Location
Lat, Lng: 40.779509, -73.963458
You can copy the above to your favourite mapping app.
Address: Sigmund Pretzel Cart
You can copy the above to your favourite mapping app.
Address: Sigmund Pretzel Cart
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
659 visits
Parthian Figure of a Reclining Woman in the Metropolitan Museum of Art, August 2008


Figure of a reclining woman, 2nd century b.c.–2nd century a.d.; Parthian period
Mesopotamia
Alabaster (gypsum)
L. 2 7/8 in. (7.3 cm)
Purchase, Catharine Lorillard Wolfe Gift, 1886 (86.16.3)
This alabaster figurine is of a nude woman reclining on her left side. Her left arm, which would have supported her body, is missing. The right arm is extended along her side, with the tips of her fingers resting lightly on her thigh. Faint bands at the woman's neck indicate creases; the subtle folds of flesh along the right side of the torso emphasize the full curves of her figure. Reclining figures are common among Greek terracottas, and the appearance of the posture in Mesopotamian sculpture may reflect the influence of Greek terracotta manufacturing centers along the eastern Mediterranean. The majority of Greek terracottas of this type are male, however, as are reclining figures depicted in Greco-Roman funerary reliefs. In Mesopotamia, the opposite is true: whether the figurine is fashioned of alabaster or terracotta, the subject is usually a woman. While the treatment of the body and graceful pose of the present sculpture undeniably betray Hellenistic influence, the creases at the neck, the drilled navel, and the voluptuous form are elements of an established local tradition.
Text from: www.metmuseum.org/toah/ho/05/wam/ho_86.16.3.htm
Mesopotamia
Alabaster (gypsum)
L. 2 7/8 in. (7.3 cm)
Purchase, Catharine Lorillard Wolfe Gift, 1886 (86.16.3)
This alabaster figurine is of a nude woman reclining on her left side. Her left arm, which would have supported her body, is missing. The right arm is extended along her side, with the tips of her fingers resting lightly on her thigh. Faint bands at the woman's neck indicate creases; the subtle folds of flesh along the right side of the torso emphasize the full curves of her figure. Reclining figures are common among Greek terracottas, and the appearance of the posture in Mesopotamian sculpture may reflect the influence of Greek terracotta manufacturing centers along the eastern Mediterranean. The majority of Greek terracottas of this type are male, however, as are reclining figures depicted in Greco-Roman funerary reliefs. In Mesopotamia, the opposite is true: whether the figurine is fashioned of alabaster or terracotta, the subject is usually a woman. While the treatment of the body and graceful pose of the present sculpture undeniably betray Hellenistic influence, the creases at the neck, the drilled navel, and the voluptuous form are elements of an established local tradition.
Text from: www.metmuseum.org/toah/ho/05/wam/ho_86.16.3.htm
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.