Scott Holcomb's photos with the keyword: Nikon FE
Enhanced Wall Security
19 Dec 2023 |
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Citizens in many countries around the world incorporate broken glass into the top of their walls to discourage intruders, in this case, a small village compound in the high Andes of Ecuador.
This photo was taken by a Nikon FE SLR film camera with a Nikkor-H Auto 1:3.5 f=28mm lens using Efke KB25 B&W film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop.
Juan Bautista de Anza
15 May 2021 |
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How I transported myself back in time to March 28, 1776, so as to photograph Juan Bautista de Anza as he arrived in San Francisco, will have to remain a secret. Nevertheless, as official photographer of the famous De Anza Expedition, I took this photograph while he surveyed the land for settlement on his noble steed.
This photo was taken by a Nikon FE 35mm SLR film camera and Nikkor-H Auto 1:3.5 f-28mm lens with a Hoya HMC 52mm Y(K2) filter using Astrum FN-64 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.
Metropolitan Nature Reserve
27 Apr 2021 |
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Surrounded by a bustling metropolitan area, a small zone of nature exists to remind city dwellers of it’s value.
This photo was taken by a Nikon FE 35mm SLR film camera with a Nikkor-H Auto 1:3.5 f-28mm lens and Hoya HMC 52mm Y(K2) filter using Astrum FN 64 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.
Watershed
12 Apr 2021 |
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Still waters run deep
This photo was taken by a Nikon FE 35mm SLR film camera with a Nikkor-H Auto 1:3.5 f-28mm lens and O56 52mm Nikon filter using Adox CHS 100 II 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.
Cultural Divide
09 Apr 2021 |
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A wrought copper barrier symbolizes the divide between the wealthy all-male members of the Pacific-Union Club and the outside world.
This photo was taken by a Nikon FE 35mm SLR film camera and Nikkor-H Auto 1:3.5 f-28mm lens with a Hoya HMC 52mm Y(K2) filter using Astrum FN-64 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.
Stow Lake
04 Apr 2021 |
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Stow Lake is a manmade lake in Golden Gate Park. The lake has provided San Franciscans with an outdoor escape from the hectic pace of the city since it’s creation in 1893.
This photo was taken by a Nikon FE 35mm SLR film camera and Nikkor-H Auto 1:3.5 f-28mm lens with a Hoya HMC 52mm Y(K2) filter using Astrum FN-64 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.
Pagoda
03 Apr 2021 |
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At the base of the Golden Gate Park’s Strawberry Hill on the shoreline of Stow Lake is the Golden Gate Pavilion, a Chinese peace pagoda presented to San Francisco by it’s sister city, Taipei, in 1976.
This photo was taken by a Nikon FE 35mm SLR film camera and Zoom-Nikkor 43-86mm lens with a Rokinon UV 52mm filter using Kodak Portra 400 135 film, the negative scanned by an Epson Perfection V600 and digitalized by Photoshop.
Home Security System
06 Jan 2021 |
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Tried and tested . . .
This image was shot from a Nikon FE SLR film camera with a Nikkor 50mm 1:1.8 lens using Efke KB25 B&W film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop.
Note: A surprise discovery! - In a camera bag packed away after a 2008 family trip to Ecuador, two rolls of undeveloped film shot by my son, Mason. Developed after a slight delay (June 2013)
Sweet Slumbers
24 Jun 2013 |
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Dreaming of a mud bath, I hope.
This image was shot from a Nikon FE SLR film camera with a Nikkor 105mm 1:2.5 lens using Efke KB25 B&W film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop.
Note: A surprise discovery! - In a camera bag packed away after a 2008 family trip to Ecuador, two rolls of undeveloped film shot by my son, Mason. Developed after a slight delay (June 2013)
100% Lana de Oveja
24 Jun 2013 |
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No synthetics here!!
This image was shot from a Nikon FE SLR film camera with a Nikkor 105mm 1:2.5 lens using Efke KB25 B&W film, the negative scanned by an Epson Perfection V600 and digitally rendered in Photoshop.
Note: A surprise discovery! - In a camera bag packed away after a 2008 family trip to Ecuador, two rolls of undeveloped film shot by my son, Mason. Developed after a slight delay (June 2013)
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