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Fragment from a Railing Pillar with the Face of a Yakshi in the Metropolitan Museum of Art, October 2023


Title: Fragment from a railing pillar with face of a yakshi
Period: Shunga
Date: ca. 150–100 BCE
Culture: India, Bharhut Great Stupa, Satna district, Madhya Pradesh
Medium: Sandstone
Dimensions: H. 9 13/16 in. (25 cm); W. 4 3/4 in. (12 cm); D. 4 5/16 in. (11 cm)
Classification: Sculpture
Credit Line: Lent by National Museum, New Delhi
Object Number: TS.383
This relief of a tree spirit, sharply chiseled to maximize the play of light and shadow, is a rich record of Shunga-era imagery. We see the power imbued in the goddess revealing herself in anthropomorphic form. The distinctive facial markings, likely tattooed, include auspicious solar markings and a hocked device, perhaps an elephant goad. This tool of elephant commanders likely references Indra, the Vedic god of storms, who rides a celestial elephant in the monsoon clouds and brings rain to the earth. The goddess’s markings and jewelry were noted by Alexander Cunningham in 1873 as still worn by local women, nearly two millennia later. The patterned cloth headcover is interwoven with strands of fragrant flowers from the sala tree.
Text from: www.metmuseum.org/art/collection/search/819858
Period: Shunga
Date: ca. 150–100 BCE
Culture: India, Bharhut Great Stupa, Satna district, Madhya Pradesh
Medium: Sandstone
Dimensions: H. 9 13/16 in. (25 cm); W. 4 3/4 in. (12 cm); D. 4 5/16 in. (11 cm)
Classification: Sculpture
Credit Line: Lent by National Museum, New Delhi
Object Number: TS.383
This relief of a tree spirit, sharply chiseled to maximize the play of light and shadow, is a rich record of Shunga-era imagery. We see the power imbued in the goddess revealing herself in anthropomorphic form. The distinctive facial markings, likely tattooed, include auspicious solar markings and a hocked device, perhaps an elephant goad. This tool of elephant commanders likely references Indra, the Vedic god of storms, who rides a celestial elephant in the monsoon clouds and brings rain to the earth. The goddess’s markings and jewelry were noted by Alexander Cunningham in 1873 as still worn by local women, nearly two millennia later. The patterned cloth headcover is interwoven with strands of fragrant flowers from the sala tree.
Text from: www.metmuseum.org/art/collection/search/819858
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