Regent Street, London by Derain in the Metropolita…
Regent Street, London by Derain in the Metropolita…
Detail of Regent Street, London by Derain in the M…
The Rebuke of Adam and Eve by Natoire in the Metro…
The Rebuke of Adam and Eve by Natoire in the Metro…
Detail of The Rebuke of Adam and Eve by Natoire in…
Detail of The Rebuke of Adam and Eve by Natoire in…
Detail of The Rebuke of Adam and Eve by Natoire in…
Detail of The Rebuke of Adam and Eve by Natoire in…
Salome with the Head of John the Baptist by Solari…
Salome with the Head of John the Baptist by Solari…
Detail of Salome with the Head of John the Baptist…
The Fortune Teller by de La Tour in the Metropolit…
The Fortune Teller by de La Tour in the Metropolit…
Detail of The Fortune Teller by de La Tour in the…
Detail of The Fortune Teller by de La Tour in the…
Detail of The Fortune Teller by de La Tour in the…
Detail of The Fortune Teller by de La Tour in the…
Detail of The Fortune Teller by de La Tour in the…
Detail of The Fortune Teller by de La Tour in the…
Detail of The Fortune Teller by de La Tour in the…
Portrait of Manuel Osorio Manrique de Zuniga by Go…
Detail of the Portrait of Manuel Osorio Manrique d…
Water by Sheeler in the Metropolitan Museum of Art…
Still Life with Oysters by Claesz in the Metropoli…
Detail of Still Life with Oysters by Claesz in the…
Still Life with Oysters by Claesz in the Metropoli…
Detail of The Musicians by Caravaggio in the Metro…
Detail of The Musicians by Caravaggio in the Metro…
Detail of The Musicians by Caravaggio in the Metro…
Detail of The Musicians by Caravaggio in the Metro…
The Musicians by Caravaggio in the Metropolitan Mu…
Portrait of a Carthusian by Petrus Christus in the…
Portrait of a Carthusian by Petrus Christus in the…
Still Life with Skull & Writing Quill by Claesz in…
Detail of View of Cagnes by Soutine in the Metropo…
Detail of View of Cagnes by Soutine in the Metropo…
View of Cagnes by Soutine in the Metropolitan Muse…
View of Cagnes by Soutine in the Metropolitan Muse…
The Abduction of the Sabine Women by Poussin in th…
The Abduction of the Sabine Women by Poussin in th…
Merry Company on a Terrace by Jan Steen in the Met…
Merry Company on a Terrace by Jan Steen in the Met…
Puvis de Chavannes by Rodin in the Metropolitan Mu…
Puvis de Chavannes by Rodin in the Metropolitan Mu…
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
131 visits
Water by Sheeler in the Metropolitan Museum of Art, January 2019


Water,1945
Object Details
Artist: Charles Sheeler (American, Philadelphia, Pennsylvania 1883–1965 Dobbs Ferry, New York)
Date: 1945
Medium: Oil on canvas
Dimensions: 24 × 29 1/4 in. (61 × 74.3 cm)
Classification: Paintings
Credit Line: Arthur Hoppock Hearn Fund, 1949
Accession Number: 49.128
In painting and photography, Sheeler presented his interest in industry’s robust architecture. He viewed American factories and industrial plants as modern-day equivalents to the Gothic cathedrals of Europe. Expressing his belief in machinery’s powerful symbolism, he said, "Industry concerns the greatest numbers—it may be true, as has been said, that our factories are our substitute for religious expression." Here, Sheeler adopted techniques from his photographic practice—cropping, sharply angled views—and applied them to painting, presenting the water plant’s massive system of pipes and buttressed towers as an imposing contemporary monument.
Text from: www.metmuseum.org/art/collection/search/488293
Object Details
Artist: Charles Sheeler (American, Philadelphia, Pennsylvania 1883–1965 Dobbs Ferry, New York)
Date: 1945
Medium: Oil on canvas
Dimensions: 24 × 29 1/4 in. (61 × 74.3 cm)
Classification: Paintings
Credit Line: Arthur Hoppock Hearn Fund, 1949
Accession Number: 49.128
In painting and photography, Sheeler presented his interest in industry’s robust architecture. He viewed American factories and industrial plants as modern-day equivalents to the Gothic cathedrals of Europe. Expressing his belief in machinery’s powerful symbolism, he said, "Industry concerns the greatest numbers—it may be true, as has been said, that our factories are our substitute for religious expression." Here, Sheeler adopted techniques from his photographic practice—cropping, sharply angled views—and applied them to painting, presenting the water plant’s massive system of pipes and buttressed towers as an imposing contemporary monument.
Text from: www.metmuseum.org/art/collection/search/488293
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.