Martin M. Miles' photos with the keyword: nude

The island of Corsica is one of the 18 regions of France. It was colonized the Carthaginians, the Greeks, the Etruscans and the Romans. After the Roman empire collapsed, Corsica got invaded by the Vandals and the Ostrogoths. For a short while the island belonged to the Byzantine Empire, then the Franks granted the island to the Pope, in the early 11th century Pisa and Genoa together freed the island from the threat of Arab invasion. The island came under the influence of the Republic of Pisa, later it belonged to Genua for centuries. In 1755 after a long fight for independence from Genoa the independent Corsican Republic was proclaimed, but in 1769, when the island was conquered by France. As the areas near the coast over centuries have been threatened by attacks and raids of pirates many old hamlets and dwellings are wide inland, high in the mountains. So most of the old churches are in the mountains and some of them are hard to find. When I had found San Quilico (St. Cyr) I realized, that the distance to Santa Maria was just about 500 metres. And they both looked very similar seen from this point of view. They were certainly built at the same time within the 13th century. Oral tradition knows, that the chapels were built by a father (San Quilico) and his son (Santa Maria). The family was clearly influenced by the Pisan style. When I had found San Quilico (St. Cyr) I realized, that the distance to Santa Maria was just about 500 metres. And they both looked very similar seen from this point of view. They were certainly built at the same time within the 13th century. Oral tradition knows, that the chapels were built by a father (San Quilico) and his son (Santa Maria). The family was clearly influenced by the Pisan style. Other than the sober and unpretentious Santa Maria San Quilico is richly adorned with many carvings. Located at a prominent place over the choir stands this nude gentleman, a medieval exhibitionist.

The island of Corsica is one of the 18 regions of France. It was colonized the Carthaginians, the Greeks, the Etruscans and the Romans. After the Roman empire collapsed, Corsica got invaded by the Vandals and the Ostrogoths. For a short while the island belonged to the Byzantine Empire, then the Franks granted the island to the Pope, in the early 11th century Pisa and Genoa together freed the island from the threat of Arab invasion. The island came under the influence of the Republic of Pisa, later it belonged to Genua for centuries. In 1755 after a long fight for independence from Genoa the independent Corsican Republic was proclaimed, but in 1769, when the island was conquered by France. As the areas near the coast over centuries have been threatened by attacks and raids of pirates many old hamlets and dwellings are wide inland, high in the mountains. So most of the old churches are in the mountains and some of them are hard to find. When I had found San Quilico (St. Cyr) I realized, that the distance to Santa Maria was just about 500 metres. And they both looked very similar seen from this point of view. They were certainly built at the same time within the 13th century. Oral tradition knows, that the chapels were built by a father (San Quilico) and his son (Santa Maria). The family was clearly influenced by the Pisan style. When I had found San Quilico (St. Cyr) I realized, that the distance to Santa Maria was just about 500 metres. And they both looked very similar seen from this point of view. They were certainly built at the same time within the 13th century. Oral tradition knows, that the chapels were built by a father (San Quilico) and his son (Santa Maria). The family was clearly influenced by the Pisan style. Other than the sober and unpretentious Santa Maria San Quilico is richly adorned with many carvings. Mermaids are very common on Romanesque churches all over Europe, but not mermen. They are widely spread on Corsica. But otoh there are feet - no fins.

The island of Corsica is one of the 18 regions of France. It was colonized the Carthaginians, the Greeks, the Etruscans and the Romans. After the Roman empire collapsed, Corsica got invaded by the Vandals and the Ostrogoths. For a short while the island belonged to the Byzantine Empire, then the Franks granted the island to the Pope, in the early 11th century Pisa and Genoa together freed the island from the threat of Arab invasion. The island came under the influence of the Republic of Pisa, later it belonged to Genua for centuries. In 1755 after a long fight for independence from Genoa the independent Corsican Republic was proclaimed, but in 1769, when the island was conquered by France. As the areas near the coast over centuries have been threatened by attacks and raids of pirates many old hamlets and dwellings are wide inland, high in the mountains. So most of the old churches are in the mountains and some of them are hard to find. Archeologists proved, that Aregno was occupied already in Roman times and was a regional center of the surrounding hamlets in medieval times. It is known for this church. "Trinita e San Giovanni Battista", located in the center of the graveyard, is a former "pieve" (parish church) erected in the first half of the 12th century. This is a "Pisan style" single nave church 16.60 mx 6.30 m, with a semicircular apse circular and a spectacular facade with extraordenary carvings. On the right side, guarding the doors, stands this nude (?) person. Most see him holding a scroll, but this could be as well a weapon. Strange again, that he seems to have a twin in Murato.

