Basic elements
TSC393 - Low angle
Inside the box
Control room
Paddock
This and that
Plastic vanitas
TSC394 - Rework
Dark plastic
Rework on color version
Taillights
Brake!
edited file
Yore
Better?
Seen Alice?
TSC395 - Vegetables
Chestnut
Eraserhead
Appropriately dressed descending a staircase
Blue variation
Meltdown
Wet paint!
TSC392 - Chimney
Raasepori Castle
#16 Autumn leaves ...
Home museum Kirsti, Rauma
Raasepori Castle
Raasepori Castle
Pair of shoes
Heart on the rocks
Couple on the beach
Dessert
Exhibition
Flora II
Flora I
Mr Nobody's new sombrero
Sámi drum mockup
Mr Nobody wearing a funny mask
#26 A funny sign
Tabula rasa
Mr Nobody thinking ...
Summer moon
Doppio
As time goes by
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Dilemma


Contribution for The 50 Images-Project: Still Life 30/50
I watched the resent Youtube video by Jamie Windsor, where he ponders the dilemma of nostalgia. We are so profoundly affected by it that we have difficult times to come up with anything really new, and especially come up with something groundbreaking.
When it comes to something like still life photography, one immediately starts to think what all makes this form of art entirely polluted by nostalgia: use of earthly tones, soft light, orthodox arrangements, golden rules, and use of classic still life subjects like fruits, flowers and tableware.
Searching with keyword phrase "modern still life" one may find something like still life images by Stephanie Godot, which indeed seems to break the ground, at least a little. Although, also Godot seem to use some nostalgic styles that seem to refer to old advertising images. Even the choice of color palette can be such a choice. But that is unavoidable if one wishes to also sell.
Maybe the whole concept of still life is nothing but trying to feel nostalgic. So, is there a way out of nostalgia? What would be something new, if not completely, then at least profoundly? And how far one can go without afraid of making the image too difficult to become recognized as a still life?
Although, I also do admit one should master the classic styles first before trying to create new. That is what I try to achieve: to master the old, to come up with something new.
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Edited with Snapseed, Glitch Lab and PicMonkey. It turned out quite a challenge alone, to get what I wanted with a poor mobile phone camera. The goal was to make colors bright and pop out. I even had to change the background and take the shot again.
I watched the resent Youtube video by Jamie Windsor, where he ponders the dilemma of nostalgia. We are so profoundly affected by it that we have difficult times to come up with anything really new, and especially come up with something groundbreaking.
When it comes to something like still life photography, one immediately starts to think what all makes this form of art entirely polluted by nostalgia: use of earthly tones, soft light, orthodox arrangements, golden rules, and use of classic still life subjects like fruits, flowers and tableware.
Searching with keyword phrase "modern still life" one may find something like still life images by Stephanie Godot, which indeed seems to break the ground, at least a little. Although, also Godot seem to use some nostalgic styles that seem to refer to old advertising images. Even the choice of color palette can be such a choice. But that is unavoidable if one wishes to also sell.
Maybe the whole concept of still life is nothing but trying to feel nostalgic. So, is there a way out of nostalgia? What would be something new, if not completely, then at least profoundly? And how far one can go without afraid of making the image too difficult to become recognized as a still life?
Although, I also do admit one should master the classic styles first before trying to create new. That is what I try to achieve: to master the old, to come up with something new.
---
Edited with Snapseed, Glitch Lab and PicMonkey. It turned out quite a challenge alone, to get what I wanted with a poor mobile phone camera. The goal was to make colors bright and pop out. I even had to change the background and take the shot again.
Peter_Private_Box, Erhard Bernstein, goandgo, Wierd Folkersma and 8 other people have particularly liked this photo
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So, we can say: Waiting for (Stéphanie) Godot. :-)
Sami Serola (inactiv… club has replied to polytropos clubYes, and it may take awhile...
Indeed, I really think in fruits, flowers and tableware ... time to re-start my brain to another idea of still life ! btw: great example here !
I very much agree that starting with classic themes and techniques is important! Train the EYE and the HAND! I have just realized I have been talking about painting, not photography!The end results are richer and more complex than they would be without a classical foundation. The best way to train the eye/hand is through still life and figure drawing. I was a better painter than photographer. Well, I'm just rambling...........
Sami Serola (inactiv… club has replied to Diane Putnam clubAlthough, in old days painters actually did still life especially to learn imitating the reality (light, textures etc.).
And indeed, figure drawing could actually help one to learn better and more... I have not much thought about that option lately. Drawing a sketch could help improving the composition.
So, rambling (thinking out loud) is always good! Thanks for that, Diane ;-)
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