Martin M. Miles' photos with the keyword: pelican

A legend tells, that a city called Sybar existed at the time of the Trojan War. It was conquered by the Romans in the 3rd century BC, receiving the new name of Lupiae. After the fall of the Western Roman Empire, Lecce was sacked by the Ostrogoth troops of king Totila. In 549 it was taken by Byzantium and remained part of the Eastern Roman Empire for five centuries, interrupted by brief invasions by the Saracens, Longobards, Hungarians and Slavs. After the Norman conquest in the 11th century, Lecce regained commercial and political importance, flourishing in the subsequent Hohenstaufen and Angevine rule. From the 15th century, Lecce was one of the most important cities of southern Italy, and, starting in 1630, it developed into a centre of Baroque architecture. This was made possible by the soft tuff stone found in the area, perfect for that architecture. - The Chiesa del Gesù (aka "Madonna del Buon Consiglio") was built for the Jesuit order, who settled in Lecce in 1574. A year later the construction started following a design of the Jesuit Giovanni De Rosis, who came from Como. The entire building is inspired by the Chiesa del Gesù in Rome, considered the Mother of the churches of the Jesuit order. Seen above the portal is the emblem of the Society of Jesus adored by two angels. On top of the gable is the sculpture of the Pelican who is breaking his chest to feed his offsprings.

Bitonto, today a city of a population of about 55000, was probably founded by Greek settlers. Traces of a city wall dating to the 5th and 4th century BC were found. Legends tell that the name Bitonto is connected to an Illyrian king named Botone. Later "Civitas Butuntinenses" became a self-governing Roman municipium, A Paleochristian basilica existed very early. During the 9th century, Bitonto successfully withstood a Saracen raid but got destroyed by Byzantine troops in 975. The Normans took over Apulia. In the 11th and 12th century. Under the rule of the Normans of Roger II of Sicily, William I of Sicily (aka William the Wicked) and William II of Sicily (aka William the Good), the city prospered and got new walls. In 1227, Bitonto was the scene of ex-communication of Frederick II accused by pope Gregory IX of having come to terms with the sultan al-Malik al-Kamil. - The Bitonto Cathedral, dedicated to San Valentino, was erected 1175/1200 in the centre of the city. The construction was probably influenced by the "Basilica of San Nicola" in Bari and was done in the typical "Apulian Romanesque" style. It is proven that the bishopric existed in 1089, though the crypt of the cathedral has remains of a 5th-century church. There are three portals. Seen here is the central one, that has a double archivolt, adorned with animal and vegetable figures, on which stands an overarch, richly carved with acanthus leaves and surmounted by a pelican, a bird that symbolizes the generosity of the Church. The overarch is supported by a pair of stone griffins holding prey between the claws. The whole is in turn supported by columns resting on lions.

Bitonto, today a city of a population of about 55000, was probably founded by Greek settlers. Traces of a city wall dating to the 5th and 4th century BC were found. Later "Civitas Butuntinenses" became a self-governing Roman municipium, During the 9th century, Bitonto successfully withstood a Saracen raid but got destroyed by Byzantine troops in 975. The Normans took over Apulia. In the 11th and 12th century. Under the rule of the Normans of Roger II of Sicily, William I of Sicily (aka William the Wicked) and William II of Sicily (aka William the Good), the city prospered and got new walls. In 1227, Bitonto was the scene of ex-communication of Frederick II accused by pope Gregory IX of having come to terms with the sultan al-Malik al-Kamil. - The Bitonto Cathedral, dedicated to San Valentino, was erected 1175/1200 in the centre of the city. The construction was probably influenced by the "Basilica of San Nicola" in Bari and was done in the typical "Apulian Romanesque" style. It is proven that the bishopric existed in 1089, though the crypt of the cathedral has remains of a 5th-century church. There are three portals. The central one has a double archivolt, adorned with animal and vegetable figures, on which stands an overarch, richly carved with acanthus leaves and surmounted by a pelican, a bird that symbolizes the generosity of the Church. The overarch is supported by a pair of stone griffins holding prey between the claws. The whole is in turn supported by columns resting on lions.

Milan is the city capital of the Lombardy and the second most populous city in Italy after Rome. Known during Roman times as "Mediolanum" it was the place, where in 313 Constantine I and Licinius met and "signed" the "Edict of Milan", giving Christianity a legal status within the Roman empire. At the end of the Roman empire Milan was besieged by the Visigoths in 402, looted by the Huns in 452, and taken by the Ostrogoths in 539. Only 30 years later is belonged to the Kingdom of the Lombards, until in 774 Charlemagne defeated the Langobards and added Milan to the Carolingian empire. During Barbarossa´s (Frederik I) "Italian Campaigns" Milan was taken and destroyed to a great extent. The "Basilica of Sant'Ambrogio" is much older and was not destroyed by Barbarossa´s troops. It is one of the most ancient churches in Milan, built by St. Ambrose in 379–386, outside the city of Milan on the site of a cemetery, where the martyrs of the Roman persecutions had been buried. The first name of the church was "Basilica Martyrum". Ambrose, born into a noble family about 340 in (present-day) Trier (Germany), was governor of Liguria and Emilia for two years before he became the Bishop of Milan in 374 by popular acclamation. He was a staunch opponent of Arianism. Only very few traces of the first church can still be found, as in the centuries after its construction, the basilica underwent numerous restorations and reconstructions. The current Romanesque church, mostly built in brickwork, was begun around 1080. In 789, a Benedictine monastery was established here. The canons of the basilica, however, retained their own community. So two separate communities shared the basilica. In the 11th century, the canons adopted orders and became Canons Regular. From then on two separate monastic orders following different rules lived in the basilica. The canons were in the northern building, the cloister of the canons, while the monks were in the two southern buildings. The two towers symbolize the division in the basilica. The 9th century Torre dei Monaci ("Tower of the Monks") tower was used by the monks. However, the canons did not have a bell tower and were not allowed to ring bells until they finished the Canons' bell tower in the 12th Century. This tower got two additional levels in 1889. In 1943 the basilica got severely damaged by bombings. It took a decade to rebuilt and reconstruct the church. The ambo stands on the left side of the nave. From here the monks and canons read the Gospel. The ambo, supported by nine slender ancient columns, was built over a 4th century sarcophagus, known as "Stilicho's Sepulchre", between 1130 and 1143. When the roof of the basilica collapsed in 1196, the ambo got severely damaged, but it got rebuilt already in 1201. The pelican, standing over it´s nest, is a symbol of the sacrifice of Christ. It has lost the head just like the griffon to the left. The manticore (a lion with a human had) on the left is pretty "intact".

Hugh IV, Lord of Lusignan, founded this church opposite his castle in 1024. Legends tell, that the castle was built by Mélusine, a legendary water nymph, for her noble husband. I had met her already in Pathenay. The church was completed in the early 12th century, but underwent a number of alterations over the century. The In 1373, during the 100 Years´ War English troops seized Lusignan, during the siege and the reconquest, led by Bertrand Du Guesclin, the tower - and the vaults collapsed. Already four years later, the damages were repaired. The most interesting work of art (for me) in Lusignan is the nothern portal, seen here. It once opened to a small priory, dependent of the Benedictian Abbey Saint-Junien in Nouaillé-Maupertuis (30kms west), that existed already in Carolingian times. The 23 carved stones around the 12 c. portal depict a medieval bestiary. Here is the left part of the semicircle. A pelican or swan (?), a bull (?), a winged dragon, a cat (?) an elephant, four quadrupeds.