The island of Corsica is one of the 18 regions of France. It was colonized the Carthaginians, the Greeks, the Etruscans and the Romans. After the Roman empire collapsed, Corsica got invaded by the Vandals and the Ostrogoths. For a short while the island belonged to the Byzantine Empire, then the Franks granted the island to the Pope, in the early 11th century Pisa and Genoa together freed the island from the threat of Arab invasion. The island came under the influence of the Republic of Pisa, later it belonged to Genua for centuries. In 1755 after a long fight for independence from Genoa the independent Corsican Republic was proclaimed, but in 1769, when the island was conquered by France. As the areas near the coast over centuries have been threatened by attacks and raids of pirates many old hamlets and dwellings are wide inland, high in the mountains. So most of the old churches are in the mountains and some of them are hard to find. Santa Maria Assunta is located in the hamlet Pieve, belonging to Canari. It was a single nave church (17m x 8.25m), erected in Pisan style, that was first mentioned in 1124. Probably a predessening church existed, as some carved stones are dated to the 10th century. They got reused here. The church got enlarged and remodeled in the 17th century, when lateral chapels were added. Along the outer walls of the nave are medaillons and corbels in that rough style, that is typical for Corsica.This large carving is dated to an older building (10th c.). What is depicted here? A love couple? A nude female reaches out for a male (without legs!)? What does the right (male?) person hold? And is the full moon between them?

The island of Corsica is one of the 18 regions of France. It was colonized the Carthaginians, the Greeks, the Etruscans and the Romans. After the Roman empire collapsed, Corsica got invaded by the Vandals and the Ostrogoths. For a short while the island belonged to the Byzantine Empire, then the Franks granted the island to the Pope, in the early 11th century Pisa and Genoa together freed the island from the threat of Arab invasion. The island came under the influence of the Republic of Pisa, later it belonged to Genua for centuries. In 1755 after a long fight for independence from Genoa the independent Corsican Republic was proclaimed, but in 1769, when the island was conquered by France. As the areas near the coast over centuries have been threatened by attacks and raids of pirates many old hamlets and dwellings are wide inland, high in the mountains. So most of the old churches are in the mountains and some of them are hard to find. The small eye catching Romanesque church San Michele is easy to find, located on an isolated hill just outside Murato. It was erected from mid-12th century on and was consecrated in 1280. At that time Corsica was ruled by Pisa and so it was built in a bicolor typical Pisan style recognizable by the alternation of green (serpentine) and white (limestone) stones, very similar to the "Basilica di Saccargia" on the neighbouring island of Sardinia. The single nave church presents remarkable naive motifs on the walls that are amazing in their imagination and variety. A nude hunter, holding club and horn? His penis looks (to me) a little to long, just like Cook Islands´ god Tangaroa, but the carving here is pretty precise.

The church, dedicated to Saint-Caprais (aka "Caprais d'Agen"), Bishop of Agen, martyred in the 4th century, is located at the confluence of the rivers Nea and Dordogne. The original design (nave and transepts) dates to the 12th century. During the 15th century two aisles were added to the (once) single nave church. Three chapels were added later. Renovations started in the late 19th century and continued through the first half of the 20th. Nice corbels under the roof of the 12th-century-apse. Here is a contortionist, who of course is very flexible. He may be nude, but I´m not sure.

The Battistero degli Ariani (Arian Baptistery) was erected by Theodorich the Great, after he had taken Ravenna in 493. The Ostrogoths and their King Theodorich were Arian Christs. The Arian Baptistery is very much like the nearby (catholic/orthodox) Battistero Neoniano ("Baptistery of Neon") completed under Bishop Neon about 50 years earlier, but smaller. After Byzantine Emperor Justinian's general Belisarius had taken Ravenna in 540, and after the condemnation of the Arian sect, this baptistery was converted into an oratory named Santa Maria. Orthodox monks added a monastery during the period of the Exarchate of Ravenna and further dedicated the structure to Saint Maria in Cosmedin. Over the centuries the octagonal brick structure has sunken about 2,30 meters into the ground. The mosaic of the baptistery´s dome. Seems a bit like a simplified copy of the mosaic of the Battistero Neoniano. Here the the diameter of the dome is smaller, so the composition had to be "simpler". While in the Neonano are two concentruc bands around the central medaillion, here is only one. The center, seen here, is similar. Christ standing up to his waist in the water of the River Jordan. Christ is young, beardless and - naked. He is flanked by John the Baptist and a personification of the River Jordan. Over his head the white dove.

The Battistero degli Ariani (Arian Baptistery) was erected by Theodorich the Great, after he had taken Ravenna in 493. The Ostrogoths and their King Theodorich were Arian Christs. The Arian Baptistery is very much like the nearby (catholic/orthodox) Battistero Neoniano ("Baptistery of Neon") completed under Bishop Neon about 50 years earlier, but smaller. After Byzantine Emperor Justinian's general Belisarius had taken Ravenna in 540, and after the condemnation of the Arian sect, this baptistery was converted into an oratory named Santa Maria. Orthodox monks added a monastery during the period of the Exarchate of Ravenna and further dedicated the structure to Saint Maria in Cosmedin. Over the centuries the octagonal brick structure has sunken about 2,30 meters into the ground. The mosaic of the baptistery´s dome. Seems a bit like a simplified copy of the mosaic of the Battistero Neoniano. Here the the diameter of the dome is smaller, so the composition had to be "simpler". While in the Neonano are two concentruc bands around the central medaillion, here is only one. The center is similar. Christ standing up to his waist in the water of the River Jordan. Christ is young, beardless and - naked. Christ is flanked by John the Baptist and a personification of the River Jordan. The twelve apostles on the band around thie scene are devided in two groups. One group is led by Saint Peter, holding the keys, the other by Saint Paul, holding two scrolls. They are approaching a sumptious throne with an large purple cushion supporting a jeweled cross.

