Martin M. Miles' photos with the keyword: couple

The town's origins date back to the 7th century. The first known building was a church founded by John of Beverley (+ 721), the later canonized Bishop of York. Around 850, the monastery was dissolved by the invasion of the "Great Heathen Army" of Vikings, and the town became part of the new Kingdom of Jorvik. However, the veneration of John of Beverley ensured that the region's population grew steadily until the 10th century. The Archbishops of York encouraged the development of Beverley. The town, along with York, Ripon, and Southwell, became one of the most important Christian centers in England. After the Norman conquest of England, many pilgrims flocked to Beverley after hearing of the miracles performed by John of Beverley. Many people in the north of England rejected Norman rule. The Normans then ravaged the towns of Yorkshire. Beverley, however, was spared due to the sanctity of the place. Tradition attributes the refoundation of the monastery as a collegiate church of secular canons to King Æthelstan. The establishment of a significant minster and its privileges occurred gradually, but by the early 11th century, Bishop John's tomb had become an important pilgrimage center, as he was canonized in 1037, and his cult encouraged the growth of a town around the minster. A fire in 1188 seriously damaged the minster and the town. A complete rebuilding was required. During the construction, a new lantern tower over the eastern crossing designed to illuminate the shrine of St John was under construction, but it collapsed in 1219 necessitating a partial rebuild of the church. By 1260 the retrochoir, choir, chapter house, transepts, and crossing were complete. Overwhelmingly tall and spacious, and speaking to the increasing skills of the stonecarvers, this new work was radically different from the old Saxon and Norman structure it replaced. It was the product of the novel structural systems and artistic development that together define the Gothic style brought to England in the late 12th century. A hugging (queer?) couple

Until the 9th century the area around Kilpeck was within the Welsh kingdom of Ergyng. After the Norman conquest it became part of Herefordshire. In the Domesday Book of 1086, Kilpeck was given by William the Conqueror to William Fitz Norman de la Mare. The clan de la Mare is one of the oldest in Normandy and is descended from Ragnvald Eysteinsson, earl of Møre and Romsdal. The village of Kilpeck is renowned for its small but outstanding Norman/Romanesque) St Mary and St David's Church. The church was built around 1140. In 1143 it was given to the Abbey of Gloucester. It may have replaced an earlier Saxon church at the same site, and the oval raised form of the churchyard is typical of even older Celtic foundations. When the church was built, the area around Kilpeck was relatively prosperous and strategically important. The economic decline of the area after the 14th century may have helped preserve features which would have been removed elsewhere. However, it is unclear why the carvings were not defaced by Puritans in the 17th century. The carvings in the local red sandstone are remarkable for their number and their fine state of preservation. The carvings are all original and in their original positions. They have been attributed to a Herefordshire School of stonemasons, probably local but who may have been instructed by master masons recruited in France by Oliver de Merlimond. He was steward to the Lord of Wigmore, Hugh Mortimer, who went on a pilgrimage to Santiago de Compostela in Spain and, on his return, built a church with similar Romanesque carvings at Shobdon, 30 miles north of Kilpeck. Hugh de Kilpeck, a relative of Earl Mortimer, employed the same builders here. There are a very large number of corbels. Some are quite peculiar. A couple?

Zamora straddles the Douro River. The Romans named the settlement "Occelum Durii" ("Eye of the Duero"). For the Visigoths, the place was "Semure". In the 710s the town was conquered and a Berber garrison was left in there, but some decades later it was seized by Alfonso I of Asturias. A diocese was established in the town in the early 10th century. Ibn al-Qitt unsuccessfully tried to invade the city in 901, Almanzor eventually seized the city in 966. The place returned to Christian control during the reign of Alfonso V of León. Since the early 11th century the place saw planned repopulating efforts. City walls were also erected in the 11th century. The most notable historical episode in Zamora was the assassination outside the city walls of the King Sancho II of Castile in 1072. Ferdinand I of León had divided his kingdoms between his three sons. To his daughter Urraca, he had bequeathed Zamora. All three sons warred among themselves, till the ultimate winner, Sancho, was left victorious. Zamora, under his sister who was allied with Leonese nobles, resisted. Sancho II of Castile, assisted by El Cid, laid siege to Zamora. King Sancho II was murdered by Bellido Dolfos, a duplicitous noble of Zamora, Bellido Dolfos. After the death of Sancho, Castile reverted to his deposed brother Alfonso VI of León. The Romanesque church of San Cipriano originally dates from the 11th century. It was built with three naves , of which only one still exists today. The exact age is not known, it existed when Fernando II was in Zamora in 1159. Most scholars date it to the 1020s. There are reliefs in various places on and inside the building, one with an inscription from 1093. The church was renovated and rebuilt around 1980. An old couple

