Martin M. Miles' photos with the keyword: club

Otranto occupies the site of an ancient Greek city. It gained importance in Roman times, as it was the nearest port to the eastern coast of the Adriatic Sea. After the end of the Roman Empire, it was in the hands of the Byzantine emperors until it surrendered to the Norman troops of Robert Guiscard in 1068. The Normans fortified the city and built the cathedral, that got consecrated in 1088. When Henry VI., son of Emperor Frederick Barbarossa, married Constanze of Sicily in 1186 Otranto came under the rule of the Hohenstaufen and later in the hands of Ferdinand I of Aragón, King of Naples. Between 1480 and 1481 the "Ottoman invasion" took place here. Troops of the Ottoman Empire invaded and laid siege to the city and its citadel. Legends tell that more than 800 inhabitants were beheaded after the city was captured. The "Martyrs of Otranto" are still celebrated in Italy, their skulls are on display in the cathedral. A year later the Ottoman garrison surrendered the city following a siege by Christian forces and the intervention of Papal forces. - Otranto had been one of the last Byzantine strongholds in Apulia, but finally Robert Guiscard could take it. It had probably been such a stronghold, as Otranto had hosted an autocephalous bishopric, only dependent of the patriarchal see of Byzantium since 968. So (Roman) Catholicism had to perform something "convincing" for the so long (Byzantine) Orthodox christians. One was to erect a huge church. The Otranto Cathedral was erected, over ruins of a Paleo-christian church from 1080 on and was consecrated in 1088. It is 54 metres long by 25 metres wide and is built on 42 monolithic granite and marble columns. I had come to Otranto, to see the mosaic. I had planned to stay one night in Otranto, I spent three nights - and still had not seen all the details. I was so overwhelmed, that I took hundreds of photos, but the mosaic is "endless". I will upload only a couple. It was created by a monk named Pantaleon and his workshop between 1163 and 1165. Pantaleon lived at the monastery San Nicola di Casole, located a few kilometres south of Otranto. The mosaic covers the nave, both aisles, the apse and the presbytery. This sums up to a total of 1596 m². About 10 000000 (10 million!) "tesserae" were used. There are scholars, who have counted up to 700 different "stories", that are told here. Though, these "stories" are often disputed, as today's interpretations are mostly very "vague". German historian Carl Arnold Willemsen published the most important book about the mosaic in Italian " L'enigma di Otranto", that since the 1970s is translated in many languages. I followed his theories. Two men armed with round shields and long clubs are fighting. To the left a horse with a mane, that looks like flames and the Tree of Life has developed a leaf or fruit, that looks like a large boxfish.

The abbey was founded at the end of the 7th century by monks from the abbey Saint-Hilaire de Poitiers. In the early years only a small convent existed, dependent from the abbey in Poitiers, just 15kms away. Since 830, when the remains of Saint Junien de Poitou (once befriended with Queen Radegunde) were transferred to the convent, it is known as "Abbaye Saint-Junien". At that time a church was built, equipped with a crypt, to receive the relics. In the 11th century, under the protection of the Counts of Poitou, the abbey prospered and restorations were undertaken. In the 12th century, the vaulted nave was completed and the belltower got erected. During the 100 Years´ War, it was necessary to fortify the abbey. Walls and ditches surrounded the complex in the 14th century. After a century of prosperity, when again buildings got added, the Wars of Religion started and during the siege of Poitiers in 1569, the Protestant army of Gaspard II de Coligny pillaged and burned the abbey. When the troops left choir and cloister were gone, while the nave was relatively spared. The restoration of the damage took a century. In 1734 the abbey only had seven monks, in 1790, when the Revolution had taken over there were only four. The abbey was sold in 1792, the church since then serves the parish. Today large parts are privately owned. All along the nave are some very unusual carvings. May the artistic style be not that surprising, the themes and icons are very specific. Two men or prisoners or slaves are wrestling. They are roped by the men framing the scene, who seem to threaten the wrestlers with clubs. Any idea?

Saint-Genès, erected in the 11th and 12th century, was the church of the priory Saint-Etienne, dependent from the important Abbaye Notre-Dame in Déols. This abbey, now in ruins, had been founded in 917 and developed into one of the most powerful regional institutions. It was one of the first in the Cluniac network. Odo of Cluny (+ 942) was abbot of three monasteries: Cluny, Massy and Deols. This is important, as Saint-Genès has architectural parralells to Cluny II and Cluny III. The building got severely damaged, when Louis VII (aka "Louis le Jeune", 1. husband of Eleanor of Aquitaine) burnt down the town in 1152 during a feud with Abbo II de Déols, a supporter of Henri Plantagenêt (aka Henry II, "Curtmantle", 2. husband of Eleanor of Aquitaine). In 1569 the Huguenots set fire here - and many restorations followed that. During the French Revolution the bell tower was destroyed and the church became a "Temple of Reason". The carvings inside were created by (at least) two different workshops. There are rough and archaic capitals, that are probably older than the more elaborated, "sophisticared" ones. This one is probably from a third workshop. A huge (winged?), (crowned?) snake, that looks like the serpent in Paradise", is devouring a quadruped (dog), the hind feet are already in the snake´s mouth, while the head of the dog (?) is attacked by a second, smaller snake. To the side stands a giant swinging a club. He will kill the snake. Most of the capital´s left side is lost. There may be two small men - and a smaller snake..

The Iglesia de Santiago stands surrounded by macchia at the end of a dust road about a kilometer southeast of Agüero. This isolated place is probably why it is named as well "Ermita de Santiago". It is a very strange structure and I did not have much information about. At one time within the 12th century somebody had started to build a pretty large basilica (- in the middle of nowhere). Obviously money was not an issue, as gifted sculptors and experienced builders left their marks here. Then - some decades later, the building process stopped, the church was never completed. No wonder, that the artist/workshop known as "Master of San Juan de la Peña" is even better known under the name of "Master of Agüero". I had seen his works in San Juan de la Peña and Sangüesa, but what he created here are real masterpieces. Here are the corbels under the tympanum (see previous upload). They flank the wooden door and are easy to be seen by anybody entering the church. These two fierce, devouring lions are a warning. On the left a fully dressed warrior is caught. He is still fighting with a sword and a long club. One of his legs is already in the beasts mouth. One the right an obviously nude lady. Both of her legs are in the beasts mouth - and it looks like she waves farewell to the shocked onlookers.