Martin M. Miles' photos with the keyword: John the Baptist

Soria is located on the Douro River at about 1065 meters above sea level. A strategic enclave due to the struggles for territory between the kingdoms of Castile, Navarre, and Aragon, Soria became part of Castile definitively in 1134, during the reign of Alfonso VII. Alfonso VIII was born in Soria in 1155. Booming during the Late Middle Ages thanks to its border location and its control over the cattle industry. In 1380, a court order forbade the Jews to try their own criminal cases in court. In addition, a decree was confirmed, according to which Jews were not allowed to be employed in the royal administration or among the nobility. These resolutions served as the basis for hate speeches that led to the massacre of the Jewish population in 1391. Soria went into a slow decline over the next few centuries. It was damaged greatly during the Peninsular War. The Knights Hospitaller settled in Soria in the 12th century. A document shows that in 1152 the Order had a church dedicated to the Holy Sepulchre, near the bridge over the Duero, the main entrance to the city from the east. A document from 1190 shows that the Hospitallers maintained a hospital here. Only the church was used until the end of the 18th century. The church was left to decay in the 19th century and was used as a cattle shed. Although the surviving buildings were among the first to be declared a Monumento Nacional in the province in 1882, they were left to decay. Only the roof of the church was repaired. Since 1992 the monastery has been part of the medieval section of the Museo Numantino in Soria. Possibly the death of John the Baptist is depicted. On the right, a soldier in chain mail shows the severed head.

Louis the Pious founded the bishopric of Hildesheim in 815. The settlement developed into a town and was granted market rights by King Otto III in 983. Craftsmen and merchants were attracted and the city developed into an important community. By 1167, Hildesheim was an almost completely walled market settlement. At the beginning of the 13th century, Hildesheim had about 5,000 inhabitants, and when Hildesheim received its city charter in 1249, it was one of the largest cities in northern Germany. The clergy ruled Hildesheim for four centuries before a town hall was built and the citizens gained influence and independence. In 1367, Hildesheim became a member of the Hanseatic League. But what is now called Hildesheim was various small "suburbs". After centuries of (sometimes armed) disputes, it was not until the end of the 16th century that a union was created and subsequently at least the inner wall was taken down Old and New Town. During the Thirty Years' War, Hildesheim was besieged and occupied several times. In 1813, after the Napoleonic Wars, the town became part of the Kingdom of Hanover, which was annexed by the Kingdom of Prussia as a province after the Austro-Prussian War in 1866. The air raids on Hildesheim in 1944/45 destroyed large parts of the city. Of the 1500 half-timbered houses, only 200 remained. 90 percent of the historic old town was destroyed in the firestorm. - Bishop Gunthar, who was in office in Hildesheim from 815 to 834 had a small basilica built. This served as the original cathedral. The next cathedral was built by Bishop Altfried in 872 as a cruciform three-aisled basilica with a two-story westwork. The building suffered severe fire damage in 1046. Bishop Hezilo built then incorporated the surviving walls into the new building using the foundation of the former basilica. Until the 14th century, further profound changes took place, but without deviating from the ground plan of the basilica. The side chapels date from the Gothic period. From 1840 to 1850, the original west building, which had fallen into disrepair, was replaced by a neo-Romanesque double tower front, which remained in place until 1945. During the air raids on Hildesheim in WWII, the cathedral was completely destroyed except for the west building, the southern nave arcades, and the outer walls. Only the crypt and the Laurentius Chapel from the 11th century were preserved. The cathedral was rebuilt in a simplified form between 1950 and 1960. The baroque elements were abandoned in favor of a form that took its cue from the early Romanesque style. - In 1001, Bishop Bernward traveled to Rome accompanying Otto III, where he became acquainted with Trajan's Column and the Column of Marcus Aurelius. Especially the relief bands of Trajan's column served him as a model and later appeared on this column as well. The bronze column was cast around 1020. It is 379 cm high and has a diameter of 58 cm. Originally, the column was crowned by a crucifixion group on a capital and thus had a total height of more than 6 m. The column was made using the technique of lost wax casting, an extremely demanding technique at the time. it was placed in St. Michaeliskirche. The appearance of the original capital and decorative cross is not known to this day. The cross was destroyed in 1544 during riots, which were due to the introduction of the Reformation. In 1723 the column was dismantled because it threatened to fall over. The council of the city decided to have it melted down, but this failed due to the commitment of the monks. In 1760, plans were made to sell the column to Hanover to have it melted down there. The column was sold but this time the column was saved by the objection of the abbot and the archbishop. The purchase was reversed and the column was again stored in St. Michaelis. After several attempts to sell and melt down the column, it was to be destroyed again in 1810. But it was saved again. The episcopal official Anton Blum bought the column and now had it taken out of St. Michaelis and staged in the cathedral courtyard. This was motivated by the newfound enthusiasm of the population for the art of the Middle Ages. In 1942 the column was stored in a safe place to save it from imminent destruction in the bombing war. The head of John the Baptist

