Scott Holcomb's photos with the keyword: Nikkor-H Auto 1:3.5 f-28mm lens

Juan Bautista de Anza

15 May 2021 1 147
How I transported myself back in time to March 28, 1776, so as to photograph Juan Bautista de Anza as he arrived in San Francisco, will have to remain a secret. Nevertheless, as official photographer of the famous De Anza Expedition, I took this photograph while he surveyed the land for settlement on his noble steed. This photo was taken by a Nikon FE 35mm SLR film camera and Nikkor-H Auto 1:3.5 f-28mm lens with a Hoya HMC 52mm Y(K2) filter using Astrum FN-64 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Metropolitan Nature Reserve

27 Apr 2021 2 2 290
Surrounded by a bustling metropolitan area, a small zone of nature exists to remind city dwellers of it’s value. This photo was taken by a Nikon FE 35mm SLR film camera with a Nikkor-H Auto 1:3.5 f-28mm lens and Hoya HMC 52mm Y(K2) filter using Astrum FN 64 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Watershed

12 Apr 2021 8 2 206
Still waters run deep This photo was taken by a Nikon FE 35mm SLR film camera with a Nikkor-H Auto 1:3.5 f-28mm lens and O56 52mm Nikon filter using Adox CHS 100 II 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Cultural Divide

09 Apr 2021 17 22 255
A wrought copper barrier symbolizes the divide between the wealthy all-male members of the Pacific-Union Club and the outside world. This photo was taken by a Nikon FE 35mm SLR film camera and Nikkor-H Auto 1:3.5 f-28mm lens with a Hoya HMC 52mm Y(K2) filter using Astrum FN-64 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.

Stow Lake

04 Apr 2021 4 4 197
Stow Lake is a manmade lake in Golden Gate Park. The lake has provided San Franciscans with an outdoor escape from the hectic pace of the city since it’s creation in 1893. This photo was taken by a Nikon FE 35mm SLR film camera and Nikkor-H Auto 1:3.5 f-28mm lens with a Hoya HMC 52mm Y(K2) filter using Astrum FN-64 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.