseminar-regensburg.de/ The church as well: www.schottenkirche.de/

A Benedictian monastery was founded by Hiberno-Scottish monks in Regensburg already around 1070. Soon after, the convent moved to a place just outside the city walls and in started to erect first buildings. The first church, consecrated in 1120, was of such a poor workmanship, that the convent decided to tear it down (except one apse and the flanking towers) and restart the process. The church of today was completed before 1200. It is one of the most important Romanesque structures in Bavaria. The abbey was a hub for the Irish/Scottish mission to central Europe. Daughter establishments of St. Jakob were founded in Vienna (1155), Erfurt (1136), Wuerzburg (1138), Nuremberg (1140), Constance (1142), Eichstaett (1148), Memmingen (1178), Kiev (!) (late 12th century) and Kelheim (13th century). WHile the first monks and abbots were Irish, the Scottish period started after the Reformation with Scottish abbot Ninian Vincet (1577-1592). A century later Scottish priests were educated here to do missionary work back in Scotland. Abbot Benedikt Aburthnot (1737-1820) could avoid the secularisation in 1802 by making clear, that the monastery was a Scottish (not at all Bavarian!) national treasure. It took upto 1814 to incorporate the Scottish monastery into the Bavarian sovereignty. Monastic life finally ended here in 1862, when the buildings were taken over by the bishop, who 10 years later founded a still existing seminary here. The northern portal ("Schottenportal") is one of the most important (and largest) Romanesque works of art in Germany. It occupies a third of the church´s northern wall and is divided into thirds both horizontally and vertically, plus a small frieze that tops the central arch (the vertical center). While most authors reckon, that Irish masters created this portal, Marcel Durliat sees parallels to works in Northern Italy, created by the Comacine masters ("Magistri Comacini"). He even connects this portal to the carvings in Linden and Remagen. The interpretation of such a large and cryptic portal has been controversial since the beginning, what means the 19th century, as only since then Romanesque carvings were seen as works of art (mostly). There was even a theory claiming that such a carving could not have been done during the 12th/13th century, and that it probably was added to the church later. The time of origin is not disputed any longer, but the meaning of figures and symbols. Richard Strobel ("Romanik in Altbayern") has no hard facts, but found out, that left (eastern) side stands for the "Good", while the right side stands for the "Evil". This meanwhile is undisputed. If the figures on the left stand for virtues, the figures on the right side stand for vices. This is a close up of the only woman on the right side, just seen. She holds two snakes - and is widely interpreted as a Luxuria, a symbol of evil lust. I have seen quite a couple Luxurias [ www.flickr.com/photos/martin-m-miles/sets/721576304409392... ]. All of them were nude, breastfeeding snakes or toads. This figure holds snakes, but is fully dressed - and has (like all others here) a very stoic facial expression.