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Mosaic Floor Panel in the Metropolitan Museum of Art, September 2009


Mosaic floor panel
Roman, Imperial, 2nd century AD
Excavated from a villa at Daphne near Antioch (modern Antakya, Turkey), the metropolis of Roman Syria.
Accession # 38.11.12
The rectangular panel represents the entire decorated area of a floor and was found together with another mosaic (now in the the Baltimore Museum of Art) in an olive grove at Daphne-Harbiye in 1937. In Roman times, Daphne was a popular holiday resort, used by the wealthy citizens and residents of Antioch as a place of rest and refuge from the heat and noise of the city. American excavations at Daphne in the late 1930s uncovered the remains of several well-appointed houses and villas, including the one that contained this mosaic. At the center is a panel (emblema) with the bust of a woman, decked out with a wreath of flowers around her head and a floral garland over her left shoulder. Traditionally identified as Spring, the figure is probably the representation of a more generic personification of abundance and good living, well situated to the luxurious atmosphere created at Daphne by its rich patrons.
Text from the Metropolitan Museum of Art label.
Roman, Imperial, 2nd century AD
Excavated from a villa at Daphne near Antioch (modern Antakya, Turkey), the metropolis of Roman Syria.
Accession # 38.11.12
The rectangular panel represents the entire decorated area of a floor and was found together with another mosaic (now in the the Baltimore Museum of Art) in an olive grove at Daphne-Harbiye in 1937. In Roman times, Daphne was a popular holiday resort, used by the wealthy citizens and residents of Antioch as a place of rest and refuge from the heat and noise of the city. American excavations at Daphne in the late 1930s uncovered the remains of several well-appointed houses and villas, including the one that contained this mosaic. At the center is a panel (emblema) with the bust of a woman, decked out with a wreath of flowers around her head and a floral garland over her left shoulder. Traditionally identified as Spring, the figure is probably the representation of a more generic personification of abundance and good living, well situated to the luxurious atmosphere created at Daphne by its rich patrons.
Text from the Metropolitan Museum of Art label.
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