Martin M. Miles' photos with the keyword: rider

Meigle was probably the site of an important early medieval Pictish monastery, the centre of which was the present church and churchyard. There was a holy site here even before the Picts were Christianised in the 6th and 7th centuries. Picts (picti ‘the painted ones’) is the name used by the Romans in late antiquity for peoples in Scotland. The name is attributed to the widespread custom of tattooing. The peoples referred to by the Romans as the Picts were probably not one ethnic group, but different peoples with different cultural traditions, who nevertheless formed political and military alliances in the face of common enemies. The origin of the Picts is unclear. Their language and culture disappeared when the kingdoms of the Picts and the Celtic Scots were united under Kenneth MacAlpin in 843 AD. The Meigle Sculptured Stone Museum has an exceptional collection of carved Pictish stones A Mounted Warrior

Barfrestone is a small village known since the time of the Domesday Book, when the manor was owned by Odo, the Bishop of Bayeux. In 1076, the lands were then granted to Hugh de Port, whose descendents may be connected to the erection of this church end of the 12th century, that was a site on the pilgrim route between Dover and Canterbury. This small church is a masterpiece of Norman art and architecture. The southern portal shows carving of the highest order, most probably the work of master carvers and masons, based in nearby Canterbury. Another detail At the bottom is a monkey riding a billy goat and carrying its prey on a pole. Riding a billy goat is often associated with the devil and the prey, which looks like a child, would then be a captured soul.

Oviedo was founded on a hill that the Romans called Ovetao. The monks Máximo and Fromestano founded a monastery on the Roman road in 761 and built a hermitage. Later, two dozen monks from the Muslim south joined the founders and, according to a document, chose Fromestano as their first abbot. They were under the protection of Fruela I, who chose the place as a residence for his wife Munia, who gave birth here to their son and later King Alfonso II. Alfonso II (aka "the Chaste", "el Casto" moved the capital here in 812 and made Oviedo the seat of the bishopric. In 912, however, Oviedo lost its function as capital to León under García I in the course of the reconquest. Alfonso II fortified Oviedo and furnished it with palaces and churches. During his reign, a tomb attributed to St James the Elder was discovered in Santiago de Compostela in 812. The king travelled from Oviedo to Santiago and is said to have been the first pilgrim to Santiago. He is also said to have opened the first Way of St James, the Camino Primitivo. Until the city of León was established as both the capital of the Kingdom of León and the nexus of a safe route — the Camino Francés — the Camino Primitivo remained the most frequented route for those going to Santiago. The Museo Arqueológico de Asturias is housed in a 16th century monastery. The Comisión Provincial de Monumentos, founded in 1845 to protect Spanish and Asturian cultural assets and monuments, opened a museum in 1870 for artefacts from Asturias and other donated items. The Museo Arqueológico de Asturias was officially founded in 1944 and moved to its current location. The stone dates to tThe Kingdom of Asturias. It was founded by the Visigothic nobleman Pelagius. It was the first Christian political entity established after the Umayyad conquest of Visigothic Hispania in 711. In 722, Pelagius defeated an Umayyad army at the Battle of Covadonga, in what is retroactively regarded as the beginning of the Reconquista.

Málaga's history spans around 2,800 years, making it one of the oldest continuously inhabited cities in Western Europe. The city was founded around the 8th century BC by seafaring Phoenicians, who called the city Malaka. From the 6th century BC, the city was under the hegemony of ancient Carthage and from the Second Punic War (218 BC) under Roman rule. The city experienced an economic boom thanks to the production of garum. The Migration Period meant eventful years for Málaga. After the Vandals and the Alans, Visigoths and Eastern Romans fought for control. In 571, the city was briefly occupied by troops of the Visigothic king Leovigild, but it was not until around 616 that the Eastern Romans finally handed the city over to the Visigoths. The Moors conquered Málaga in 711 and the city gained importance in the 11th century when the Hammudids established one of their residences here. In 1053, the King of Granada had the last Hammudid caliph poisoned and conquered the city. After the conquest by the Catholic Monarchs in the course of the Reconquista in 1487, "reforms" began to transform the city into a Christian settlement. In Muslim times, the Jewish quarter was located in the eastern part of the city. In the 11th century, the city took in numerous Jews who had fled from the intolerant Berbers in Córdoba. In the middle of the 11th century, around 200 Jews lived in Málaga out of a population of around 20,000. After the city was conquered by Castile in 1487, all of Malaga's Jews were taken prisoner. Around 1490 it was decided that the city should be repopulated by Christians. Jews and Muslims had to leave Málaga within 15 days. Today Málaga is a city that lives very much from tourism and offers tourists a lot - for example museums The Museo de Málaga houses the Museo de Bellas Artes (Museum of Fine Arts) and the Museo Arqueológico Provincial (the Provincial Museum of Archaeology). The museum is located in the Palacio de la Aduana (Customs Palace), designed in 1788. Artefacts from Visigothic necropolos / 5th - 7th cent. Fibula

