Location
Lat, Lng: 40.779509, -73.963458
You can copy the above to your favourite mapping app.
Address: Sigmund Pretzel Cart
You can copy the above to your favourite mapping app.
Address: Sigmund Pretzel Cart
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
589 visits
Terracotta Neck-Amphora Attributed to Exekias in the Metropolitan Museum of Art, September 2013


Terracotta neck-amphora (jar)
Attributed to Exekias
Period: Archaic
Date: ca. 540 B.C.
Culture: Greek, Attic
Medium: Terracotta; black-figure
Dimensions: H. 18 1/2 in. (47 cm) diameter 9 3/4 in. (24.8 cm)
Classification: Vases
Credit Line: Rogers Fund, 1917
Accession Number: 17.230.14a, b
Description:
On the body, obverse and reverse, man and woman in chariot accompanied by woman and kithara player
On the shoulder, combat of foot soldiers and horsemen
Black-figure was a cumbersome, restricted, and quite artificial technique. The vases in this room testify to the variety of effect and the forcefulness of expression that is nonetheless permitted. Probably the greatest single black-figure artist was Exekias, who was both potter and painter. Although the essential ingredients of this work are traditional, its particular character is evident in the robust shape, the extraordinary precision and vitality in the figures and ornament, and the perfect relation of the decorative elements to the body beneath.
Text from: www.metmuseum.org/Collections/search-the-collections/250551
Attributed to Exekias
Period: Archaic
Date: ca. 540 B.C.
Culture: Greek, Attic
Medium: Terracotta; black-figure
Dimensions: H. 18 1/2 in. (47 cm) diameter 9 3/4 in. (24.8 cm)
Classification: Vases
Credit Line: Rogers Fund, 1917
Accession Number: 17.230.14a, b
Description:
On the body, obverse and reverse, man and woman in chariot accompanied by woman and kithara player
On the shoulder, combat of foot soldiers and horsemen
Black-figure was a cumbersome, restricted, and quite artificial technique. The vases in this room testify to the variety of effect and the forcefulness of expression that is nonetheless permitted. Probably the greatest single black-figure artist was Exekias, who was both potter and painter. Although the essential ingredients of this work are traditional, its particular character is evident in the robust shape, the extraordinary precision and vitality in the figures and ornament, and the perfect relation of the decorative elements to the body beneath.
Text from: www.metmuseum.org/Collections/search-the-collections/250551
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.