Martin M. Miles' photos with the keyword: prothesis

The fortified parish church of Metnitz, first mentioned in 1121, is best known for its Karner (ossuary) - and the Totentanz (= "Dance of Death", "Danse Macabre"), a fresco that runs all around the octagonal building. The frescoes were done around 1500. In 1970 the original frescoes were removed from the wall and are now save in the local "Totentanzmuseum", next to the church. Since 1989 copies of the originals are seen around the Karner.

The abbey was founded within the 8th century. It is dedicated to Saint Papoul, a disciple of Saint Saturnin, missionary and first bishop of Toulouse. It was believed that Saint Papoul was martyred near the place, where the abbey is now. Later a monk named Berenger (or Berengar) lived a pious life here. After he got canonized his relics attracted the first pilgrims to this place. In the aftermath of the crusade against the Cathars the papal organisation created new (smaller) dioceses to enable a stricter control. So since 1317 the abbey church of Saint Papoul was promoted to a cathedral, holding a bishopric (upto 1801). Saint Papoul is a quiet little village, that is one of my favourite places since a long time. Yes, there are the works of the "Maître de Cabestany", who is known under this name since the 1930s when a tympanum and other carvings were found in Cabestany (near Perpignan), but there is so much more. The range of different artistic styles and icons in Saint-Papoul is enormous. The Romanesque capitals of the former abbey church / cathedral have not only a very specific, rough and "simple" style. Some seem to be themed around injuries. I have the impression, that this capital depicts a work accident - or injuries caused by working with the pickaxe (left). The person has lost his foot (there is a prothesis), he has scars all around his mouth and a deep wound in his cheek. He is in an upright position holding himself onto pegs (?) in the wall. This is the same capital (previous upload), seen from a different angle. It makes clear, that the artist could as well carve as well in a different, softer style.

The abbey was founded within the 8th century. It is dedicated to Saint Papoul, a disciple of Saint Saturnin, missionary and first bishop of Toulouse. It was believed that Saint Papoul was martyred near the place, where the abbey is now. Later a monk named Berenger (or Berengar) lived a pious life here. After he got canonized his relics attracted the first pilgrims to this place. In the aftermath of the crusade against the Cathars the papal organisation created new (smaller) dioceses to enable a stricter control. So since 1317 the abbey church of Saint Papoul was promoted to a cathedral, holding a bishopric (upto 1801). Saint Papoul is a quiet little village, that is one of my favourite places since a long time. Yes, there are the works of the "Maître de Cabestany", who is known under this name since the 1930s when a tympanum and other carvings were found in Cabestany (near Perpignan), but there is so much more. The range of different artistic styles and icons in Saint-Papoul is enormous. The Romanesque capitals of the former abbey church / cathedral have not only a very specific, rough and "simple" style. Some seem to be themed around injuries. I have the impression, that this capital depicts a work accident - or injuries caused by working with the pickaxe (left). The person has lost his foot (there is a prothesis), he has scars all around his mouth and a deep wound in his cheek. He is in an upright position holding himself onto pegs (?) in the wall.

Melle was known already during Roman times, when silver and lead were mined here. The silver mines were exploited over hundreds of years, got forgotten and "rediscovered" in the 19th century. Today they are a tourist attraction. Melle was wealthy and the pilgrims, walking the Via Turonensis, passed through Melle on their way to Santiago, what brought even more money into town. Churches were erected during the heydays of the pilgrimage. Three (!) Romanesque churches can still be found here. Melle must have been a large building site within the 12th century, with hundreds of construction worker and dozends of carvers. Saint-Savinien is the oldest of the three Romanesque churches in Melle. It is as well the most austere church and the only one erected within the city walls in two stages in the 11th and the 12th century. After the French Revolution, the building was used as a prison - upto 1926. Throughoutfully renovated in the 1960s, it serves for cultural events like concerts and exhibitions nowadays. The western facade has some interesting, very rough, archaic carvings, what is a surprise. Master carvers worked on many places not far away (eg Aulnay), later even in Melle. . Here two parts may have been "glued" together. To the left a large fish under the foliage-frieze. The stone may have been turned upside down during the renovation, as the fish´s eye is in strange position. Under the chequered frieze - "Love and Hate". Two couples, while the right one represents harmony, to the left an unarmed person, using a leg prothesis, gets killed by somebody with an axe. - Or - is this a story about murder and rape?

Melle was known already during Roman times, when silver and lead were mined here. The silver mines were exploited over hundreds of years, got forgotten and "rediscovered" in the 19th century. Today they are a tourist attraction. Melle was wealthy and the pilgrims, walking the Via Turonensis, passed through Melle on their way to Santiago, what brought even more money into town. Churches were erected during the heydays of the pilgrimage- and three (!) Romanesque churches can still be found here. Saint-Hilaire de Melle was the church of a priory, a dependency of the important Benedictian abbey in Saint-Jean-d’Angély. It was built on the bank of the Beronne river. The eastern part were built in the first half of the 12th century, while the nave and the western portals may be some decades younger. There are more than 200 carved capitals in- and outside this church. they are done by different carvers and of different qualities. This is from the exterior and it is the by far strangest of all. Here are two men. They share one head, but probably two faces. One leg of the right person is amputated. He uses a prothesis - in a way that makes it impossible to walk. One arm is connected to his shoulder, one hand grows out of his hip. This man faces the onlooker, so his chest is visible. The second person faces into the opposite direction, so his back is seen. He is holding an object with both hands. Conjoined twins can be found on carvings (eg Covet, Anzy-le-Duc) and as well medieval "wooden legs" (eg Colombiers, Saint-Papoul, Lescar), but this "combination" one is weird.

Colombiers is a small village (pop. 300) in the former marshes of the Seugne river. Life must be hard here in medieval times. Saint-Maclou, the village´s parish church, was erected in the 12th century. It was the church of a priory, dependent from the Benedictian Abbaye Saint-Sauveur in Charroux. The church got altered and modified during the Gothic period (15th.), when it lost its once Romanesque portal. Single nave churches, like Saint-Maclou, are typical for the villages of the Saintonge. They may not look spectacular on the first sight. But here in Colombiers are some extraordenary carvings. Most of the frieze-like capitals are similar to the carvings in Marinac. The style differs, but the "story" is the same. In an impenetrable djungle of entwining vines humans fight creatures, lurking through the foliage. The bearded head and the lion my be "green creatures". The most interesting is the fight to the right. The standing man (in the corner) wields an axe and kills the person on the ground. The standing man has his shank partly amputated and wears a prothesis. This prothesis sticks in the mouth of the opponent. After having seen the many (megaphallic) carvings in Champagnolles, I notice, that the prothesis looks very "phallic"..