Martin M. Miles' photos with the keyword: horseshoe

Pont du Gard is a Roman aqueduct that crosses the Gardon River. It is one of the best preserved aqueducts and part of the Nîmes aqueduct, a 50-kilometre system built in the first century AD to carry water from a spring t Uzès to Nîmes, a Roman colony named Nemausus. After the Roman Empire collapsed, the aqueduct fell into disuse. The Pont du Gard remained largely intact, due to the importance of its secondary function. It was used as a toll bridge, so for centuries the local lords and bishops were responsible for its upkeep. Starting in the 18th century the Pont du Gard became a tourist destination. Today it is one of France's most popular tourist attractions with about 1.4 million visitors per year, who all take photos... For centuries, Pont du Gard was a huge, unattended structure, so it is no surprise, that it is covered by graffiti. Most date from the 19th century, when tourists came here, and "left" names and dates. More guild-symbols (maybe!), just like the three hammers (previous upload), here is another hammer (left). In the center is a hammer and two compasses. "Hammer and compass" was the guild symbol of bricklayers. It could as well be a Masonic symbol. The graffito is too old to stand for the national emblem of "East Germany" (GDR). In medieval times the "journeymen" had to travel - and learn for years, before they were allowed to settle down. Some such guilds still exist. "Die Freien Vogtländer" is a German guild www.freie-vogtlaender.eu/de/ This guild is a member of the "Conféderation Compagnonnages Europäische Gesellenzünfte" cceg.eu/?lang=en

Pont du Gard is a Roman aqueduct that crosses the Gardon River. It is one of the best preserved aqueducts and part of the Nîmes aqueduct, a 50-kilometre system built in the first century AD to carry water from a spring at Uzès to Nîmes, a Roman colony named Nemausus. After the Roman Empire collapsed, the aqueduct fell into disuse. The Pont du Gard remained largely intact, due to the importance of its secondary function. It was used as a toll bridge, so for centuries the local lords and bishops were responsible for its upkeep. Starting in the 18th century the Pont du Gard became a tourist destination. Today it is one of France's most popular tourist attractions with about 1.4 million visitors per year, who all take photos... For centuries, Pont du Gard was a huge, unattended structure, so it is no surprise, that it is covered by graffiti. Most date from the 19th century, when tourists came here, and "left" names and dates. This "horseshoe" may be older, as this kind of graffiti was in medieval times often carved in by pilgrims.

Erected within the 10th century, the chapel meanwhile next to a roundabout, just outside Pezens. The road (D6113) runs west to Castelnaudry and was used already by pilgrims on their way to Santiago during medieval times. "Horseshoes" are one both sides of chapel´s portal. These horseshoes are very typical graffiti carved by pilgrims travelling with horses or mules.

Erected within the 10th century, the chapel meanwhile next to a roundabout, just outside Pezens. The road (D6113) runs west to Castelnaudry and was used already by pilgrims on their way to Santiago during medieval times. "Horseshoes" are one both sides of chapel´s portal. These horseshoes are very typical graffiti carved by pilgrims travelling with horses or mules. I found horsehoe-graffiti all along Via Tolosana in Saint-Maximin-la-Sainte-Baume (Var), Arles (Bouches-du-Rhône), Baillargues (Hérault) and here. And many of them on the hospital in Pons (Charente-Maritime), what is part of the Via Turonensis.

The "Basilique Sainte-Marie-Madeleine" in Saint-Maximin-la-Sainte-Baume (pop. ~ 14.000) is one of the largest and most important Gothic churches in of the Provence. - As I have uploaded many fotos taken here during previous visits, I will now add only a few.. - A small merovingien church existed here, until a sarcophagus was discovered inside the church´s crypt in 1279. The inscription made clear, that this was the tomb of Mary Magdalene. Her relics had been venerated in Vezeley since the early 11th century. This had made Vezelay Abbey to a major starting point for the pilgrimage to Santiago de Compostela. According to a legend a monk named Baudillon brought the relics of Maria Magdalene from Saint-Maximin-la-Sainte-Baume to Vezelay. In 1058 Pope Stephen IX had confirmed the authenticity of the relics. It was undisputed that Maria Magdalena was one of the The "Three Marys", who had fled the Holy Land by a miraculous boat and landed at Saintes-Maries-de-la-Mer. After having worked as a sucessful missionar, she retired to a cave in the near mountains. She was buried in a crypt in Saint-Maximin-la-Sainte-Baume, from where the relics had been transferred to Vezelay. The discovery of the tomb in Saint-Maximin-la-Sainte-Baume in 1279 was a very clever "marketing" plot, that put the pilgrim business in Vezelay to a sudden end. Charles II of Anjou, King of Naples founded the Basilique Ste. Marie-Madeleine in 1295. Pope Boniface VIII placed it under the new order of Dominicans. The basilica was built over the crypt (where the tomb was found) but the works slowed down and the basilica never got completed. --- The walls around the stairs, that lead down to the crypt, are covered with graffiti. The "horseshoe" is a very common graffiti carved in by pilgrims on their way to Santiago with a horse, mule or donkey.