Slavic Ranen lived on the island of Ruegen and the mainland opposite the island. They were independent heathens up to the middle of the 12th century, and so maybe the last non-Christian people in Central Europe. In 1168 Danish King Valdemar I defeated the Ranen and destroyed "Jaromarsburg" their main sanctuary. After the Danish victory, the Slavic princes became feudatories of the Danish crown and accepted the Christian faith. They founded Strale, which prospered because of the rich herring stocks in the waters, many merchants settled here who saw this as their basis for trade. Already in 1234 Slavic Prince Wizlaw I granted the village the town charter (Lübsches Stadtrecht). Stralsund now became an important trading town in the Baltic region, mainly due to settlers from Westphalia. The German settlers clearly outnumbered the Slavic population already around 1300. From 1325 on Stralsund belonged to Pomerania-Wolgast. In the 14th century, it was the most important Hanseatic city in the southern Baltic region after Lübeck. The 15th century was Stralsund's heyday. Long-distance trade was the most important economic factor. Around 1450, 350 merchants were involved in such trade. In 1488, 50 skippers founded the "St. Marienbruderschaft der Schiffer", the forerunner of the still existing "Stralsund Schiffercompagnie". As early as 1525, the majority of Stralsund's citizens converted to the Protestant faith. After the Thirty Years' War Stralsund belonged to the Kingdom of Sweden for almost 200 years. In 1815 Stralsund came to Prussia. - The town hall and the Nikolaikirche form an impressive architectural ensemble. The planning and construction of the church went hand in hand with the planning of the town hall. The city council was even the trustee for the construction of the new church. The church was initially built as a hall church but following the example of Lübeck's Marienkirche, the unfinished Nikolaikirche was rebuilt into a basilica around 1270. From the beginning, the church was built with brick produces in the region. Around 1308, the enclosing wall of the choir was closed. This is the result of dendrochronological investigations. With the start of construction work on the new choir pillars, the eastern part of the predecessor church, which had still been used until then, was finally demolished. An invoice from 1314 for the ridge turret of the choir indicates the date of completion of this section. Construction of the tower to the west began as early as 1300. Around 1314, when the tower had reached the height of the choir enclosure at 13 metres, the council decided to have two towers built. Around 1350, the construction of the nave between the two towers was completed. - The altar to which the altar wing belonged no longer exists in its entirety. This is a detail of the wing. I have not found out who is depicted here. Perhaps Elisabeth with John the Baptist?

The Cathédrale Saint-Étienne seen today is actually the 5th on the spot. The erection started in 1215 around the same time, when the building of the cathedrals in Reims and Amiens started. The choir was completed in 1235. The stained glass of the choir windows was created until 1250. The same time, the construction of the facade began. Around 1300, construction began on the southern arm of the transept. The sculptured portal is dated to around 1320. The nave was built from around 1320–1350, but the Hundred Years' War slowed the work down and delayed the completion of the south aisle until 1378. The north transept and the towers had not begun at the beginning of the 15th century. In 1478, the nave was vaulted and in 1500 work on the north tower began and was completed after 43 years. The south tower was never completed. The right (southern) of the three western portals. John the Baptist an Jesus are easy to "read", but the bottom tier is difficult. Some scholars think it is connected to "David and Bathsheba".

