Martin M. Miles' photos with the keyword: adultery

Lautenbach - Collégiale Saint Gangolph

06 Mar 2011 147
Manegold of Lautenbach, a celebrity of his time, lived here in the 11th. century. During the Investiture Controversy, Manegold sided strongly with Pope Gregory VII. Emperor Henry IV was so annoyed about this, that he sent an army to Lautenbach, to destroy the monastery and churches. That ended the monastery 1084. About 50 years later Augustinian Canons settled here - and rebuilt the church, reusing a lot of old material. Many changes took place in and around the building (now the parish church) over the time, but the ground floor of the westwork seen here, seems still unchanged. Having seen the delicate structure of the narthex with slim pillars -and fine capitals, the friezes (left and right of the entrance) are kind of shocking. The naiv style of these carvings differs totally from the others. These carvings may have been part of the church destroyed 1086 - and be reused here. I am not really sure about the theme, I will follow Robert Will´s interpretation (from "Alsace romane", Éditions Zodiaque), though in some details I doubt that. He sees the whole frieze under the theme of adultery. This is the fourth (and last) third "frame" of the left frieze. This "frame" is very cryptic. From left a man, on his knees on the back of a foul-legged animal, trying to open it´s snout. The snake, that bit into the clothing if the raging husband, runs diagonal from the left top corner, crossing over a smaller person laying on the ground. Over this person, between the husband head and the tail of the snake is a huge area, that seems to be a cloud. Robert Will sees the body of a child (under the snake) and the naked seducer riding the beast and opening the it´s snout. The three "frames" before seemed so structured compared to this chaotic one. Maybe this is about an emotional rage, but - maybe it means something totally different. Robert Will has some doubts as well, but he connects the theme of "adultery" to the vita of St. Gangolph, authored by Hrotsvitha of Gandersheim around 960. She wrote, that St. Gangolph was cheated by his wife - and after that got killed by her seducer, who according to Hrotsvitha, was a priest.

Lautenbach - Collégiale Saint Gangolph

06 Mar 2011 174
Manegold of Lautenbach, a celebrity of his time, lived here in the 11th. century. During the Investiture Controversy, Manegold sided strongly with Pope Gregory VII. Emperor Henry IV was so annoyed about this, that he sent an army to destroy the monastery and churches. That ended the monastery 1084. About 50 years later Augustinian Canons settled here - and rebuilt the church, reusing a lot of old material. Many changes took place in and around the building (now the parish church) over the time, but the ground floor of the westwork seen here, seems still unchanged. Having seen the delicate structure of the narthex with slim pillars -and fine capitals, the friezes (left and right of the entrance) are kind of shocking. The naiv style of these carvings differs totally from the others. These carvings may have been part of the church destroyed 1086 - and be reused here. I am not really sure about the theme, I will follow Robert Will´s interpretation (from "Alsace romane", Éditions Zodiaque), though in some details I doubt that. He sees the whole frieze under the theme of adultery. This is the third "frame" of the left frieze. The husband (dressed) has found out about the (hugging and kissing of) the second "frame". The husband has obviously knocked her over, so she fell to the ground, holding up the baby. He is beating her up, or - worse - he has a stone in his hand. A snake (only the head is visible here) has bitten into his clothing. The (evil) snake may stand for - and fuel - the furious rage of the man. An emotional status which is connected to devils and hell.

Lautenbach - Collégiale Saint Gangolph

06 Mar 2011 167
Manegold of Lautenbach, a celebrity of his time, lived here in the 11th. century. During the Investiture Controversy, Manegold sided strongly with Pope Gregory VII. Emperor Henry IV was so annoyed about this, that he sent an army, to destroy the monastery and churches. That ended the monastery 1084. About 50 years later Augustinian Canons settled here - and rebuilt the church, reusing a lot of old material. Many changes took place in and around the building (now the parish church) over the time, but the ground floor of the westwork seen here, seems still unchanged. Having seen the delicate structure of the narthex with slim pillars -and fine capitals, the friezes (left and right of the entrance) are kind of shocking. The naiv style of these carvings differs totally from the others. These carvings may have been part of the church destroyed 1086 - and be reused here. I am not really sure about the theme, I will follow Robert Will´s interpretation (from "Alsace romane", Éditions Zodiaque), though in some details I doubt that. He sees the whole frieze under the theme of adultery. This is the second "frame" of the left frieze, you see the animal of the first "frame" to the right. The naked man and the dressed lady (now having the same size) are laying together, hugging and kissing. Unter the theme of adultery, the interaction between them may have gone further..

Lautenbach - Collégiale Saint Gangolph

06 Mar 2011 180
Manegold of Lautenbach, a celebrity of his time, lived here in the 11th. century. During the Investiture Controversy, Manegold sided strongly with Pope Gregory VII. Emperor Henry IV was so annoyed about this, that he sent an army, to destroy the monastery and churches. That ended the monastery 1084. About 50 years later Augustinian Canons settled here - and rebuilt the church, reusing a lot of old material. Many changes took place in and around the building (now the parish church) over the time, but the ground floor of the westwork seen here, seems still unchanged. Having seen the delicate structure of the narthex with slim pillars -and fine capitals, the friezes (left and right of the entrance) are kind of shocking. The naiv style of these carvings differs totally from the others. These carvings may have been part of the church destroyed 1086 - and be reused here. I am not really sure about the theme, I will follow Robert Will´s interpretation (from "Alsace romane", Éditions Zodiaque), though in some details I doubt that. He sees the whole frieze under the theme of adultery. Unfortunately I did not take a photo of the complete left frieze, to have an overview, but pierrepaul43 did a really good one: www.flickr.com/photos/13149473@N04/3577866581/ This is the first "frame" of the left frieze, starting to the right, as the frieze "reads" from inside outside Seen here from right to left is a (small) standing lady in a coat, holding a baby. The head of the lady is in a very strange position - and she seems to smile. Next is a sitting naked man, waving at her. Behind this man sits a four legged animal with a very human face, that could be an hare (ears!), further to the left, next to the animal´s ear - an oval object. Robert Will sees a man (naked) trying to seduce a woman, which is married (the kid!). The animal in the man´s back stands for "temptation" or "prurience". Will does not mention the oval to the left.

Lautenbach - Collégiale Saint Gangolph

04 Jul 2011 183
Theologian Manegold of Lautenbach, a celebrity of his time, lived here in the 11th. century. During the Investiture Controversy, Manegold sided strongly with Pope Gregory VII. Emperor Henry IV was so annoyed about this, that he sent an army, to destroy the monastery and churches. That ended the monastery 1084. About 50 years later Augustinian Canons settled here - and rebuilt the church, reusing a lot of old material. Having seen the delicate structure of the narthex with slim pillars -and fine capitals, the friezes (left and right of the entrance) are kind of shocking. The naiv style of these carvings differs totally from the others. These carvings may have been part of the church destroyed 1086 - and be reused here. I am not really sure about the theme, I will follow Robert Will´s interpretation (from "Alsace romane", Éditions Zodiaque), though in some details I doubt that. He sees the whole frieze under the theme of adultery. I had been here before. At that time, I took photos of a lot of details, but "forgot", to take a shot of the frieze in whole. So here is the left frieze. More detailed photos of the frieze are in the set www.flickr.com/photos/martin-m-miles/sets/72157626442170032/