Saint-Nazaire was erected in the 12th century. The church has a very elaborate southern portal (prev. upl.). The geometrical design of the archivolts is typical for the "style saintongeais". Above the archivolts are some interesting corbels. The (for me) most enigmatic of the portal´s corbels. There are two different angels and three details (the face is the right corner is turned around, to make it more "visible"). There are two men. One on top of the other. One has the face up, one down. He wears a beard. Inbetween the genitals of the top person?? Or is the top person a woman (headdress)..? ? What is then inbetween them? Male and female genitals??? Maybe you can give some explanation.

Milan is the city capital of the Lombardy and the second most populous city in Italy after Rome. Known during Roman times as "Mediolanum" it was the place, where in 313 Constantine I and Licinius met and "signed" the "Edict of Milan", giving Christianity a legal status within the Roman empire. At the end of the Roman empire Milan was besieged by the Visigoths in 402, looted by the Huns in 452, and taken by the Ostrogoths in 539. Only 30 years later is belonged to the Kingdom of the Lombards, until in 774 Charlemagne defeated the Langobards and added Milan to the Carolingian empire. During Barbarossa´s (Frederik I) "Italian Campaigns" Milan was taken and destroyed to a great extent. The "Basilica of Sant'Ambrogio" is much older and was not destroyed by Barbarossa´s troops. It is one of the most ancient churches in Milan, built by St. Ambrose in 379–386, outside the city of Milan on the site of a cemetery, where the martyrs of the Roman persecutions had been buried. The first name of the church was "Basilica Martyrum". Ambrose, born into a noble family about 340 in (present-day) Trier (Germany), was governor of Liguria and Emilia for two years before he became the Bishop of Milan in 374 by popular acclamation. He was a staunch opponent of Arianism. Only very few traces of the first church can still be found, as in the centuries after its construction, the basilica underwent numerous restorations and reconstructions. The current Romanesque church, mostly built in brickwork, was begun around 1080. In 789, a Benedictine monastery was established here. The canons of the basilica, however, retained their own community. So two separate communities shared the basilica. In the 11th century, the canons adopted orders and became Canons Regular. From then on two separate monastic orders following different rules lived in the basilica. The canons were in the northern building, the cloister of the canons, while the monks were in the two southern buildings. The two towers symbolize the division in the basilica. The 9th century Torre dei Monaci ("Tower of the Monks") tower was used by the monks. However, the canons did not have a bell tower and were not allowed to ring bells until they finished the Canons' bell tower in the 12th Century. This tower got two additional levels in 1889. In 1943 the basilica got severely damaged by bombings. It took a decade to rebuilt and reconstruct the church. The ambo stands on the left side of the nave. From here the monks and canons read the Gospel. The ambo, supported by nine slender ancient columns, was built over a 4th century sarcophagus, known as "Stilicho's Sepulchre", between 1130 and 1143. When the roof of the basilica collapsed in 1196, the ambo got severely damaged, but it got rebuilt already in 1201. Between the ambo and the sarcophagus are some semicircular lunettes. They again differ style and in icons. Couples can often be found in medieval art, but "love-couples", like this one, are pretty rare. Here both partners "float" doing a handshake, the other hand rests on the partner's shoulder.

