Martin M. Miles' photos with the keyword: Burning Bush

La Chaise-Dieu was founded in 1043 by Robert de Turlande. It was named "Casa Dei", from which La Chaise-Dieu developed. From the 11th to the 13th century, the abbey experienced rapid and significant development. When the founder died in 1067, already 300 monks lived here. In the Auvergne La Chaise-Dieu gained importance similar to that of the Burgundian Cluny Abbey. The abbey received many donations from noble families and administered 42 daughter monasteries. Popes who visited the abbey include Urban II, Calixt II, Alexander III. and Innocent II. In 1342, Pierre Roger, who had lived as a monk in La Chaise-Dieu, became Pope in Avignon under the name Clement VI. He financed a new building of the abbey church, in which he was finally buried. The building was completed in 1378 under the pontificate of Gregory XI, a nephew of Clement VI. Since 1516 La Chaise-Dieu, like most other French abbeys, became "in commendam" so the commendatory abbot drew the revenue of the monastery but without fulfilling the duties of the abbot or even residing at the monastery. Calvinist troops looted the abbey in August 1562. After most of the monastery buildings were destroyed by fire in 1695, they were rebuilt by the monks in the decades that followed. In 1786, Cardinal de Rohan, who was involved in the "Affair of the Diamond Necklace" was exiled to La Chaise-Dieu. While the abbey had 40 monks at that time, religious life ended at the beginning of the French Revolution. La Chaise-Dieu is known for the tapestries, once woven to embellish the monks´ choir. They were commissioned by Jacques de Saint-Nectaire and were woven by a Flemish workshop between 1501 and 1518. The collection includes 14 tapestries of which two are different and may have been ordered by the abbot for his personal use. The 12 other tapestries constitute a complete continuation of the Annunciation to the Last Judgment. An inventory prior to the Revolution mentions 18 tapestries, so four tapestries have therefore disappeared. The tapestries were only exhibited during major liturgical feasts. They were rolled up and kept during the troubles during the Wars of Religion and the Revolution. In 2013 the tapestries were removed. They got restored and returned to the abbey in July 2019. I was lucky to see them in August 2019. The Nativity scene is seen in the centre, left is "Moses and the Burning Bush" (Exodus 3.1), to the right "Aaron with the censer" (Numbers 16:46)

The "Basilica di San Vitale" was erected on an octagonal plan from 526 on, when Ravenna was under the rule of the Ostrogoths, followers of the Arianism. It was completed and got consecrated in 547, when Ravenna was part of the Byzantine Empire. The church combines Roman with Byzantine elements. It is most famous for its wealth of Byzantine mosaics, the largest and best preserved outside of Constantinople. It is one of the most important examples of early Christian Byzantine art and architecture in Europe. The impact, that this church had on the Wesern European architecture, can hardly be overestimated. The Palatine Chapel in Aachen, commisioned by Charlemagne, has strong parallels to San Vitale. The mosaic, below the triforium, depicts Abel and Melchizedek bringing their offerings to the altar. God´s accepting hand is above the altar. On the adjoining spandrals are Isaiah (upper right) and Moses loosening his sandals before the Burning Bush (upper left).