The abbey was founded at the end of the 7th century by monks from the abbey Saint-Hilaire de Poitiers. In the early years only a small convent existed, dependent from the abbey in Poitiers, just 15kms away. Since 830, when the remains of Saint Junien de Poitou (once befriended with Queen Radegunde) were transferred to the convent, it is known as "Abbaye Saint-Junien". At that time a church was built, equipped with a crypt, to receive the relics. In the 11th century, under the protection of the Counts of Poitou, the abbey prospered and restorations were undertaken. In the 12th century, the vaulted nave was completed and the belltower got erected. During the 100 Years´ War, it was necessary to fortify the abbey. Walls and ditches surrounded the complex in the 14th century. After a century of prosperity, when again buildings got added, the Wars of Religion started and during the siege of Poitiers in 1569, the Protestant army of Gaspard II de Coligny pillaged and burned the abbey. When the troops left choir and cloister were gone, while the nave was relatively spared. The restoration of the damage took a century. In 1734 the abbey only had seven monks, in 1790, when the Revolution had taken over there were only four. The abbey was sold in 1792, the church since then serves the parish. Today large parts are privately owned. All along the nave are some very unusual carvings. May the artistic style be not that surprising, the themes and icons are very specific. Here is a very complex "story" told.

The abbey was founded at the end of the 7th century by monks from the abbey Saint-Hilaire de Poitiers. In the early years only a small convent existed, dependent from the abbey in Poitiers, just 15kms away. Since 830, when the remains of Saint Junien de Poitou (once befriended with Queen Radegunde) were transferred to the convent, it is known as "Abbaye Saint-Junien". At that time a church was built, equipped with a crypt, to receive the relics. In the 11th century, under the protection of the Counts of Poitou, the abbey prospered and restorations were undertaken. In the 12th century, the vaulted nave was completed and the belltower got erected. During the 100 Years´ War, it was necessary to fortify the abbey. Walls and ditches surrounded the complex in the 14th century. After a century of prosperity, when again buildings got added, the Wars of Religion started and during the siege of Poitiers in 1569, the Protestant army of Gaspard II de Coligny pillaged and burned the abbey. When the troops left choir and cloister were gone, while the nave was relatively spared. The restoration of the damage took a century. In 1734 the abbey only had seven monks, in 1790, when the Revolution had taken over there were only four. The abbey was sold in 1792, the church since then serves the parish. Today large parts are privately owned. All along the nave are some very unusual carvings. May the artistic style be not that surprising, the themes and icons are very specific. This may depict Salome´s dance - and the head of John the Baptist. Matthew 14. 6 "But on Herod's birthday, the daughter of Herodias danced before them: and pleased Herod. Whereupon he promised with an oath, to give her whatsoever she would ask of him. But she being instructed before by her mother, said: Give me here in a dish the head of John the Baptist."

Richardis, wife of Charles III (aka "Charles the Fat") and so "Holy Roman Empress", founded the abbey in Andlau ca 880. Later she lived here (as the abbess). She was known for her piety and so she was canonised, when Pope Leo IX paid a visit to the abbey in 1049. Here is one of the ten "medaillons" of the on the former main entrance of Saints-Pierre-et-Paul. A woman and a man standing under an arch. "Huc Elisabe" is written on the arch. So, the woman can only be Eliabeth, wife of Zechariah and mother of John the Baptist. He seems leaving (see his feet), but turns back, while she is saying goodbye to her son, who had decided to live in the desert near the Jordan River.

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by the Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archepiscopal palace, a royal palace and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting him to build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendour of the "Duomo di Monreale" and the adjoining cloister, the only structures of the large complex, that survived the times. The cloister (completed ~ 1200) measures 47x47 metres. Each side has 26 arches resting on columns. The carvings of the capitals (and the columns) are very detailed and complex, the themes vary and some capitals are "hard to read" and interpret.