The Cahors Cathedral was erected between 1080 and 1135. It got consecrated by Pope Calixtus II in 1119. The same pope, who two years later could imprison his rival "Antipope" Gregory VIII. Four years later, Calixtus ended the Investiture Controversy by agreeing with Emperor Henry V on the Concordat of Worms. During the times of medieval pilgrimage this cathedral was an important place on the "Via Podiensis", as the "Sainte Coiffe" could be venerated here. This "Holy Headdress" was believed to have been used during Jesus' burial. It had been given to Aymatus, Bishop of Cahors, by Charlemagne. A relic similar to the "Shroud of Turin". On the northern side of the cathedral and intricate Romanesque portal faces the "Via Podiensis". This was what the pilgrims saw first - and this portal they used entering the basilica. The carvings are very soft and elegant. The tympanum depicts Christ in a mandorla, surrounded by angles. Very interesting are the archivolts. One of them is populated with hunters and craftsmen. Here is a farrier shoeing a horse. Farriers are highly esteemed artisans since about 2000 years. "The Worshipful Company of Farriers" exists in London since 1356. www.wcf.org.uk The scene is in deed vertically - I made it horizontally...

The "Basilique Sainte-Marie-Madeleine" in Saint-Maximin-la-Sainte-Baume (pop. ~ 14.000) is not only one of the largest but as most important Gothic churches in of the Provence. A small merovingien church existed here, until a sarcophagus was discovered inside the church´s crypt in 1279. The inscription made clear, that this was the tomb of Mary Magdalene. Her relics had been venerated in Vezeley since the early 11th century. Numerous pilgrims had headed to her relics since then and had made Vezelay Abbey to a major starting point for the pilgrimage to Santiago de Compostela. According to legend a monk named Baudillon or Badilo brought the relics of Maria Magdalene from Saint-Maximin-la-Sainte-Baume to Vezelay through fear of the Saracens. In 1058 Pope Stephen IX had confirmed the authenticity of the relics. Until that time it was undisputed that Maria Magdalena was one of the The "Three Marys", who had fled the Holy Land by a miraculous boat and landed at Saintes-Maries-de-la-Mer. After having worked as a sucessful missionar, she retired to a cave in the near mountains. She was buried in a crypt in Saint-Maximin-la-Sainte-Baume, from where the relics had been transferred to Vezelay. The discovery of the tomb in Saint-Maximin-la-Sainte-Baume in 1279, a very clever "marketing" plus political patronage finally ended the pilgrim business in Vezelay. Charles II of Anjou, King of Naples founded the Basilique Ste. Marie-Madeleine in 1295. The basilica had the blessing of Pope Boniface VIII, who had taken Saint-Maximin-la-Sainte-Baume´s side, and placed the basilica under the new order of Dominicans. The basilica was built over the crypt (where the tomb was found) but the works slowed down and continued until 1532. So from 1270 on pilgrims on their way to Arles, a starting point of the Via Tolosana, stopped here - and left a large number of graffiti all around the crypt. These horseshoes are very typical graffiti carved by pilgrims travelling with horses or mules. I found identical graffiti in Pons (Charente-Maritime) and Baillargues (Hérault).

Alyscamps (from Latin "allissi campi" = Champs-Élysées or Elysian Fields) was a Roman necropole next to the "Via Aurelia" just outside Arles. Early Christian martyrs have been buried here, so it not only became a center of pilgrimage, but as well was used as a burial ground untile medieval times. There are still hundreds of sarcophags all around, though the most valuable ones are in the local museum meanwhile. The church of Saint Honoratus, was built on pre-roman foundations 12th and 13th century, but has lots of addons and "renovations". This was a gathering point for pilgrims walking the Via Tolosana. The "Codex Calixtus" from 1139 mentions the tomb of Saint Honoratus. The Alyscamp, we see today, is much smaller than it was before, as the building of the railroad in the 19th. century cut off a big part (now a ruined industry areal). Most of the sarcophags and the walls of the church are covered with carved graffitis. On an outer wall of St. Honoratus. There are layers of many graffitis, some rather weathered. Middle row of stones two small horseshoes / two "signs", maybe letters, 84 / ETIEVANT ???? Bottom row of stones: Piton / 1 JANer 1887, E. LEVY.E / TANET AUGUSTE LE ?? JUIN 1873. Where I put the ? in, I cannot read. There are more smaller ones to the right, but I can´t read them either.

