Martin M. Miles' photos with the keyword: spear

There has been a church here since Saxon times and the base of the tower is Saxon. On the west wall is a blocked off Saxon doorway with a later oval window at the top. The battlemented top is later and probably late 12th century. The nave is Saxon/Norman although the clerestory and side aisles were added later. The chancel was rebuilt in the 19th century. 10th century Saxon/Viking crosses are displayed in the north aisle. This is the "Middleton Cross". A warrior with a pointed helmet, sword, axe, spear

One of the first printed records about this gate stated in 1859 "Of all old monuments in the Rhine valley, none as mysterious as the portal (...) near the church in Remagen". The Pfarrhoftor (= Gateway to the parish close) still is enigmatic. It may have been erected for a nearby monastery, that centered around an St. Apollinaris shrine, it may have been in deed a gate to a parish close. Actually it known since the 17th century, when parts of it were found, walled in between the rectory and the encircling wall. The parts were recovered and like pieces of a puzzle joined together. Though the cope stone was lost, the large arch was easy to reconstruct. Wether the smaller side portal originally was left or right is unclear. The 22 carved reliefs here have triggered more than a dozend different theories. I will quote some. The carving style was not appreciated by the art-historians. Already Wilhelm Bode ("Geschichte der Deutschen Plastik") wrote in 1887 that the carver was "without any artistic ambition". For me this portal has parallels in Linden and Goegging. All three portals are roughly carved - and enigmatic, blending christian, pagan and ancient icons. The only point, that is undisputed is, that the portal was erected in the second half of the 12th century. In 1902, when the neo-Romanesque church St. Peter and Paul was erected, the Pfarrhoftor got placed here, next to the new church. A person equipped with helmet, shield and spear standing / posing on the bones of an slaughtered enemy. This may be St. Michael, triumphing over the dragon (with a human face), but there are no wings, no nimbus. For church historian Dr. Koeniger (1947) the icon offers criticism to the knighthood, as the person defiles the bones of an enemy. Or is this virtue triumphing over vice..? Or David (Humalitas) and Goliath (Superbia)? Undisputed is that the triumphator wears a garment, that was widely used by the nobility within the 12th century.

There are two products, this small town, near Riom is pretty famous for. There are the black stones from Volvic, used all over the Auvergne. The gothic cathedral in Clermont-Ferrand is built from the black stones, coming from Volvic. The younger product is the "Volvic" mineral water. Zillions of plastic bottles, filled with Volvic-water leave this place every week or month. Long time before Danone (Evian, Badoit, La Salvetat....) entered the stage in Volvic, this place was owned by St. Priest (aka Priest de Clermont, aka Saint Praejectus), bishop of Clermont. St. Priest was stabbed to death here in 676 and immediately was venerated as a martyr. His sucessor Avitor founded an abbey here, that later was depending from Mozac (1169). The capitals in St. Priest do not have the wonderful, sleek elegance of the carvings seen in the former abbey church in Mozac (5kms east) or Notre-Dame-Du-Port in Clermont-Ferrand (15kms south), but they use the same "icons", that are so typical all over the Auvergne: sirens, griffons, eagles.. Four men around a capital, standing like protecting something, what is behind the "palisade" behind them. In the center is a soldier, wearing a chain mail and holding a spear to the left and a shield to the right. The person to the left has his hand on that spear, while on the right side holds a book. I found in Bernard Craplet´s "Auvergne romane", that these men stand for the four cardinal virtues, as above that fence could be read "sapientia", "iustitia", "fortitudo" and "temperantia". I can read here FORTITUDO, so this is connected to the soldier. The right person with the book may stand for "sapientia". The left person holds a scale in his right hand (not be seen), so he may stand for ""iustitia".

was founded on the banks of the Loire river mid 7th century. It is one of the oldest abbeys of the Benedictine rule in France. The story starts in 672, when some of its monks traveled to Montecassino (Italy), dug up the remains of St. Benedict of Nursia (+ 547) and his sister St. Scholastica and brought them home. After the relics had reached at Fleury Abbey it which was renamed Saint-Benoît-sur-Loire - and due to the relics became a major place of pilgrimage. A famous school and a scriptorium existed here in the late 10th century. The erection of the church started around 1071. When the church was consecrated in 1108, the long nave was not completed. The abbey thrived, but times got rougher. In 1562, the abbey was pillaged by Huguenots. The buildings were restored, but looted and destroyed again during the French Revolution. Saint-Benoît's monks left the abbey and so the history of the convent ended after more than 1100 years. The abbey church had escaped destruction and got restored in the 19th century. In 1944, the convent was refounded the abbey buildings were rebuilt by Benedictine monks after World War II. So the history of the convent was just interrupted for about 150 years. The church, that stands today, was not the first church here. When it was erected, they abbey existed already longer than 400 years. I have the impression, that some spolia from the older structure were "reused" in the left walls. Just like seen on the previous upload, here again are two reliefs "glued" together. Carved into a yellowish stone on the left are two hunters with spear, bugle and three dogs. The artist you created the bovine animals to the right, used a harder, white stone.

Fenioux, a small village with a population of less than 200, has this wonderful parish church "Notre-Dame de l’Assomption". Once the church was dedicated to "Saint-Savinien" and "Saint Pierre". It was built in the 12th century, about the same time, when Aulnay (27kms northeast) was under construction. The church was erected over a Carolingian oratory from the 9th century, of which some parts were integrated into the new building - and so still exist around the choir. The large, western facade, with its five archivolts is breathtaking. Though vandalized during the Wars of Religion and the French Revolution, when many sculptures here lost their heads, this is still extraordenary. There are five semicircular archivolts. The second archivolt has the virtues defeating the vices. On the right a vice is trampled down by a (headless) virtue and killed by a spear, that lancinates his head. The obvious defencelessness of the nude, dying person adds a flavour of excessive violence to the scene. The large angel on the left archivolt comments this by swinging a censer.