Sicily, the largest Mediterranean island, has a long history, that starts around 8000 BC, but later there were Phoenician, Carthaginian, Greek and Roman periods. After the Roman Empire had fallen apart the Vandals tried to take over the island but failed. Finally, the Ostrogoths took possession. Mid of the 6th century Sicily was conquered by troops of the Byzantine Empire. After the advent of Islam, Sicily got attacked by the Arab forces. Raids seeking loot continued until the mid-8th century. A Muslim army was sent to the island in 827 but met with much resistance. So it took a century to conquer it and even later revolts constantly occurred In 1038 the Byzantines invaded the island supported by Norman mercenaries, led by Roger. In 1072, after the siege of Palermo, most of Sicily was under Norman control. Roger´s son Roger II raised the status +of the island to a kingdom in 1130. During this period, the Kingdom of Sicily was prosperous and powerful, The court of Roger II became melting out of culture from Europe and the Middle East. This attracted scholars, scientists, artists, and artisans. Muslims, Jews, Greeks, Lombards, and Normans cooperated and created some extraordinary buildings. In 1186 the last descendant of Roger, Constance of Sicily married Emperor Henry VI, the second son of Barbarossa. So the crown of Sicily was passed on to the Hohenstaufen Dynasty. Frederick II, the only son of Constance, was crowned King of Sicily at the age of four in 1198. He became "Stupor Mundi", one of the greatest and most cultured men of the Middle Ages. - William II of Sicily built from 1172 here a fort-like complex of buildings, which included a cathedral, an archepiscopal palace, a royal palace and a Benedictine monastery. In 1183 the monastery became the seat of the archdiocese of Monreale. The town then developed around this complex. According to a legend, William fell asleep while hunting. The Holy Virgin appeared to him in a dream, suggesting him to build a church here. After removing a tree, a treasure was found, whose coins were used to finance the construction. Well, it is much more likely that Monreale was founded in competition with the bishop of Palermo, who had commissioned the large Cathedral of Palermo. This would explain the vast dimensions and the splendour of the "Duomo di Monreale" and the adjoining cloister, the only structures of the large complex, that survived the times. The cloister (completed ~ 1200) measures 47x47 metres. Each side has 26 arches resting on columns. The carvings of the capitals (and the columns) are very detailed and complex, the themes vary and some capitals are "hard to read" and interpret. John the Baptist

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The interior of the baptistery contains sixteen arches, forming alcoves each containing a painted scene. All these are 13th and 14th century frescoes. The dome is like an umbrella - sixteen rays come out of the center of the ceiling. Each corresponds to an arch below. Here are three (of the sixteen) arches. Seen from left to right: NATIVITAS STE JOHANNIS BATISTE The Birth of John the Baptist. His mother Elizabeth, reclined on the bed, watches the midwives performing "the first bath". HIC BATISTATUR CHRIST Christ´s baptism in the River Jordan. The painting is obviously influenced by older icons (Ravenna). Christ is nude - and the River Jordan is personalised. HIC AMPUTAVIT CAPUT JOHANNIS The death of John the Baptist. Seen below is (left) Abramham´s sacrifie - and (right) two battle scenes, probably connected to the cruisades (camels).

Parma, part of the Holy Roman Empire since Charlemagne´s times, was locally ruled by its bishops. During the long Investiture Controversy, Parma was (mostly) member of the Imperial party ("Ghibellini"). Two of Parma´s bishops even became antipopes: Càdalo as Honorius II and Guibert as Clement III. An almost independent commune was created around 1140. After the Peace of Constance confirmed the Italian communes' rights of self-governance in 1183, quarrels with the neighbouring communes (eg Piacenza and Cremona) developed over the trading lines along the Po river. When in 1248 Papist families ("Guelphs") gained control over the city, Emperor Frederick II (aka "Stupor Mundi") besieged Parma with no success. This were the circumstances, when in 1196 the City Council of Parma commissioned the building of the Battistero di San Giovanni to Benedetto Antelami. In 1216 the second tier was completed. The work stopped under a temporary roof. It continued in 1249 and the octagon, located next to the cathedral, was finally completed in 1270. The Baptistery has three (!) portals. Here is the tympanum of one of them. Seated under the semicircular Tree of Jesse is Virgin Mary, young Jesus on her knees. To the left the Magi approach (names written above them) adoring, to the right Joseph gets a message from an angel. On the lintel below Jesus is getting baptised by John the Baptist. John later gets beheaded during an evening meal of the Herodes family.

