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Stupa Panel with a Mahapurusa Figure in the Metropolitan Museum of Art, October 2023


Title: Stupa panel with a mahapurusa figure, probably a yaksa honring the Buddha
Period: Ikshvaku
Date: 3rd century CE
Culture: India, Kotta Nandayapalem, Karlapalem, Guntur district, Andhra Pradesh
Medium: Limestone
Dimensions: Visible overall: H. 51 1/2 in. (130.8 cm); W. 34 1/2 (87.6 cm); D. 7 1/2 in. (19.1 cm)
Classification: Sculpture
Credit Line: Lent by Amaravati Heritage Centre and Museum, Andhra Pradesh
Object Number: TS.191
This panel depicts a noble figure attended by four dwarfs (ganas), who alternately hold an umbrella aloft, carry a vessel, or raise their hands in reverence. All four have short, corpulent physiques and wear their hair in distinctive topknots. The central figure, dressed in princely garb, stands with his left hand on his hip and holds a large lotus bloom in his right. Such lotus-bearing figures attended by dwarfs represent the last vestiges of the yaksha (nature deity) sculptural tradition in the Andhra territories and the prototype for images of the bodhisattvas, the Buddhist saviors who first appear as attendants to the Buddha.
Text from: www.metmuseum.org/art/collection/search/762020
Period: Ikshvaku
Date: 3rd century CE
Culture: India, Kotta Nandayapalem, Karlapalem, Guntur district, Andhra Pradesh
Medium: Limestone
Dimensions: Visible overall: H. 51 1/2 in. (130.8 cm); W. 34 1/2 (87.6 cm); D. 7 1/2 in. (19.1 cm)
Classification: Sculpture
Credit Line: Lent by Amaravati Heritage Centre and Museum, Andhra Pradesh
Object Number: TS.191
This panel depicts a noble figure attended by four dwarfs (ganas), who alternately hold an umbrella aloft, carry a vessel, or raise their hands in reverence. All four have short, corpulent physiques and wear their hair in distinctive topknots. The central figure, dressed in princely garb, stands with his left hand on his hip and holds a large lotus bloom in his right. Such lotus-bearing figures attended by dwarfs represent the last vestiges of the yaksha (nature deity) sculptural tradition in the Andhra territories and the prototype for images of the bodhisattvas, the Buddhist saviors who first appear as attendants to the Buddha.
Text from: www.metmuseum.org/art/collection/search/762020
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