Terracotta Neck-Amphora Attributed to the Kleophra…
Terracotta Neck-Amphora Attributed to the Kleophra…
Detail of a Terracotta Neck-Amphora Attributed to…
Detail of a Terracotta Neck-Amphora Attributed to…
Mary Cassatt at the Louvre: Etruscan Gallery by De…
The Bellelli Family by Degas in the Metropolitan M…
The Bellelli Family by Degas in the Metropolitan M…
The Bellelli Family by Degas in the Metropolitan M…
The Bellelli Family by Degas in the Metropolitan M…
The Bellelli Family by Degas in the Metropolitan M…
The Bellelli Family by Degas in the Metropolitan M…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of The Bellelli Family by Degas in the Metr…
Detail of Ugolino and His Sons by Carpeaux in the…
Detail of Ugolino and His Sons by Carpeaux in the…
Detail of Ugolino and His Sons by Carpeaux in the…
Detail of Ugolino and His Sons by Carpeaux in the…
Detail of Ugolino and His Sons by Carpeaux in the…
Detail of Ugolino and His Sons by Carpeaux in the…
Ugolino and His Sons by Carpeaux in the Metropolit…
Ugolino and His Sons by Carpeaux in the Metropolit…
Double Ointment Vase with 2 Monkeys and a Lid in t…
Woman at the Mirror by Titian in the Louvre, June…
Woman at the Mirror by Titian in the Louvre, June…
Head of a Yaksha from Sanchi in the Metropolitan M…
Head of a Yaksha from Sanchi in the Metropolitan M…
Fragment of a Railing Coping of a Stupa Protected…
Fragment of a Railing Coping of a Stupa Protected…
Celebrants Venerating an Empty Throne Relief in th…
Celebrants Venerating an Empty Throne Relief in th…
Ayaka Cornice with 3 Narrative Scenes in the Metro…
Ayaka Cornice with 3 Narrative Scenes in the Metro…
Railing Pillar Fragment with a Flowering Vase in t…
Railing Pillar Fragment with a Flowering Vase in t…
Stupa Panel with a Mahapurusa Figure in the Metrop…
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
11 visits
Detail of Ugolino and His Sons by Carpeaux in the Metropolitan Museum of Art, June 2012


Title: Ugolino and His Sons
Artist: Jean-Baptiste Carpeaux (French, Valenciennes 1827–1875 Courbevoie)
Date: 1865–67
Culture: French, Paris
Medium: Saint-Béat marble
Dimensions: Overall (confirmed): 77 3/4 × 59 × 43 1/2 in., 4955 lb. (197.5 × 149.9 × 110.5 cm, 2247.6 kg);
Pedestal (wt. confirmed): 3759 lb. (1705.1 kg)
Classification: Sculpture
Credit Line: Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift, Charles Ulrick and Josephine Bay Foundation Inc. Gift, and Fletcher Fund, 1967
Object Number: 67.250
The subject of this intensely Romantic work is derived from canto XXXIII of Dante's Inferno, which describes how the Pisan traitor Count Ugolino della Gherardesca, his sons, and his grandsons were imprisoned in 1288 and died of starvation. Carpeaux's visionary statue, executed in 1865–67, reflects the artist's passionate reverence for Michelangelo, specifically for The Last Judgment (1536–41) in the Sistine Chapel of the Vatican, Rome, as well as his own painstaking concern with anatomical realism.
Text from: www.metmuseum.org/art/collection/search/204812
Artist: Jean-Baptiste Carpeaux (French, Valenciennes 1827–1875 Courbevoie)
Date: 1865–67
Culture: French, Paris
Medium: Saint-Béat marble
Dimensions: Overall (confirmed): 77 3/4 × 59 × 43 1/2 in., 4955 lb. (197.5 × 149.9 × 110.5 cm, 2247.6 kg);
Pedestal (wt. confirmed): 3759 lb. (1705.1 kg)
Classification: Sculpture
Credit Line: Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift, Charles Ulrick and Josephine Bay Foundation Inc. Gift, and Fletcher Fund, 1967
Object Number: 67.250
The subject of this intensely Romantic work is derived from canto XXXIII of Dante's Inferno, which describes how the Pisan traitor Count Ugolino della Gherardesca, his sons, and his grandsons were imprisoned in 1288 and died of starvation. Carpeaux's visionary statue, executed in 1865–67, reflects the artist's passionate reverence for Michelangelo, specifically for The Last Judgment (1536–41) in the Sistine Chapel of the Vatican, Rome, as well as his own painstaking concern with anatomical realism.
Text from: www.metmuseum.org/art/collection/search/204812
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.