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The Rebuke of Adam and Eve by Natoire in the Metropolitan Museum of Art, February 2019


The Rebuke of Adam and Eve,1740
Object Details
Artist: Charles Joseph Natoire (French, Nîmes 1700–1777 Castel Gandolfo)
Date: 1740
Medium: Oil on copper
Dimensions: 26 3/4 x 19 3/4 in. (67.9 x 50.2 cm)
Classification: Paintings
Credit Line: Purchase, Mr. and Mrs. Frank E. Richardson III, George T. Delacorte Jr., and Mr. and Mrs. Henry J. Heinz II Gifts; Victor Wilbour Memorial, Marquand, and The Alfred N. Punnett Endowment Funds; and The Edward Joseph Gallagher III Memorial Collection, Edward J. Gallagher Jr. Bequest, 1987
Accession Number: 1987.279
Natoire was trained in the studio of François Le Moyne (1688–1737). He won the Prix de Rome and studied in Italy. This picture must have been intended by the younger artist as a tribute to his teacher. It is a pendant to a painting by Le Moyne depicting Adam receiving the forbidden fruit from Eve in the Garden of Eden (private collection). Natoire shared with Le Moyne a predilection for the nude, here depicting with care the rosy and sensual body of the disappointed Eve, a tear glistening on her cheek.
Text from: www.metmuseum.org/art/collection/search/437180
Object Details
Artist: Charles Joseph Natoire (French, Nîmes 1700–1777 Castel Gandolfo)
Date: 1740
Medium: Oil on copper
Dimensions: 26 3/4 x 19 3/4 in. (67.9 x 50.2 cm)
Classification: Paintings
Credit Line: Purchase, Mr. and Mrs. Frank E. Richardson III, George T. Delacorte Jr., and Mr. and Mrs. Henry J. Heinz II Gifts; Victor Wilbour Memorial, Marquand, and The Alfred N. Punnett Endowment Funds; and The Edward Joseph Gallagher III Memorial Collection, Edward J. Gallagher Jr. Bequest, 1987
Accession Number: 1987.279
Natoire was trained in the studio of François Le Moyne (1688–1737). He won the Prix de Rome and studied in Italy. This picture must have been intended by the younger artist as a tribute to his teacher. It is a pendant to a painting by Le Moyne depicting Adam receiving the forbidden fruit from Eve in the Garden of Eden (private collection). Natoire shared with Le Moyne a predilection for the nude, here depicting with care the rosy and sensual body of the disappointed Eve, a tear glistening on her cheek.
Text from: www.metmuseum.org/art/collection/search/437180
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