Settlers, who did trade with Greece, lived here already during the Bronze Age. After the Punic Wars it became a major center of Roman naval power and maritime trade. After the decline of the Roman Empire Brindisi was conquered by Ostrogoths, and reconquered by the Byzantine Empire in the 6th century. In 674 it was destroyed by the Lombards led by Romuald I of Benevento, It was rebuilt and within the 9th century. It was under Saracen rule from 836 to 868, when it was retaken by the Byantines. In 1070, it was conquered by the Normans, led by Robert Guiskard. Brindisi flourished under the Staufer and developed into a privileged port for the Holy Land during the period of Crusades. It was an Episcopal See and a new cathedral was constructed, in which the wedding of Norman Prince Roger III of Sicily and Irene Angelina, daughter of the Byzantine Emperor Isaac II Angelos took place. Emperor Frederick II and Isabella of Brienne embarked from the port of Brindisi in 1228 for the Sixth Crusade. - The round-shaped church was built by the Templars on their return from the Holy Land in the 11C. Traditions know, that it was erected on behest of Norman prince Bohemond . It recalls the Church of the Holy Sepulchre in Jerusalem. This was a place of pilgrimage, controlled by the Order of Canons of the Holy Sepulcher. In fact, for those who arrived, the building was an advance of that of Jerusalem while for those who returned, a memory. In 1489 Pope Innocent VIII declared the Order of Canons of the Holy Sepulcher to be extinct and decreed that its assets be transferred to the Order of the Hospital of San Giovanni in Jerusalem and Rhodes. In 1761 an earthquake destroyed most Brindisi, the Church of San Giovanni al Sepolcro did not collapse but suffered considerable damage. This led to a long decay and the loss of 80% of the frescoed surface, until the restoration in the mid-nineteenth century which led it to serve as the temporary seat of the Civic Museum from 1850 to 1955. Excavations inside the building found ancient remains from the Roman era, including the floor of a Roman domus. The upper part of the portal´s left side. At the top are two symmetrical birds (no chalice), below a nude rider on a horse, holding a staff. Then there is Samson tearing the lion apart. At the bottom are two centaurs. The right one is a very rare female centaur! They both hold chalices, a large snake drinks from the male centaur´s cup.

The Cahors Cathedral was erected between 1080 and 1135. It got consecrated by Pope Calixtus II in 1119. The same pope, who two years later could imprison his rival "Antipope" Gregory VIII. Four years later, Calixtus ended the Investiture Controversy by agreeing with Emperor Henry V on the Concordat of Worms. During the times of medieval pilgrimage, this cathedral was an important place on the "Via Podiensis", as the "Sainte Coiffe" could be venerated here. This "Holy Headdress" was believed to have been used during Jesus' burial. Legends tell, that it had been given to the Bishop of Cahors by Charlemagne, but what is more likely it was brought to Cahors by Bishop Gerard de Cardillac after his trip to the Holy Land in 1113. A relic similar to the "Shroud of Turin". Prominent features are the two domes (a third one collapsed in the 13th century) and this Romanesque portal on the northern side. It was widely discussed, whether it was once moved from the west to this location, but since the 1980s it is proven (Bratke, Durliat), that it was constructed (after 1140) for the northern side, where it is still today. The portal was walled up 1732 and got "rediscovered" in 1840, so it survived the furore of the Revolution. Hunting scenes on the right side of the archivolt.

Conques is one of the magical places, I cannot pass. Every time I am in the area, I just have to take the detour, stop and see it again. Over centuries Conques was a popular stop for all pilgrims travelling the Via Podiensis and it still is. It is a treat after having crossed the harsh Aubrac. I still remember my feelings, when I reached Conques in 2008 on my hike, that had started weeks before in Geneva. A tiny convent existed here already in the 8th century. This grew into a very successful monastery, after the relics of St. Foy arrived in Conques through theft in 866. The relics were stolen by a monk from Conques, who had posed as a loyal monk in Agen for years. The arrival of the relics of St. Foy caused the pilgrimage route to shift to Conques. As the existing church was too small for all the pilgrims, a new, much larger church had to be constructed. It was completed by the end of the 11th century. As a large pilgrim´s church, it had an ambulatory with five radiating chapels. A century later galleries were added over the aisle and the roof was raised over the transept and choir to allow people to circulate at the gallery level. Different masons and carvers have worked in Conques over the building process, so here are different Romanesque styles.

