Foreplay
Glories We have Known II
Randy
Boys will be Boys
Passages
Abandoned Road
Headless Whoresman
Churn
Blue Alpha
Dying Sunday
Costa Rican Beauty
The Recliner
In the Pink
Autumn Blues
Casual Beauty
The Walker II
Axes to Grind
True Grit
The Hottest Day of Summer
Glories We have Known III
Faraway Eyes
Harmony
Late Summer Bathers
Philippi Bar
Starry Night
Wholly Communion
Our Lady - Queen of Gargoyles
Precious Cargo
The Many Names for God
Sol y Sombra
Glories We Have Known
Technicians
Chemicals Between Us
Blue Boys
Go Toward the Light III
Rockin' Out
Handsome Face Standing Out in a Crowd XV
Testament
The Great Ore of Babylon
Laundry Day II
All that Rises Must Converge III
Muscle Milk
Watering Hole
An Evening with Caravaggio
Life on Mars
See also...
Gothica


Home of Oz, the Great and Terrible - Cologne, Germany - July, 2006
"...if the wizard is a wizard who will serve..." from The Wizard of Oz - Warner Brothers, 1939
Kölner Dom - officially, Hohe Domkirche St. Peter und Maria
(Please view in larger sizes for best effect)
In 1164, the Archbishop of Cologne, Rainald of Dassel had acquired relics of the Three Kings which had been taken from Milan, Italy by the Holy Roman Emperor, Frederick Barbarossa. The relics had great religious significance and could be counted upon to draw pilgrims from all over Christendom. It was important to church officials that they be properly housed. The loss of the old five-aisled cathedral prompted a building program in the new style of Gothic architecture based in particular on the French Cathedral of Amiens.
The foundation stone was laid on August 15, 1248, by Archbishop Konrad von Hochstaden. The eastern arm was completed under the direction of Master Gerhard, was consecrated in 1322 and sealed off by a temporary wall so it could be in use as the work proceeded. Eighty four misericords in the choir date from this building phase. In the mid 14th century work on the west front commenced under Master Michael. This work halted in 1473 leaving the south tower complete up to the belfry level and crowned with a huge crane which was destined to remain in place, and the landmark of Cologne for 400 years.
Some work proceeded intermittently on the structure of the nave between the west front and the eastern arm but during the 16th century, this ceased.
With the 19th century romantic enthusiasm for the Middle Ages and spurred on by the lucky discovery of the original plan for the façade, it was decided, with the commitment of the Protestant Prussian Court, to complete the cathedral. It was achieved by civic effort, the Central-Dombauverein, founded in 1842, raised two-thirds of the enormous costs (over US$ 1 billion in today's money), while the Prussian state supplied the remaining third. The state saw this as a way to improve its relations with the large number of Catholic subjects it had gained in 1815.
Work resumed in 1842 to the original design of the surviving medieval plans and drawings, but utilising more modern construction techniques including iron roof girders. The nave was completed and the towers were added. The bells were installed in the 1870s.
The completion of Germany's largest cathedral was celebrated as a national event in 1880, 632 years after construction had begun. The celebration was attended by Emperor Wilhelm I.
"...if the wizard is a wizard who will serve..." from The Wizard of Oz - Warner Brothers, 1939
Kölner Dom - officially, Hohe Domkirche St. Peter und Maria
(Please view in larger sizes for best effect)
In 1164, the Archbishop of Cologne, Rainald of Dassel had acquired relics of the Three Kings which had been taken from Milan, Italy by the Holy Roman Emperor, Frederick Barbarossa. The relics had great religious significance and could be counted upon to draw pilgrims from all over Christendom. It was important to church officials that they be properly housed. The loss of the old five-aisled cathedral prompted a building program in the new style of Gothic architecture based in particular on the French Cathedral of Amiens.
The foundation stone was laid on August 15, 1248, by Archbishop Konrad von Hochstaden. The eastern arm was completed under the direction of Master Gerhard, was consecrated in 1322 and sealed off by a temporary wall so it could be in use as the work proceeded. Eighty four misericords in the choir date from this building phase. In the mid 14th century work on the west front commenced under Master Michael. This work halted in 1473 leaving the south tower complete up to the belfry level and crowned with a huge crane which was destined to remain in place, and the landmark of Cologne for 400 years.
Some work proceeded intermittently on the structure of the nave between the west front and the eastern arm but during the 16th century, this ceased.
With the 19th century romantic enthusiasm for the Middle Ages and spurred on by the lucky discovery of the original plan for the façade, it was decided, with the commitment of the Protestant Prussian Court, to complete the cathedral. It was achieved by civic effort, the Central-Dombauverein, founded in 1842, raised two-thirds of the enormous costs (over US$ 1 billion in today's money), while the Prussian state supplied the remaining third. The state saw this as a way to improve its relations with the large number of Catholic subjects it had gained in 1815.
Work resumed in 1842 to the original design of the surviving medieval plans and drawings, but utilising more modern construction techniques including iron roof girders. The nave was completed and the towers were added. The bells were installed in the 1870s.
The completion of Germany's largest cathedral was celebrated as a national event in 1880, 632 years after construction had begun. The celebration was attended by Emperor Wilhelm I.
, , , HelenaPF and 3 other people have particularly liked this photo
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TigerHead club has replied to .t.a.o.n.It's a wpnderful building, the Kölner Dom - and a great photo! Well done!
See pictures of '45, when all buildings around were down,
exept the Dom ...
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