"Saint-Pierre d'Aulnay" is a church outside of Aulnay, in the center of an old graveyard. The setting has not changed for centuries. For the pilgrims of the 12th century this church was a major halt - and it still is for all the tourists... A predecessing church „Saint-Pierre-de-la-Tour“ had been here, that, when the pilgrimage to Santiago de Compostella got more and more popular, was obviously too small, as Aulnay was conveniently situated between Poitiers and Saintes on the Via Turonensis. A new, larger church was needed, so the place was handed over to the chapter of the cathedral in Poitiers. The canons then probably planned this church, that was erected from about 1130/1140 on. "Saint-Pierre d'Aulnay" (here seen from east) is a gem of the "style saintongeais". For Peter Strafford ("Romanesque Churches Of France") this is "one of the best examples of late Romanesque architecture in what used to be Aquitaine". I have uploaded many photos already taken during previous visits. So I will now add only a few.

Civaux, a village with a population of about 1000, has a history rooting very deep. Humans populated the area already, when stepp bisons and mammoths were hunted. Many "pre-historic" artefacts have been excavated in and around Civaux, proving that this place was inhabited over tens of thousands of years. A settlement stood on the site of the village in Gallo-Roman times, and there are still traces of Roman temples. Excavations have revealed the sites of a theater (capacity 3000), a fortified camp, and the foundations of many villas. This has been a place of very early christianisation. A funeral stele has been found dating to around 400, a pagan temple and a very early baptisterium were excavated next to the church. A polygonal apse was probably built as will around 400, what actually means that this church, dedicated to Saint Gervais and Saint Protais is one of the oldest in France. At that time a kind of pilgrimage must have developed. The relics of Saint Gervais and Saint Protais had been miraculously discovered by Saint Ambrose in Milan in 386, so the saints got very popular in Merovingian times, but that does not explain the enigma of Civaux. The village stands in the center of a huge merovingian necropolis. As many sarcophagi were sold as water basins or troughs in later time, the exact number of graves is unknown. Serious estimations are between 15.000 and 20.000 graves. There are parallels to nearby Saint Pierre in Cauvigny (16 kms north). The same colours as in Chauvigny were used here during the restauration of the interior. At least one of the capitals is very similar to one in Saint Pierre, but some carvings are absolutely unique. The nave dates back to the 11th century, the apse more than 600 years older. Thanks to the friendly lady from the Archaeological Museum I could take photos from the gallery of the church. Merci beaucoup! A couple shaking hands. This carving is pretty unique. It is mostly interpreted as a symbol for marriage. Marriage was recognized as a sacrament in 1184 at the Council of Verona. This capital may be a little older than that. The bride has an enormous long arm and a very large hand. Note that to the left a person is tumbling. We will meet him again.

Colombiers is a small village (pop. 300) in the former marshes of the Seugne river. Life must be hard here in medieval times. Saint-Maclou, the village´s parish church, was erected in the 12th century. It was the church of a priory, dependent from the Benedictian Abbaye Saint-Sauveur in Charroux. The church got altered and modified during the Gothic period (15th.), when it lost its once Romanesque portal. The carved corbels and capitals all around the apse still exist. One of them has this couple. Pope Benedict VIII tried to establish mandatory celibacy for priests and bishops in the 11th century, and it took a while, to spread the news. No priory would have dared to portray the "Bishop and his Wife" on a corbel a century later. So the title can only be "The Pious Knight and his Wife".

A small, Romanesque church, erected in the 12th century, got too small during the time of the Renaissance. It had a wonderful carved facade - and got saved! A second nave was built beside it - and the new facade was constructed "around" the old one, so both styles now are under joined one gable. The church got renovated in the 1990s. Following the "style saintonge", there are three arches on the ground and second tier of five arches. Above these are eleven carved corbels (some of them seem new), supporting a small roof. One of these corbels has this touching scene. A husband returns home and is welcomed by his wife. He must have been away for a long time, as he had made an oath, not to cut the hair, before he would hold her in his arms.

The Benedictian Abbey of Guîtres (20kms south) had founded priory next to a little river here. Within the 12th century the small, but wonderful Romanesque church was erected from the local white stones. The structure is surprisingly complete, only the small "belltower" in the west was added later. Today Saint-Martin is a parish church, surrounded by the graveyard. The facade in the "style saintongue" is a bit weathered. A handsome couple under the roof. He looks a bit stonily, while she clings to him. She may not have the elegance of Gislebertus´ Eve from Autun, but she is a good-looking lady, even after 800 years.