Upstairs at MONA
Reserved Parking
Mauve Blossoms
Watch Your Step!
Richmond Bridge
Dry Stone Wall
What a Goose!
Richmond Bridge
Tasmanian Native-hen
Reflecting on Richmond
Seasons Greetings
This time of year is all about...
The Callington Mill
Red-browed Firetail
The Hazards
A Sunset for New Year's Eve
Relative Proportions
NewYear
'Parked' in Antarctic Sea Ice
Approaching Sunset, Coles Bay
How's Your Headache?
Enjoying the Pack Ice
Across from Coles Bay
Inside MONA #2
Inside MONA
The Horse is Ready
Protea Flower
Old Apple Shed on the Huon
Climbing Guinea Flower
Along the Huon River estuary
Sunset Panorama
Vineyard, Huon Valley
The Garden Through the Window
Antarctica in Hobart
Life's a Beach
Commonwealth Bay Panorama
The bookshelves, Mawson's Hut
Beyond the Stove to the Darkroom
The Acetylene Light, Mawson's Hut
Bunk Space
Cape Denison Panorama
Eroded Timbers, Mawson's Hut
Mawson's Hut
The Dragon on the Wonga Wonga on the Fence
Portrait of a Dragon
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With an earlier shot (see note) I outlined what makes the Museum of Old and New Art (MONA) so unique in Australia. MONA also differs from almost every other Australian museum and gallery by allowing photography (no flash though). Marvellous!
The lady in red is examining what was probably my favourite piece, the "Berlin Buddha". This is a two-part artwork, the nearer component being a very substantial aluminium and steel mould to create the second half facing the camera: a large Buddha (the head apparently came off when cast) made by Zhang Huan from over eight tonnes of incense ash collected from shrines in Shanghai.
It is called the Berlin Buddha because a version was first made in Berlin in 2007. The casting reflects Buddhist teachings about life and death, from existence to nothingness - and (intentionally) is slowly crumbling away, as seen by the surrounding ring of ash on the floor (see the inset note).
Best viewed on black (press 'Z').
The lady in red is examining what was probably my favourite piece, the "Berlin Buddha". This is a two-part artwork, the nearer component being a very substantial aluminium and steel mould to create the second half facing the camera: a large Buddha (the head apparently came off when cast) made by Zhang Huan from over eight tonnes of incense ash collected from shrines in Shanghai.
It is called the Berlin Buddha because a version was first made in Berlin in 2007. The casting reflects Buddhist teachings about life and death, from existence to nothingness - and (intentionally) is slowly crumbling away, as seen by the surrounding ring of ash on the floor (see the inset note).
Best viewed on black (press 'Z').
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have a great day:)
tiabunna club has replied to Annemarie clubYour beautiful capture was seen in Stunning Shots on Black
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tiabunna club has replied to ╰☆☆June☆☆╮ clubwww.ipernity.com/group/332973
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