Notre-Dame is the parish church of Biron, a village 6kms east of Pons. Once the church was dedicated to Saint-Eutrope as a relic of "Saint Eutropius of Saintes", who came to the region to evangelize the Gauls in the 3rd century, was kept here. Erected within the 12th century the church got fortified soon after. I had been in Biron a couple if times before. This time I focussed onto the graffiti inside and outside the church. The "Assocation GRATH", who had orgaized an exhibition about medieval graffiti in Pons a year ago, had studied the graffiti here - and had used pencis, to make the lines better visible. Here are two riders. Maybe knights on horses..

The city of Thiviers has been conquered, ruined and looted a couple of times. At the end of the 12th century it was English, taken by Richard Lionheart, later it was French again. Lionheart´s brother John Lackland conquered Thiviers in 1211, but only a year later, it was reconquered by French troops. 1374 - 1376 it was English again, before finally Charles VI. (aka "le Bien-Aimé", "le Fou") took over. In 1575, during the Wars of Religion, Thiviers was conquered by Calvinists, who ruined the church and massacred the Catholic population. So Notre-Dame de l'Assomption is the result of many rebuilding and reconstruction periods. The last one was completed within the 19th century. Only the transept and some capitals date back to the 12th century. Here is one of the capitals. Are the lions (and the puppet-like riders) beiong devoured by the large heads on the corners? Or do the lions share these heads? Or... what about the body below the lions in the center. What do the puppets hold in their hands. Why is the left rider so much larger, but sits wrong around on the lion? Or...

Milan is the city capital of the Lombardy and the second most populous city in Italy after Rome. Known during Roman times as "Mediolanum" it was the place, where in 313 Constantine I and Licinius met and "signed" the "Edict of Milan", giving Christianity a legal status within the Roman empire. At the end of the Roman empire Milan was besieged by the Visigoths in 402, looted by the Huns in 452, and taken by the Ostrogoths in 539. Only 30 years later is belonged to the Kingdom of the Lombards, until in 774 Charlemagne defeated the Langobards and added Milan to the Carolingian empire. During Barbarossa´s (Frederik I) "Italian Campaigns" Milan was taken and destroyed to a great extent. The "Basilica of Sant'Ambrogio" is much older and was not destroyed by Barbarossa´s troops. It is one of the most ancient churches in Milan, built by St. Ambrose in 379–386, outside the city of Milan on the site of a cemetery, where the martyrs of the Roman persecutions had been buried. The first name of the church was "Basilica Martyrum". Ambrose, born into a noble family about 340 in (present-day) Trier (Germany), was governor of Liguria and Emilia for two years before he became the Bishop of Milan in 374 by popular acclamation. He was a staunch opponent of Arianism. Only very few traces of the first church can still be found, as in the centuries after its construction, the basilica underwent numerous restorations and reconstructions. The current Romanesque church, mostly built in brickwork, was begun around 1080. In 789, a Benedictine monastery was established here. The canons of the basilica, however, retained their own community. So two separate communities shared the basilica. In the 11th century, the canons adopted orders and became Canons Regular. From then on two separate monastic orders following different rules lived in the basilica. The canons were in the northern building, the cloister of the canons, while the monks were in the two southern buildings. The two towers symbolize the division in the basilica. The 9th century Torre dei Monaci ("Tower of the Monks") tower was used by the monks. However, the canons did not have a bell tower and were not allowed to ring bells until they finished the Canons' bell tower in the 12th Century. This tower got two additional levels in 1889. In 1943 the basilica got severely damaged by bombings. It took a decade to rebuilt and reconstruct the church. The ambo stands on the left side of the nave. From here the monks and canons read the Gospel. The ambo, supported by nine slender ancient columns, was built over a 4th century sarcophagus, known as "Stilicho's Sepulchre", between 1130 and 1143. When the roof of the basilica collapsed in 1196, the ambo got severely damaged, but it got rebuilt already in 1201. Seen here is a travel scene, that may be either the Flight into Egypt, or - as there is no little Jesus - the Trip to Bethlehem.