The Pieve di San Pietro a Gropina is located on a hill in the hamlet Gropina, that meanwhile belongs to Loro Ciuffenna. A chapel existed here already in the 4th century. Soon after Charlemagne had donated the area to the Nonantola Abbey, Benedictian monks erected a church here end of the 8th century. The church of today was probably built within the 12th century. At that time this was one of the wealthiest parish church with the diocese, having about 30 depending churches. The nave is flanked by pillars, that all have sculpted capitals. The capitals of left and right side differ in style. Within some decades two workshops have worked here. Maybe even more. The remarkable pulpit is based on a knotted pillar, is a striking piece of art. Some scholars attribute it to a "Master of Campione" (or a workshop). This "Campione" workshop created as well some of the capitals. The mounted warriors, seen on the previous upload, are going to fight with the devil. Again there is the small nude male guy - and this is how the devil looks like. A really frightening, evil creature with an enormous humpback and an immense appetit for human warriors.

The Pieve di San Pietro a Gropina is located on a hill in the hamlet Gropina, that meanwhile belongs to Loro Ciuffenna. A chapel existed here already in the 4th century. Soon after Charlemagne had donated the area to the Nonantola Abbey, Benedictian monks erected a church here end of the 8th century. The church of today was probably built within the 12th century. At that time this was one of the wealthiest parish church with the diocese, having about 30 depending churches. The nave is flanked by pillars, that all have sculpted capitals. The capitals of left and right side differ in style. Within some decades two workshops have worked here. Maybe even more. The remarkable pulpit is based on a knotted pillar, is a striking piece of art. Some scholars attribute it to a "Master of Campione" (or a workshop). This "Campione" workshop created as well some of the capitals. Here are warriors on horsebacks, equipped with shields and lances. Between them a small nude male person. A devil? Italo Moretti and Renato Stopani ("Toscane romane") see the little guy as a symbol of heathenism.

"Saint-Pierre-et-Saint-Paul" is not mentioned in any written document before the 13th century. Most historians agree, that the church was built not earlier than in the first half of the 12th century. About a century later, the Romanesque transept and choir got demolished - and replaced by the large Gothic structure, seen here. The tower was erected within the 13th century. The church was added to the list of "monuments historique" already in 1862, but the restoration process started end of the 19th century. The church was added to the list of "monuments historique" already in 1862, but the restoration process started end of the 19th century. Of course a church like this needs perpetual care. The walls of the nave are well conserved. They are decorated between the corbels with very unusual reliefs. These carvings were well protected under the roof and are not weathered. Some of them are fantastic and very mysterious. Here is one. A nude woman pulling a child (?) out of a greedy, evil mouth. Maybe.. The artistic styles of the black relief and the two corbels differ clearly.

The Benedictian Abbey of Guîtres (20kms south) had founded priory next to a little river here. Within the first half of the 12th century this small, but wonderful Romanesque church was erected from the local white stones. The structure is surprisingly complete, only the small "belltower" in the west was added later. Today Saint-Martin is a parish church, surrounded by the graveyard. The facade in the "style saintongue" is a bit weathered, just like the carvings especially around the capitals of the chevet. Sheela na gigs are not that abundant in France as they may be in Britain. I am not sure, whether she is one. But she is - explicit naked. What may connect her to the nude dancer(s) and the lovers under the roof of this church. There is durprisingly much of this profane stuff on an old priory church.

The Benedictian Abbey of Guîtres (20kms south) had founded priory next to a little river here. Within the first half of the 12th century this small, but wonderful Romanesque church was erected from the local white stones. The structure is surprisingly complete, only the small "belltower" in the west was added later. Today Saint-Martin is a parish church, surrounded by the graveyard. The facade in the "style saintongue" is a bit weathered, just like the carvings especially around the capitals of the chevet. Here are (at least) three persons doing a kind of line-dance. While the person to the right wears a skirt, the guy in the center seems to be naked.

The church was built for the priory, founded by monks of the Benedictian Abbey Sauve-Majeure in 1115, but from this early church only few parts survived. The church got a gothic vault during the late 13th century, butresses were added, it got enlarged and altered a couple of times, especially when it got fortified during the Wars of Religions. The eastern apse is still Romanesque - and so are the most of the corbels seen here. Here is a group of men. Are the all nude? They seem to pose and dance in a jungle.