Alyscamps (from Latin "allissi campi" = Champs-Élysées or Elysian Fields) was a Roman necropole next to the "Via Aurelia" just outside the walls of the Christian martyrs have been buried here, so it not only became a center of pilgrimage, but as well was used as a burial ground untile medieval times. There are still hundreds of sarcophags all around, though the most valuable ones are in the local museum meanwhile. The church of Saint Honoratus, built on pre-roman foundations 12th and 13th century, but has lots of addons and "renovations". This was a gathering point for pilgrims walking the Via Tolosana. The "Codex Calixtus" from 1139 mentions the tomb of Saint Honoratus. The Alyscamp, we see today, is much smaller than it was before, as the building of the railroad in the 19th. century cut off the southern part (nowadays a ruined industry areal). Most of the sarcophags and the walls of the church are covered with carved graffitis. Near to one of the entrances of St. Honoratus , there is a horizontal anchor and a horseshoe. The horseshoe may connected to medieval pilgrimage.

Geoffroy III de Pons, Richard Lionheart´s vasall, fortified the town of Pons, placed on a limestone plateau over the valley, during the 12th century. In 1160 Geoffroy founded the "hôpital des pèlerins", outside the walls of the town, as an older one was too small to host the growing numbers of pilgrims following the "Via Turonensis" on their way to Santiago de Compostella. The Knight Templars led the Hopital in the beginning. After 1312 the Bishop of Saintes took over the responsiblity. After the Hundred Years' War and the Wars of Religion the pilgrimage had come to an end. So since the 16th century the Order of St. John of Jerusalem (Knights of Malta) used the buildings as a local hospital, that was closed during the French Revolution. Many places aside the old pilgrimage routes have medieval graffiti. The sandstone walls around the portal of the old hôpital des pèlerins are covered with carved graffiti. A horseshoe like this one is a common pilgrim´s graffiti (see previous uploads). Here there may be a name. Are there greek letters? GAI(SON) ?

Geoffroy III de Pons, Richard Lionheart´s vasall, fortified the town of Pons, placed on a limestone plateau over the valley, during the 12th century. In 1160 Geoffroy founded the "hôpital des pèlerins", outside the walls of the town, as an older one was too small to host the growing numbers of pilgrims following the "Via Turonensis" on their way to Santiago de Compostella. The Knight Templars led the Hopital in the beginning. After 1312 the Bishop of Saintes took over the responsiblity. After the Hundred Years' War and the Wars of Religion the pilgrimage had come to an end. So since the 16th century the Order of St. John of Jerusalem (Knights of Malta) used the buildings as a local hospital, that was closed during the French Revolution. Many places aside the old pilgrimage routes have medieval graffiti. The sandstone walls around the portal of the old hôpital des pèlerins are covered with carved graffiti. A horseshoe like this one, combined with a cross, is a common pilgrim´s graffiti (see previous upload). It is believed, that the pilgrims so ensured a special blessing for their horses, mules and donkeys.

Geoffroy III de Pons, Richard Lionheart´s vasall, fortified the town of Pons, placed on a limestone plateau over the valley, during the 12th century. In 1160 Geoffroy founded the "hôpital des pèlerins", outside the walls of the town, as an older one was too small to host the growing numbers of pilgrims following the "Via Turonensis" on their way to Santiago de Compostella. The Knight Templars led the Hopital in the beginning. After 1312 the Bishop of Saintes took over the responsiblity. After the Hundred Years' War and the Wars of Religion the pilgrimage had come to an end. So since the 16th century the Order of St. John of Jerusalem (Knights of Malta) used the buildings as a local hospital, that was closed during the French Revolution. Many places aside the old pilgrimage route have medieval graffiti. The sandstone walls around the portal of the old hôpital des pèlerins are covered with carved graffiti. The horseshoes, seen here, are very common pilgrim´s graffiti. It is believed, that the pilgrims so ensured a special blessing for their horses, mules and donkeys.

The outer walls of "Saint-Antoine-de-la-Cadoule" are covered with more than 100 graffitis. Most of them show horseshoes in all shapes and sizes. The chapel was part of a larger complex, that was built exactly at the "Via Tolosana" (now N113). It may have been used as a "hopital". Probably pilgrims have stayed here. Some pilgrims may have carved these horseshoes into the walls, to ensure a special blessing from St. Antoine. In Chablis pilgrims nailed horseshoes onto the door of the church, here they carved them into the wall. Here is a photo of that door in Chablis: www.flickr.com/photos/martin-m-miles/3986725207/