The Battistero Neoniano (= Baptistry of Neon, Orthodox Baptistry) is the most ancient, still existing structure in Ravenna. The octagon was erected on the site of a Roman bath by Bishop Ursus at the end of the 4th century, as part of The Basilica Ursiana, that was destroyed in 1734, to make room for the Baroque cathedral of today. The baptistery was finished by Bishop Neon at the end of the 5th century, at which time the famous mosaic decorations were added. The center of the ceiling mosaic now in detail. John the Baptist pouring water on Jesus´ head. Jesus stands half immersed in the Jordan River. He seems to be naked! John holds a large cross. Above them is the Holy Spirit. The elderly man to the right is the personification of the Jordan River.

The Battistero Neoniano (= Baptistry of Neon, Orthodox Baptistry) is the most ancient, still existing structure in Ravenna. The octagon was erected on the site of a Roman bath by Bishop Ursus at the end of the 4th century, as part of The Basilica Ursiana, that was destroyed in 1734, to make room for the Baroque cathedral of today. The baptistery was finished by Bishop Neon at the end of the 5th century, at which time the famous mosaic decorations were added. The ceiling mosaic depicts John the Baptist baptizing Jesus, standing waist high in the Jordan River. A procession of the twelve apostles proceeds around the center.

The parish church of Bellenaves, dedicated to Saint Martin, was a part of priory, when it was built in the second half of the 12th century. The carvings in- and outside the church differ totally in artistic style and technic. Here is a very elegant (marble?) capital. Two large bearded men on the sides, a comparably gigantic head in the middle between them. The two men may fight or dance - or just step forward to "showcase" the head. Then this may be the head of John the Baptist.

Notre-Dame-Du-Port constructed probably during the 12th century (on older foundations) and once a stopover on the pilgrim´s way to Santiago, got vandalized during the French Revolution. The furnishings got burned and some carvings on the outside of the church got partly destroyed. Here the southern portal, that got damaged (all faces are lost). The two large sculptures next to the doors are less damaged. On the left is Isaiah (standing on two falling angels) on the right bearded John the Baptist.

Saint-Jean-d'Angély developed once next to the "Abbaye Royale", founded in the 9th century by Pepin I of Aquitaine to house the skull of Saint John the Baptist. Pepin was one of Louis the Pious´ rebellious sons, who deposed their father in 833. During the Viking raids, the abbey was given up, but refounded thanks to Cluny. The abbey got wealthy and important, as most pilgrims, following the Via Turonensis, stopped here to worship the relics. The abbey got looted during the 100 Years War and burned down during the Wars of Religion, the former abbey church never got rebuilt. Rebuilt in the 17th and 18th century, the buildings of the former abbey now house the "Centre de Culture Européenne". The buildings of the Abbey got rebuilt in the 17th and 18th century, but still need a lot of maintenance. The area is used for cultural events. The buildings of the former abbey now house the "Centre de Culture Européenne" and offices of the municipal administration. Some of the former cells are rented out to "pelerins". The double-rooms are - very basic. Maybe the small dorms are better..

Saint-Jean-d'Angély developed once next to the "Abbaye Royale", founded in the 9th century by Pepin I of Aquitaine to house the skull of Saint John the Baptist. Pepin was one of Louis the Pious´ rebellious sons, who deposed their father in 833. During the Viking raids, the abbey was given up, but refounded thanks to Cluny. The abbey got wealthy and important, as most pilgrims, following the Via Turonensis, stopped here to worship the relics. The abbey got looted during the 100 Years War and burned down during the Wars of Religion. Here once was the large abbey church, before the Protestants raided and burnt down the abbey. That was when John the Baptist´s skull got lost. During the 18th century there were plans, to rebuild the church, but then the French Revolution put all that to an end. Only the western part of the church (right) got reconstructed in 1899.

Approaching Saint-Jean-d'Angély, a town that developed once next to the "Abbaye Royale", founded in the 9th century by Pepin I of Aquitaine to house the skull of Saint John the Baptist. Pepin was one of Louis the Pious´ rebellious sons, who deposed their father in 833. During the Viking raids, the abbey was given up, but refounded thanks to Cluny. The abbey got wealthy and important, as most pilgrims, following the Via Turonensis, stopped here to worship the relics. The abbey got looted during the 100 Years War and burned down during the Wars of Religion. The two massive towers are ruins of the former abbey church.