Vicofertile, located at the old Via Francigena, is meanwhile is a small suburb of the City of Parma. A church probably existed in Vicofertile already within the 9th century, but the church mentioned in a document from 1039 was smaller than the church seen here. Excavations found the foundations about 50cms under the floor of San Geminiano. Today´s church was erected around 1200. The roof burned down in 1325, but got rebuilt soon after. The church got modified a couple of times, but a a restoration undertaken in the early 20th century got rid of all interior Baroque additions. The capitals were probably created around 1220/1230 - and all six are somehow enigmatic. Only the mermaid (previous upload) seems "simply". A noble? king? with a crown? on his head, seated on a throne? holds his tummy, while a long-haired dwarf? rides a pony, that has short rear legs.... When I thought about it, I remembered the "painted pony" and the "spinnig wheel"... www.youtube.com/watch?v=aV22RVJDxyw

Trogir was founded by Greek colonists in the 3rd century BC. In Roman times this was an important harbour town. From the 9th century on Trogir was under Croatian rule and later part of the Byzantine empire. A diocese was established in the 11th century, in 1107 the Hungarian-Croatian King Coloman ("The Bookish", "Kálmán Könyves") granted the autonomy. Saracen troops conquered Trogir in 1123 and demolished most of it. From 1420 upto 1797 Trogir belonged to the Republic of Venice. For a short while it belonged to the Napoleonic kingdom of Italy, but upto 1918 Trogir was part of the Habsburg Empire. Trogir is more than 2000 years old. It grew under the influence of the ancient Greeks, the Romans, and the Venetians... Trogir's medieval core, surrounded by walls, comprises (about 10) churches, houses and palaces from the Romanesque, Gothic, Renaissance and Baroque periods. Since 1997 the centre of Trogir is a "UNESCO World Heritage Site". The Cathedral of St. Lawrence was erected from 1213 on the foundations of cathedral destroyed by the Saracens in 1123. Most of the work was done in the 13th century. This cathedral is world wide known for Master Radovan´s portal. The portal was carved by the local architect and sculptor Master Radovan (and his workshop). It was completed and signed by Radovan in 1240. Here are the two sides of the portal. The door posts are decorated with reliefs and two carved columns with scenes of hunting and beasts. The sides of the columns, that flank the doors, are decorated with scenes of people and animals entangled by tendrils. There are hunting scenes but as well strange, exotic and mythical creatures. Just below the mermaid (previous upload) is this beardless rider. Taking in account, that horses were smaller in medieval times, he may be a young boy.

Pavia once was the last stronghold of the Ostrogoths, but was conquered by the Lombards (aka Longobards) after a three-years-siege in 572. From the 7th century on Pavia was the capital of the Lombard kingdom. A chapel, dedicated to Saint Michel, existed here as part of the palace, when the Lombards ruled from here. When Frankish troops invaded Northern Italy and defeated the Lombard armee in 773, Charlemagne laid siege to Pavia. After taking the fortified town, Charlemagne crowned himself King of the Lombards. The former palace-chapel burnt down in 1005, about a century after the Hungarians (= "Magyars") had looted Pavia. The church seen here was begun in the 11th century and was completed by 1155. In 900 the chapel had seen the coronation of Louis III (aka "Louis the Blind", as he was blinded in 905 by Berengar). In the current church Frederick I (aka "Frederick Barbarossa") received the Iron Crown and the title of King of Italy. The basilica´s facade was built from sandstone, what means most carvings are very weathered. This may have been a falconer on horseback. Falconry was a very prestigious sport in medieval times. Only high ranking nobles could afford it. www.sanmichelepavia.it/html/en_home.html

The abbey at Saint-Benoît-sur-Loire (originally known as Fleury Abbey) was founded on the banks of the Loire river mid 7th century. It is one of the oldest abbeys of the Benedictine rule in France. The story starts in 672, when some of its monks traveled to Montecassino (Italy), dug up the remains of St. Benedict of Nursia (+ 547) and his sister St. Scholastica and brought them home. After the relics had reached at Fleury Abbey it which was renamed Saint-Benoît-sur-Loire - and due to the relics became a major place of pilgrimage. Of course, this did not help when the Normans rowed up the Loire and burned the buildings of the monastery. But the convent recovered and rebuilt. A famous school and a scriptorium existed here in the late 10th century. The erection of the church started around 1071. When the church was consecrated in 1108, the long nave was not completed. The abbey thrived, but times got rougher. In 1562, the abbey was pillaged by Huguenots. The buildings were restored, but looted and destroyed again during the French Revolution. Saint-Benoît's monks left the abbey and so the history of the convent ended after more than 1100 years. The abbey church had escaped destruction and got restored in the 19th century. In 1944, the convent was refounded the abbey buildings were rebuilt by Benedictine monks after World War II. So the history of the convent was just interrupted for about 150 years. "Tour de Gauzlin", the massive porch tower, erected from 1020 on, serves as a narthex for the west entrance. The columns are decorated with interesting capitals, that were probably carved around 1080. One artist, who worked here, was Unbertus. He left a signature. The same capitals as seen on the previous upload. The "Riders of the Apocalypse" (?) seen from another angle.

