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Enthroned Buddha in the Metropolitan Museum of Art, October 2023


Title: Enthroned Buddha
Period: Ikshvaku
Date: late 3rd century CE
Culture: India, probably Goli stupa, Guntur district, Andhra Pradesh
Medium: Limestone
Dimensions: H. 16 3/4 in. (42.5 cm); W. 15 in. (38.1 cm); D. 4 1/8 in. (10.5 cm)
Classification: Sculpture
Credit Line: Lent by Brooklyn Museum, New York, Gift of the Ernest Erickson Foundation, Inc.
Object Number: TS.179
Rights and Reproduction: Brooklyn Museum
This Buddha sits on a throne-seat supported by lions that gaze at two long-horned ibex or deer—a reference to the Buddha’s first sermon at Sarnath. The Andhra style of Buddha imagery is a result of cultural exchange across the Indian subcontinent: Sculptural images of the Buddha in the round appeared in the south in the third century CE, at least a century after versions in the north. The Buddhist art of the Deccan was also impacted by pre-Buddhist as well as non-Indian art, both the long-established sculptural tradition of the yaksha, or nature deity, and Roman aesthetic influences stimulated by an upsurge in Indo-Roman sea trade.
Text from: www.metmuseum.org/art/collection/search/762008
Period: Ikshvaku
Date: late 3rd century CE
Culture: India, probably Goli stupa, Guntur district, Andhra Pradesh
Medium: Limestone
Dimensions: H. 16 3/4 in. (42.5 cm); W. 15 in. (38.1 cm); D. 4 1/8 in. (10.5 cm)
Classification: Sculpture
Credit Line: Lent by Brooklyn Museum, New York, Gift of the Ernest Erickson Foundation, Inc.
Object Number: TS.179
Rights and Reproduction: Brooklyn Museum
This Buddha sits on a throne-seat supported by lions that gaze at two long-horned ibex or deer—a reference to the Buddha’s first sermon at Sarnath. The Andhra style of Buddha imagery is a result of cultural exchange across the Indian subcontinent: Sculptural images of the Buddha in the round appeared in the south in the third century CE, at least a century after versions in the north. The Buddhist art of the Deccan was also impacted by pre-Buddhist as well as non-Indian art, both the long-established sculptural tradition of the yaksha, or nature deity, and Roman aesthetic influences stimulated by an upsurge in Indo-Roman sea trade.
Text from: www.metmuseum.org/art/collection/search/762008
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