The abbey at Saint-Benoît-sur-Loire (originally known as Fleury Abbey) was founded on the banks of the Loire river mid 7th century. It is one of the oldest abbeys of the Benedictine rule in France. The story starts in 672, when some of its monks traveled to Montecassino (Italy), dug up the remains of St. Benedict of Nursia (+ 547) and his sister St. Scholastica and brought them home. After the relics had reached at Fleury Abbey it which was renamed Saint-Benoît-sur-Loire - and due to the relics became a major place of pilgrimage. Of course, this did not help when the Normans rowed up the Loire and burned the buildings of the monastery. But the convent recovered and rebuilt. A famous school and a scriptorium existed here in the late 10th century. The erection of the church started around 1071. When the church was consecrated in 1108, the long nave was not completed. The abbey thrived, but times got rougher. In 1562, the abbey was pillaged by Huguenots. The buildings were restored, but looted and destroyed again during the French Revolution. Saint-Benoît's monks left the abbey and so the history of the convent ended after more than 1100 years. The abbey church had escaped destruction and got restored in the 19th century. In 1944, the convent was refounded the abbey buildings were rebuilt by Benedictine monks after World War II. So the history of the convent was just interrupted for about 150 years. "Tour de Gauzlin", the massive porch tower, erected from 1020 on, serves as a narthex for the west entrance. The columns are decorated with interesting capitals, that were probably carved around 1080. One artist, who worked here, was Unbertus. He left a signature. Here are (only partly seen) two capitals with (for me) very cryptical icons. A Lamb of God, approaching riders, a horrible mask, tiny heads on the ground, a star... Are these the Riders of the Apocalypse? On the right capital are 7 heads (relics) are placed on a shelf. A small person hands a book (?) to a large one (floating?). Further to the right a figure lies on the ground (adoring?) in front of a seated person, wearing a sash. There is a small inscription over the besashed figure "I REMIT". So here are from a convent with relics and a scriptorium - and and "eremitage".... Somebody has given all persons blue eyes. Looks like felt pen..

What is the parish church of Boscherville today was, upto the French Revolution the church of the "Abbaye Saint-Georges de Boscherville", founded by a chamberlain of William the Conquerer. The church was erected within the 13th century. It is together with the chapter house the last remaining structure of the abbey. There are some interesting capitals here, that seem pretty rough compared to the carvings around the chapter house.

The "Cathédrale Saint-Étienne de Bourges" was erected as a replacement for a 11th-century structure. The construction started probably in the last quarter of the 12th century, around the same time, when the builders and bricklayers started in Chartres. The choir of the cathedral was in use by 1214, the nave was finished 1255. The cathedral was consecrated in 1324. The western facade was finished by 1270. It is very wide (42m), as the four side aisles and central nave each have their own portal. There are even two more portals, older ones. Here is the southern (side) portal. It is Romanesque, probably created around 1150/60). It was once part of the Romanesque cathedral, that got demolished and was replaced end of the 12th century, by the structure seen today. Here is a detail of that portal. Just behind the corner a giant bear awaits the artless rider in the dense forest.

Saint-Pierre was the church of one of the largest Augustinian abbeys in the Poitou, that was founded in 991 by Audéarde, the wife of viscount Herbert I of Thouars. The monastery was on one of the "chemins" of the Via Turonensis, so when the number of pilgrims increased, the Canons Regular of St. Augustine had this large church erected in two construction phases from the 12th century on. This church is very long and has a wide ambulatory. It could surely host large groups of pilgrims. When the era of the pilgrimage ended, the abbey declined and impoverished during the Hundred Years' War. Most conventual buildings were destroyed in the Wars of Religion. The abbey church now serves the parish. Saint-Pierre has an extraordinary density of medieval carvings. Most of these works are well preserved. Three horsemen ride around the capital on are rather small horses.